Who today remembers the man who carried Einstein’s head in a box through the streets of Vancouver? We remember clearly the box (dark wood, varnished, the door on brass hinges: what about the latch?) with Einstein’s head in it, a plaster model (was it plastic, perhaps? modelling clay? plasticine?)

Twenty-five years ago in Vancouver, an underground publishing house threw a party in a mansion in a wealthy neighbourhood of curving streets with no sidewalks, to celebrate a new book.

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

On a dark day in January in Toronto, when the sky was much too close to the ground, I went to see the grave of Timothy Eaton with my friend Tom Walmsley.

My mother stands at the top of the stairs, thin as a skeleton and reeking of booze. “Are you drunk?” I ask. “No,” she says. “Have you had anything to drink today?” “No,” she says. Lies, all lies. There are always more.

Sometime in the late seventies Osborne and I walked down Spadina from Bloor to Front street, listening to Shein talk about the China Effect.

Ayurveda massage will leave you feeling like the bones have been secretly extracted from your body.

A nervous kid from Canada becomes the king of the basketball courts in Venice Beach.

The Strongest Man in the World liked to set his folding lawn chair out on the asphalt next to his gold Cadillac and stretch out in the sun with dark glasses on his nose and a two-litre carton of milk in one hand.

I am down in the cabin and Ross, who is eighty feet up in the fire tower, sees smoke. He tries to report it but his radio isn’t working and nobody can understand him. They phone him back on the cell: does he need the water bombers? He says no, it’s just a spot fire. In that moment a huge gust of wind blasts through the cabin, blows a towel off a rack, slaps it against the valve of the water cooler and turns on the water.

"my point that / i is but a : colon grown / too long"

Vientiane, the capital of Laos, is a fading one-time French colonial outpost on a spot where a bend in the Mekong River makes room for a large tear-shaped island directly opposite the centre-ville, which runs only far enough back from the riverbank to allow a few commercial streets. The new bridge to Thailand is a short distance way. Thai-style wats and other temples, minor and major, are everywhere.

I haven’t been in Jerusalem for sixteen years and the first thing my friend shows me is the wall that separates them from the Palestinians.

During the hiatus, a man in a black suit appeared in the Geist Gallery in Toronto and identified himself as a builder of ornithopters, or perhaps he said he was a promoter of ornithopters (this was during the hiatus, when nothing was clear; in any event his field was ornithoptery). I couldn’t remember what an ornithopter was but I could see one in my mind: the question was, what did an ornithopter do? The ornithopter man was accompanied by a well-dressed woman who never stopped smiling.

Will independence bring Godzilla back into my dreams?

I don’t take public transit very often, which is a failing—not just environmentally, but also personally, because sometimes that forced contact with the rest of the populated world can be profound. In Japan, many years ago, I was trapped in the small space between train cars by a crowd of schoolboys; my claustrophobia reached such a level that one leg began to judder up and down like the needle on a sewing machine, and the only thing that prevented me from climbing out over the tops of my fellow passengers’ heads was the gaze of a man about a foot away who conveyed calm to me by keeping his eyes trained on mine.

A series of lucky events seemed to conspire to bring me to Stettler, Alberta, one day in June 1998. Jennifer, the woman who was in between being my roommate and my girlfriend, was at the Banff Centre and I was on my way there from Saskatoon, where we lived. She had left me fifty dollars for gas so I could pick her up after her workshop, and I had accepted, hoping that when the time came I wouldn’t need it and I could give it back. I did need it, of course. I had been waiting for a cheque to come from the Globe and Mail for one of a series of drawings I was doing for them, and when it was time to leave, the cheque still hadn’t arrived. So I set out from Saskatoon with just a tank of gas and the fifty dollars.

It's human nature to jump to the wrong conclusion–and stick with it.

Mary Meigs and her friend Lise Weil, editor of Beyond Recall, met regularly to do freewriting together. For each exercise they chose a line or phrase from the work of a poet they both admired; then, inspired by that "prompt," both women wrote for five or ten minutes, recording whatever came to mind (and hand).

L.B. Foote fled Newfoundland to avoid life as a cod fisherman and became Winnipeg's best-known photographer, chronicling Boomtown's growth, energy and struggles.

