During the hiatus, a man in a black suit appeared in the Geist Gallery in Toronto and identified himself as a builder of ornithopters, or perhaps he said he was a promoter of ornithopters (this was during the hiatus, when nothing was clear; in any event his field was ornithoptery). I couldn’t remember what an ornithopter was but I could see one in my mind: the question was, what did an ornithopter do? The ornithopter man was accompanied by a well-dressed woman who never stopped smiling.
The French writer Julien Gracq, who will be ninety-seven this year, is a living link to the era of Louis Aragon and André Breton. Gracq has avoided the kind of recognition that most modern writers crave (he refused the Prix Goncourt in 1951), and his body of work is little known on this continent.
Geist is the Canadian magazine of ideas and culture—every issue brings together a sumptuous mix of fact + fiction, photography and comix, poetry, essays and reviews, and more of the weird and wonderful from the world of words.
Geist distills the Canadian imagination into a tactile, stackable, admireable, finishable and entirely shareable magazine.
Notes & Dispatches from JORDAN KAWCHUK, GRAINNE DOWNEY, JOSE TEODORO, JESSICA BAKAR, and ALEXIS MACISAAC; Poetry by DENISE DA COSTA; New fiction by GRACE BOWNESS; Feature essays from JUDY LEBLANC and DANIEL ALLEN COX ...and much more!
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