I didn’t actually read Ian McEwan’s Amsterdam (Knopf) at the cottage, but I did write this note there, during a week spent blissfully alone. The only men around were the ones in this book: Clive, a prominent composer, and Vernon, the editor of a high-quality newspaper, are friends and ex-lovers of Molly, who has just died.

Something Drastic by Colleen Curran (Goose Lane) found its way to the cabin because I was tired of reading serious books. This is not a new book (it came out in 1995) so I must have missed it the first time around, but it is funny and refreshing.

In the note accompanying Geist’s copy of jacks: a gothic gospel (Livres DC Books), the book’s author Anne Stone recommends it for review, or for “hanging out on a coffee table as an orange object.” And, although it is a lovely orange object, jacks is also worth a thorough read. It tangles the reader in a kind of rhythmic spell, which Stone achieves in part by creating carefully skewed repetitions, echoing significant words, phrases and characters in slightly different ways.

The next time I was up at the cabin I read Beach Boy, by Ardashir Vakil (Hamish Hamilton), an orange book that caught my eye on the New Arrivals rack at my local library. The book’s narrator is a precocious eight-year-old named Cyrus Readymoney, whose energy and curiosity fuel his intense investigations of his neighbourhood and other parts of Bombay.

A Way of Being Free (Phoenix House), a slim volume containing twelve essays, resonate with the lyrical prose style also found in Okri’s famous novel, The Famished Road, and they speak even more directly about the matter of human-being.

My friend wrote that the first part of Bernhard Schlink’s The Reader (Vintage) is “brilliantly erotic, hauntingly poetic and very romantic.” Part Two, my friend wrote, is “a hideous trial of Germans by Germans. Post-war youth condemned their parents to shame, not only for what was done during the war, but also for tolerating the perpetrators in their midst after 1945.”

I was up at the cabin, reading Blindness by José Saramago, translated from the Portuguese by Giovanni Pontiero (Harcourt Brace & Co.) when the power went out. It was about four in the afternoon so I could still read by the light from the window, but I knew it would be getting dark soon so I tore myself away long enough to make dinner because I hate cooking by flashlight.

The River Midnight by Lilian Nattel (Knopf) made me miss men a little, because it is a very sexy book. This is surprising, because it is about life in a Jewish village in Poland at the turn of the century, a place where women cut off their hair and wear wigs after they are married, and where the sexes are segregated during religious celebrations.

I remember laughing a lot when I saw the films My Beautiful Laundrette and Sammy and Rosie Get Laid, both written by Hanif Kureishi, and I also laughed when I read his novel The Buddha of Suburbia, so I was hungry for more comic vision in his latest novel, Intimacy (Scribner). What I got, however, gripped my guts and my mind with existential torment.