from issue 75

Finding

Bowhead Butchering

Justin Nobel

From Justin Nobel’s photo series Nunavik, Summer 2008. Nobel’s work has appeared in Bay Nature, the Chicago Tribune, Montreal Gazette and Audubon.

 
Click image for gallery

 


Click image for gallery

 

In the sum­mer of 2008, Justin Nobel trav­elled to Nunavik, a group of four­teen com­mu­ni­ties in north­ern Quebec inhab­ited by about 12,000 peo­ple, most of them Inuit, and about 4,000 vis­i­tors a year, mainly min­ers and hunters. In the com­mu­nity of Kangiq­sujuaq, Nobel pho­tographed the whalers who par­tic­i­pated in the first offi­cial bow­head whale hunt off Nunavik’s Hudson Strait coast in over a hun­dred years. Fisheries and Oceans Canada had issued a licence for the 2008 hunt after the Committee on the Status of Endangered Wildlife in Canada changed the bowhead’s sta­tus from endan­gered to threat­ened in 2005. Residents of the area gath­ered for the butcher­ing of the bow­head meat, which was then given to the com­mu­ni­ties in Nunavik. However, a bull­dozer that was sup­posed to be brought in to flip the whale had trou­ble get­ting to the site, and much of the meat rot­ted. After three days, the stench of the car­cass was so potent that some spec­ta­tors vomited. 


During the High Arctic Relocation in 1953 and 1955, the Canadian gov­ern­ment moved Inuit fam­i­lies from north­ern com­mu­ni­ties, includ­ing Nunavik, to the more north­ern set­tle­ments of Resolute Bay and Grise Fiord to strengthen Canada’s sov­er­eignty over the Arctic dur­ing the Cold War. The set­tlers had to adjust to a colder, harsher cli­mate and a very dif­fer­ent set of wildlife pat­terns, and hunt­ing was dif­fi­cult. During the 1993 Royal Commission on Aboriginal Peoples, those who sur­vived gave accounts of unimag­in­able hard­ship and depri­va­tion. To hon­our the Inuit who suf­fered dur­ing the High Arctic Relocation, two mon­u­ments will be unveiled in Nuna­vut in September 2010. The unveil­ing was sched­uled for September 2009, but it was delayed by a year because the stone used for one of the mon­u­ments — local Grise Fiord gran­ite — was so hard to work with that the artist broke more than twenty dia­mond blades in comple­ting the work.

1 Comments

Bowheads

No one ever said it was easy.

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