Not long ago, late on a Monday afternoon, a man with a camera clambered onto the railing of Lions Gate Bridge in Vancouver in order to get a clear view of the sunset he wanted to take a picture of, and, on stretching his upper body toward the scene t

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Stephen Osborne memorializes D.M. Fraser, a tiny ancient man at the age of twenty-six, who wrote sentences that made you want to take him (and them) home with you.

A writer uncovers a family connection with a sweet English confection.

At first the blackouts in Kathmandu are limited to six hours a week, so in my area we do without lights on Saturday and Sunday evenings. It’s not difficult—candles at dinner, quite charming at first—but then we jump to fifteen hours a week without power, then to thirty-six hours, all within ten days. The govern

Forty percent of people believe that if they practice enough, they can predict the outcome of a flipped coin. Would my current love end the way my past ones had?

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Justin Trudeau and Greta Thunberg attend the Montreal climate march.

Boyfriends are trouble, I said. He leaned over and gave me a high-five.

Another classic story from Geist's 20th Anniversary Collector's Issue."I felt disoriented, almost light-headed, as though I were slightly stoned or moving inside a dream."

This was the first pub I entered when I finally said goodbye to vomiting on local beaches because I could drink legally. And it’s the first pub I’ve come to since I’ve been home. Now it’s Tuesday night, Karaoke Night.

Before I opened for Joyce Carol Oates at her reading at Harbourfront in Toronto, we had dinner: Oates and her husband, Raymond Smith; the organizer, Greg Gatenby; and me.

“Don’t try to make anything happen,” the calm voice said. Dylan Gyles visits a sensory deprivation float tank.

The first time losing a game of Scrabble and the last time taking a train cross-country.

In Drukpa Kunley's monastery in Bhutan, Daniel Collins experiences a birthday blessing among phallic iconography.

Jill Mandrake on the surprising effect of peanut brittle.

A warm spring night, a country club dance, a date with an attractive young man—and braces on my two front teeth.

At the Tim Hortons on Young Street in Halifax, a man clears his throat, a rough-looking older guy in the back corner, staring out the window. One knee, angled out from the table, jigs up and down; the rest of him is quite still. A sheet of notepaper

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Rick laughed. I walked away. I was irritated at Henry, at Lee for getting stoned and being paranoid and leaving without saying goodbye, at Rick, at everyone.

Michael Turner questions a US-curated exhibit of Canadian art that exoticizes Canadian artists while suggesting they are un-exotic.

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How do you have a good time in Warsaw? Sing Neil Diamond songs in a karaoke bar.

"have ya been ev’ryweir?"

Enjoy the fresh kebab while your freshly dented fender gets fixed.

Evelyn Everett-Green wrote novels for young people, of a morally improving nature. Her books were also meant to entertain, with tales of wholesome adventure and romance, often set in heroic times or picturesque locations.

When I met you, one floor up from the acute psychosis ward, you were wearing a paper shower cap and green pyjamas just like mine. You glared at me through the crowd because you thought I had your hoodie on. But we just had very similar hoodies.

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A greying, sunburnt American mis­sionary stopped us in the fruit market and invited us for a drink.

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Evil is not darkness, I thought to myself. It’s noise.

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Did that really happen?  J. Jill Robinson initiates a midnight stand-off between the police and two drunk brothers in an RV Park in White Rock, B.C.

And a sort of current ran through you when you saw it, a visceral, uncontrollable response. A physical resistance to the silence

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Language built on sounds of delight, coloured in the gardens of Beirut

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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Violence could not reach them only when they were distant as the moon, not of this world

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

It took me a million miles to get here and half the time I was doing it in high heels.

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"Leading Men” is taken from a work-in-progress, Cinéma-Verité and the Collected Works of Ronald Reagan: A History of Propaganda in Motion Pictures.

Going unnoticed must be the root sorrow for the broken.

Doing time is not a blank, suspended existence.

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Derek Matthews has to be the ugliest boy in the class but I like him. I’ve liked every boy except Barry Pumphrey now. Barry Pumphrey likes me.

These stories and conversations took place in a Media and Communications Studies class at a Canadian college. Students come to the college from many countries, in the hope of enrolling eventually in a North American university.

