Writer's Toolbox

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Sentences can be large, they can contain multitudes—but not literary litter. more

Writer's Toolbox

If it’s well written, that is. more

Writer's Toolbox

Who did what? If you are writing about people, put them in the sentence. more

Writer's Toolbox

The abbreviation “CBC” is not an acronym. Really. more

Writer's Toolbox 1 Comments

Your prose will flow more smoothly if you narrate things in the order in which they happened. more

Writer's Toolbox

When did we stop living in a place and start being “based” there, as in “Jane Geist, based in Toronto”? more

Writer's Toolbox

Luanne Armstrong interviews Mary Schendlinger on: types of editing, from developmental, structural, to copyediting; writing Geist buys; finding an editor; the term "creative non-fiction." more

Writer's Toolbox

Stop, look and listen before you use the verb to see. more

Writer's Toolbox 2 Comments

Use constructions like these sparingly: “She found herself shouting at him”; “Suddenly I found myself shopping in an X-rated video store.” more

Writer's Toolbox

Close your eyes and freewrite one page. more

Writer's Toolbox

The death of narrative finds its roots in the optical culture of the twentieth century. more

Writer's Toolbox 1 Comments

It may sound sexy, but it isn't—not in a strong narrative, anyway. more

Writer's Toolbox

It isn't always a pretty sight when one part of speech gets turned into another. more

Writer's Toolbox

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