Your prose will flow more smoothly if you narrate things in the order in which they happened.
Sentences can be large, they can contain multitudes—but not literary litter.
When did we stop living in a place and start being “based” there, as in “Jane Geist, based in Toronto”?
Luanne Armstrong interviews Mary Schendlinger on: types of editing, from developmental, structural, to copyediting; writing Geist buys; finding an editor; the term "creative non-fiction."
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