Rituals, prayers and patience—holidays during a pandemic.

A selection of sourced images from Jonah Samson's book, "Yes Yes We're Magicians," the title of which is taken from a passage of Samuel Beckett's absurdist play, "Waiting for Godot."

Border photography along the 49th parallel.

Libby Simon remembers the old wooden floor radio that brought Papa news of the war announced by the Voice of Doom.

Creative inspiration and the meaning of art can be found anywhere—often by accident.

A photo recently exhibited as a part of George Webber: Portrait at the Art Gallery of Calgary.

One of the first pleasures of taking pictures is finding out what something looks like when it gets into a photograph. This is often what motivates young photographers, who are always surprised (sometimes delighted and sometimes horrified) by what th

A selection of photographs from Thomas Gardiner's Western Canada project.

The Asian economic crisis of 1997 crippled real estate development in Bangkok, but it also provided unexpected opportunities for some of Thailand’s poorest people—and their elephants.

The special responsibility of those who chose to live in suburbia was to be “happy”: happiness was the point of suburbia, and its great moral burden.

A snapshot in the life of Hiroshi Morita: nuclear bomb survivor, Canadian interment camp inhabitant and prolific photographer of Toronto.

These two portraits (of John Jackson of Toronto) were taken by Andrew Danson Danushevsky and are separated by an interval of eighteen years.

This photograph was taken in the winter of 1960 or 1961 in Sardinia, Italy, where we were stationed at the NATO Air Force base. I’m the little girl in a yellow sweater. Behind me, in bare feet, is my sister, Kate, who w

Crispin and Jan Elsted produce books of extraordinary beauty using techniques and traditions that date from the days of Johannes Gutenberg.

30 years of Fabrice Strippoli’s photographs.

Modern photography is steeped in the instantaneous: exposures are so brief that the unassisted eye in the same interval (less than half a second) would see nothing. The modern photograph always shows us what we have never seen before, hence its etern

Huneault's videography project is part of a new chapter of work, The New Memories, 2014–2016, that documents the community of Lac-Mégantic following the 4th anniversary of the Mégantic disaster.

Libby Simon shares her personal story of a bygone tradition.

This photo was taken in Winnipeg’s North End at St. John’s Park on Main Street, in 1940 or so. I was about five years old and the only girl in the family. An accident, my parents told me. A happy accident.

A Canadian memoir of black and white in America's unhappiest city, 1966–2011. Gold medal winner at the 40th Annual National Magazine Awards.

Mandelbrot describes the photographic reimagining of the Gastown Riot, entitled Abbott & Cordova, 1971, by Vancouver photographer and visual artist Stan Douglas.

Individual photographs of couples are superimposed to merge two partners into one person.

The Hong Kong neon photography of Brent Lewin.

"I am I because my little dog knows me." Robert Everett-Green investigates the art of dog portraits.