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

Remembering her father's last days in a hospital in Wyoming, Connie Kuhns struggles with questions of mortality, memory and how to fulfill her father's dying wish.

A new anthology of reviews, interviews and commentary on Joni Mitchell's music reveals the star-making machinery.

Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

It is racism, not race, that is a risk factor for dying of COVID-19.

World War I, Canada’s “war of independence,” marked a turning point for a young colony wanting to prove itself as a self-reliant nation, but at what cost.

Another book that deals with the Little Sister's trial is a little chapbook called Detained at Customs (Lazara Press) which gives the full testimony of Jane Rule, an important witness for the prosecution. Rule shows us the impossibility of arriving a

Review of "Before I Was a Critic I Was a Human Being" Amy Fung.

The art of the obituary lives on: Obituaries of note from The Economist magazine, including those of the "gunrunner of CIA front companies" and "last interesting Marxist."

Dead Certainties, by Simon Schama (Vintage), contains two "experiments in historical narrative" that should be on the reading list of anyone interested in how we imagine the past, and how the past is imagined for us. The first piece, "The Many Deaths

Only now, eighty years after the war, are we given the explanation of that process of transformation, in the pages of Death So Noble: Memory, Meaning, and the First World War, by Jonathan F. Vance (UBC Press). Vance tells the story of a tiny country

A woman, hoping to find peace, seeks her birth mother. A review of By Blood by Ellen Ullman.

Soon after reading Moodie's Tale I ran across Death by Degrees (Doubleday), which features Wright's Inspector Charlie Salter, a middle-aged detective just as perplexed by the ironies of life as the rest of us. Death by Degrees takes place at a commun

I finished Dead Girls (McClelland and Stewart) with a heavy feeling in my stomach. It’s not just that the stories are disturbing, it’s that I, the reader, have been made witness to this disturbance.

David Dennings, the narrator of Ann Diamond’s new novel, Dead White Males (Livres DC Books), is a wacky hairdresser much like the one I visit every couple of months. But whereas my stylist is a filmmaker, Diamond’s is trying to be a hard-boiled priva

It’s a miracle that only two people die in Dead Man in the Orchestra Pit by Tom Osborne (Anvil Press), during a weekend in Vancouver when a hotel robbery goes terribly wrong and the thieves get tangled up with Grey Cup rabble-rousers and the backstag

Until I cracked open Terry Glavin's Dead Reckoning: Confronting the Crisis in Pacific Fisheries (Greystone), I thought fish had no more significance to me than the wasabe and the soy sauce on the side. Now I know different.

In Deactivated West 100 (Gaspereau Press), Don McKay continues to develop the poetics of place that he began with Vis à Vis (Gaspereau Press, 2001). In both books he tries “to think the relation between place and wilderness without going dizzy from a

Kris Rothstein reviews Darwin's Bastards (Douglas & McIntyre).

Supernatural beings seem to have it easy: their purpose in life (or life after death) is clear and their mission to frighten or eat humans should be simple enough. But the creatures in Day Shift Werewolf (3-Day Books) suffer from the same self-doubt,

Review of "Utopia Avenue" by David Mitchell.

Michael Hayward on the elation and freedom of long-distance cycling.

While I was looking at a poster for Lars Von Trier's Dancer in the Dark, two women rushed up and begged me not to go in, crying "It's terrible, we couldn't sit through it!" I might have been swayed if a friend hadn't warned me that he almost left, ev

The fourth volume in the Da Capo Best Music Writing pulls together some of the finest music writing published in 2003. It is rife with typos, but the articles are compulsively readable and they cover “rock, pop, jazz, country and more."

Helen Godolphin reviews Lynda Barry's Cruddy, a novel deep within its own whacked-out world.

Mary Schendlinger reviews The Spirit Catches You and You Fall Down, the riveting tale of “a Hmong child, her American doctors and the collision of two cultures.”

My maternal nerve-ends were still vibrating from that article a few days later when I went to see Crumb, a film by Terry Zwigoff about the American comics artist Robert Crumb. The film is a shocking, riveting but not lurid meditation on what shapes a

The two biggest trends in literature right now are spoken word and cybertext. The first is framed in a performance setting by wannabe rock stars, the second is played out on a computer by individuals dubbed cyber-punks.

