I don’t take public transit very often, which is a failing—not just environmentally, but also personally, because sometimes that forced contact with the rest of the populated world can be profound. In Japan, many years ago, I was trapped in the small space between train cars by a crowd of schoolboys; my claustrophobia reached such a level that one leg began to judder up and down like the needle on a sewing machine, and the only thing that prevented me from climbing out over the tops of my fellow passengers’ heads was the gaze of a man about a foot away who conveyed calm to me by keeping his eyes trained on mine.
After last call at three a.m. the sunon the horizon like a giant lodestarwould guide us over uneven boardwalks and dirt roadstoward the George Black Ferry, acrossthe mud-fed Yukon River to where our hidden worldof tents lay inside a maze of birch,where branches knocked and clacked in the windlike the restless bones of ghosts,where someone always screamed blue murder backat the landlocked sled dogs as they criedand howled at the lingering seasonand stunning lack of darknessinside the night...
Geist is the Canadian magazine of ideas and culture—every issue brings together a sumptuous mix of fact + fiction, photography and comix, poetry, essays and reviews, and more of the weird and wonderful from the world of words.
Geist distills the Canadian imagination into a tactile, stackable, admireable, finishable and entirely shareable magazine.
Notes & Dispatches from JORDAN KAWCHUK, GRAINNE DOWNEY, JOSE TEODORO, JESSICA BAKAR, and ALEXIS MACISAAC; Poetry by DENISE DA COSTA; New fiction by GRACE BOWNESS; Feature essays from JUDY LEBLANC and DANIEL ALLEN COX ...and much more!
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