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Geist 3

Childhood photographs are merciless, and state the passing of time with inarguable clarity. We dig them out of our archives, learn how we were as children, as young women, and too often we do not recognize each other. Read more

UNKNOWN

Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind Read more

Essays

Our film is a semi-documentary. We are ourselves, up to a point; beyond this point is the "semi," a region with boundaries that become more or less imprecise, according to our view of them. In one sense, it is semi from beginning to end, for we would Read more

Essays

1. Remove harbour pins/securing hooks. 2. Release grips clear off the boat. 3. Check boat is clear to be lowered. Read more

Lists

The folks at Mercury Press report that the mysterious graphic on the cover of their catalogue (reviewed in Geist 2) is "an Orange Griffen photograph of an arrow painted on a road. The location of the road remains a secret." Hmm, sounds like a challen Read more

Reviews

A Gibsons, B.C. reader wrote in response to my review of Press Gang Publishers' catalogue (Geist 1), including that it was "not stapled, so recycle worry-free." She advises that recycling-wise, staples are much more acceptable than glue and are pulle Read more

Reviews

ADVICE FOR THE LIT-LORN
WRITING QUESTIONS, QUANDARIES & PICKLES

 

Am I racking or wracking my brains?

 
—Dana Webster, Chicago IL
 

Read the answer from Geist Editors!

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