David Cayley, whose work is often heard on CBC Ideas, has done a great service in preparing The Rivers North of the Future: The Testament of Ivan Illich (House of Anansi), a text that makes a perfect companion to The Fabric of Reality by David Deutsc
In Ian McKay's book about Nova Scotia, The Quest of the Folk: Antimodernism and Cultural Selection in Twentieth-Century Nova Scotia (McGill-Queen's), post-modern theory collides head-on with Canadian social history, leaving sacred cows splattered all
The Pleasure of the Crown: Anthropology, Law and First Nations by Dara Culhane (Talonbooks) is the book for anyone who wants to understand the Delga-muukw decision—how it happened, what it means and why the Supreme Court ruling last December has frea
When Malcolm Lowry’s shack on the beach at Dollarton, B.C., burned to the ground in 1944, he and his wife Marjorie were able to save the manuscript of only one of the novels that he was working on at the time. A few months later the same manuscript had to be rescued again when the house that friends found for them in Oakville, Ontario, also burned to the ground.
The organizers of tonight’s talk have branded it as a “raw exchange”—part of a series of uncensored literary gatherings around the city—and so they’ve invited three biting B.C. writers to get down to brass tacks for a group of strangers in the basement of the Vancouver Public Library. By some freak of programming, a punk-metal band is slaying the kids in the room down the hall tonight, which means every time a bookish-looking latecomer wades into our midst, a foul-sounding wave of hellish power chords does, too.
When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.