Exclusive photos of the artist hard at work on RED: A Haida Manga

Wade Davis recalls being taught photography by Tod Papageorge: "he was an inspired teacher, in good measure because he had no interest in soliciting student opinion about anything."

The resource towns along the west coast of Canada— those that have survived, and those that haven't— tell a story of land's end, as a place and as a possibility.

In 2005, James Long discovered an abandoned suitcase filled with photo albums in the alley behind his house. The photographs in the albums and the process of tracing them—and even finding members of the family who “appear” in them.

A series of photogLouie Paluraphs consider the history and changing geopolitics of the polar region.

Arnaud Maggs specialized in portrait-style photography, which captured the subject in numerous profile and frontal views.

The photographer’s unique view on the American social landscape.

Gender performance and colonial mimicry through the family archive

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For centuries the Saharawis have called the desert home, but they don't belong here. At least not on this side of the Wall.

George Webber visits and photographs the largest independent adult video store in Calgary.

The Howard and Carole Tanenbaum Photography Collection.

"Every time we visit my great-grandma's grave, we close our eyes and follow her footsteps across the sea, and back again."

Fireside Truck Stop, Rancheria, Bear Flats Lodge, Lum 'n Abner's—just a few of the disappearing outposts along the Alaska Highway.

In his photograph, Unit A, Ninth Floor, George Webber captures the last haunt of Diane Arbus, one of the most influential photographers of the 20th Century.

At Au Lutin Qui Bouffe, patrons were photographed pulling the tail of a beribboned piglet that was wheeled on a cart from table to table.

The message on the sign under the elevated railway read, “The John Molson Way,” and seemed to have been designed to resemble a six-pack of Molson Canadian. These were confusing signals and for some moments I couldn’t understand what the sign, with it

These photographs depict a performance by William Davison and Sherri Lyn Higgins outside the Art Gallery of Ontario in Toronto in September 2002. The tableau vivant consisted of three ten-minute poses loosely based on the 1928 René Magritte painting

One summer I began taking pictures of people on the street surreptitiously, by holding the camera at my waist and aiming it at passersby when they were about six feet away.

Michel Huneault's documentary project, Post Tohoku, records the effects of the 2011 earthquake in Japan on collective and individual memory.

Large-scale photographs of small-town Canada.