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Michael Hayward

VIFF: "Mademoiselle de Joncquières"

This French period film from Emmanuel Mouret follows in the footsteps of "Les Liaisons Dangeureuses," as (bachelor) Marquis and (widowed) Marquise engage in a verbal duel of wits and manners. Read more

Michael Hayward's Blog

VIFF: "Roma"

Alfonso Cuaron's new film, set in Mexico City in 1970/71, is a rich and complex drama in which the slow unravelling of domestic life takes precedence over larger events. Read more

Michael Hayward's Blog

Michael Hayward on Gathie Falk's memoir Apples, etc. Read more

Reviews

Michael Hayward on Memoirs from Beyond the Grave by François-René de Chateaubriand Read more

Reviews

VIFF: "This Mountain Life"

One of the hits of VIFF 2018 returns to the Vancity Theatre. Read more

Michael Hayward's Blog

VIFF 2018: "14 Apples" and "Grass"

At any film festival there will be hits and misses: films that you'll rate 5 out of 5, and other films which "didn't work for you," which you'll rate 1. Here are brief reviews of two of my 1s from this year's VIFF. Read more

Michael Hayward's Blog

VIFF 2018: "3 Faces"

Another film from Iranian director Jafar Panahi, who somehow manages to produce fine work, despite being under a 20-year ban prohibiting him from directing movies or writing screenplays. Read more

Michael Hayward's Blog

VIFF 2018: "Becoming Astrid"

A somewhat routine but enjoyable biopic on the early years of Astrid Lindgren, creator of Pippi Longstocking. Read more

Michael Hayward's Blog

Michael Hayward on Laura Elkin's memoir/cultural exploration Flâneuse. Read more

REVIEWS

VIFF 2018: "The Proposal"

A documentary by New York artist Jill Magid, depicting her attempts to gain access to the professional archives of Luis Barragán, Mexico’s most famous architect. Read more

Michael Hayward's Blog

VIFF 2018: "Hendi and Hormoz"

Hendi and Hormoz is one of those films that VIFF is best at: a human story set in an unfamiliar culture and geography, which draws you in because the dilemmas faced by the characters are, to some extent, universal. Read more

Michael Hayward's Blog

VIFF 2018: "The Happy Prince"

An interesting, but flawed, film about the last years of Oscar Wilde, who lived (and died) in a kind of self-exile in Paris following his release from prison. Read more

Michael Hayward's Blog

VIFF 2018: "A Paris Education"

This black-and-white film, about a young student filmmaker learning his craft in Paris, is an affectionate tribute to the French "New Wave" cinema of the late 1950s and 1960s. Read more

Michael Hayward's Blog

VIFF 2018: "Seder-Masochism"

One of the most dazzling animated features that you're ever likely to see, this one-woman tour-de-force is a very personal, very musical, take on the Exodus story, blended with tales from the Passover Seder tradition. Read more

Michael Hayward's Blog

Michael Hayward on László Krasznahorkai's The Manhattan Project. Read more

Reviews

Michael Hayward on books that may make you a better writer. Read more

Reviews

Michael Hayward on a selection of Notting Hill Editions' latest releases. Read more

Reviews

Michael Hayward on "Autumn" by Karl Ove Knausgaard. Read more

Reviews

Cole’s most recent book, Blind Spot (Random House), a generous hardcover printed on glossy stock, presents Cole’s photographs on recto pages, with brief, allusive essays on the facing verso page. Read more

Reviews

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