Kelsea O'Connor reviews Tree of Codes by Jonathan Safran Foer (Visual Editions).

I Cycled into the Arctic Circle: A Peregrination by James Duthie and Matt Hulse (Saltire Society) is a “newly revived and revised edition of deaf Scotsman James Duthie’s rare journal.”

In 1971 I went to work as a reporter at the Ottawa Journal. The newspaper depended for much of its copy on a roster of freelancers who would get their assignments by phone and drop by the office to deliver their articles. One of these contributors was D’Arcy Marsh.

The Group of Seven “vision” is an inadequate way to describe an urban, multiracial, industrial society like Canada, and pretty much always was.

The theatre is plush, high-ranking and named after the Queen. I don’t know the name of the play but C does. C brings me to the theatre when I go. I undergo a pleas­ant transformation when I go to the theatre. I wear a tie, black shoes and a sports coat. At first it was difficult, “not my style.”

Over dinner, I asked the Québécoise writer Sylvie Desrosiers, the author of successful novels for both adults and younger readers, whether her books had been translated into English. “Non, pas en anglais,” she said.

When the crash came, Canadians paid the price for the colonized mentalities of their investment advisors.

When General James Wolfescampered up the steep path that carried him onto the Plains of Abraham andinto the pages of the history books, what was he thinking?

The epic genre suffers from disregard. To the Iliad, our new century has preferred the Odyssey: the encumbered return of the warrior matters more to us than his laborious swordplay.

Last summer, in anticipation of the opening round of the World Cup of soccer, the largely immigrant population of the narrow side street in Lisbon where I was renting an apartment draped their windows with flags. The green and red of Portugal predominated, but the blue planet on a gold-and-green background of Brazil also hung from some windows.

The top-selling American novel of the nineteenth century was Lew Wallace’s Ben-Hur: A Tale of the Christ. The phrase “the Christ” reminds us that the second word originally meant something along the lines of “the person who has been anointed.” By the twentieth century, the article had been dropped, making “Christ” sound like the family name of Sometime Carpenter Jesus, offspring of Joe and Mary Christ, brother of Jim Christ who keeps cropping up in the New Testament. But a couple of generations after Jesus lost His definite article, His spokesmen on Earth were still “the Reverend” So-and-so or even “the Reverend Doctor” until the editors of Time and their kind followed Samson’s example and warning: metaphor ends in 25 metres—smote them with the jawbone of an ass.

Immediately after the New Year, both my daughters became victims of the First Great Snowfall of 1999.

I remembered past ordeals: a U.S. official who squeezed out my toothpaste tube on the train from Montreal to Philadelphia, another who hauled me off a bus for a lengthy interrogation.

When a poet friend was found dead after two days because of the do not disturb sign he had hung outside his hotel room, Darwish swore never again to hang the sign or lock his door. “When death comes,” he said, “I want to be disturbed.”

Phrase books are tools of cultural globalization—but they are also among its casualties.

A French writer whose name I hadn’t heard before, Pierre Bayard, has written a book called Comment parler des livres que l’on n’a pas lus? published by Éditions de Minuit in a collection aptly titled Paradoxe. A number of critics in France have writt

Six days before the Passover festival in Bethany, the sisters Martha and Mary gave a dinner in honour of Jesus who (the gospels tell us) had raised their brother from the dead. Martha worked in the kitchen while Mary sat herself down at the feet of their guest, to listen to his words. Overwhelmed by the many tasks to be done, Martha asked her sister to come and help her. “Martha, Martha,” said Jesus. “You fret and fuss about many things, but only one thing is necessary. The part Mary has chosen is the best, and it will not be taken from her.”

I’ve now read Comment parler des livres que l’on n’a pas lus? and I’m happy to say that I was right.

Dear George Szanto, I write in answer to your letter describing your difficulties in finding a publisher for your new novel.

Several years ago Ian McKay, a Queen’s University history professor, published a book called The Quest of the Folk: Antimodernism and Cultural Selection in Twentieth-Century Nova Scotia (McGill-Queen’s University Press) in which he argued that the image many of us have of Nova Scotia as a tartan-wearing, bagpipe-squealing mini-Scotland is pretty much a fabrication.