Review of "There Was a Time for Everything" by Judith Friedland

Review of "Stories from My Gay Grandparents" directed by J Stevens

Review of "Mushrooming: The Joy of the Quiet Hunt" by Diane Borsato

Review of "The Capital of Dreams" by Heather O'Neill

Review of "Slave Old Man" by Patrick Chamoiseau

Review of "The Age of Insecurity" by Astra Taylor

Review of "And a Dog Called Fig: Solitude, Connection, the Writing Life" by Helen Humphreys.

Review of "Something, Not Nothing: A Story of Grief and Love" by Sarah Leavitt.

Review of "House Work" curated by Caitlin Jones and Shiloh Sukkau.

Review of "M Train" by Patti Smith.

Review of "On Community" by Casey Plett.

Review of "The Boy and the Heron" directed by Hayao Miyazaki.

Review of "The Man in the Red Coat" by Julian Barnes.

Review of "Conversations with Khahtsahlano, 1932–1954" reissued by Massy Books and Talonbooks.

Review of "Hangman: The True Story of Canada’s First Executioner" by Julie Burtinshaw.

Review of "Pinball: The Man Who Saved the Game" written and directed by Austin Bragg and Meredith Bragg.

Review of "Queers Like Me" by Michael V. Smith.

Review of "Rearrangements" by Natan Last, published in The New Yorker December 2023.

Review of "Cabin Fever" by Anik See.

Review of "Matrescence: On the Metamorphosis of Pregnancy, Childbirth and Motherhood" by Lucy Jones.

Review of "Edible and Medicinal Flora of the West Coast: British Columbia and the Pacific Northwest" by Collin Varner.

Review of "The Adversary" by Michael Crummey.

Review of "Galore" by Michael Crummey.

Review of "Jo Cook and Perro Verlag Books by Artists: The Unreadable Sacred," organized by the Simon Fraser University Art Gallery.

In 1971 I went to work as a reporter at the Ottawa Journal. The newspaper depended for much of its copy on a roster of freelancers who would get their assignments by phone and drop by the office to deliver their articles. One of these contributors was D’Arcy Marsh.

The Group of Seven “vision” is an inadequate way to describe an urban, multiracial, industrial society like Canada, and pretty much always was.

The theatre is plush, high-ranking and named after the Queen. I don’t know the name of the play but C does. C brings me to the theatre when I go. I undergo a pleas­ant transformation when I go to the theatre. I wear a tie, black shoes and a sports coat. At first it was difficult, “not my style.”

Over dinner, I asked the Québécoise writer Sylvie Desrosiers, the author of successful novels for both adults and younger readers, whether her books had been translated into English. “Non, pas en anglais,” she said.

When the crash came, Canadians paid the price for the colonized mentalities of their investment advisors.

When General James Wolfescampered up the steep path that carried him onto the Plains of Abraham andinto the pages of the history books, what was he thinking?

The epic genre suffers from disregard. To the Iliad, our new century has preferred the Odyssey: the encumbered return of the warrior matters more to us than his laborious swordplay.

Last summer, in anticipation of the opening round of the World Cup of soccer, the largely immigrant population of the narrow side street in Lisbon where I was renting an apartment draped their windows with flags. The green and red of Portugal predominated, but the blue planet on a gold-and-green background of Brazil also hung from some windows.

The top-selling American novel of the nineteenth century was Lew Wallace’s Ben-Hur: A Tale of the Christ. The phrase “the Christ” reminds us that the second word originally meant something along the lines of “the person who has been anointed.” By the twentieth century, the article had been dropped, making “Christ” sound like the family name of Sometime Carpenter Jesus, offspring of Joe and Mary Christ, brother of Jim Christ who keeps cropping up in the New Testament. But a couple of generations after Jesus lost His definite article, His spokesmen on Earth were still “the Reverend” So-and-so or even “the Reverend Doctor” until the editors of Time and their kind followed Samson’s example and warning: metaphor ends in 25 metres—smote them with the jawbone of an ass.

Immediately after the New Year, both my daughters became victims of the First Great Snowfall of 1999.

I remembered past ordeals: a U.S. official who squeezed out my toothpaste tube on the train from Montreal to Philadelphia, another who hauled me off a bus for a lengthy interrogation.

When a poet friend was found dead after two days because of the do not disturb sign he had hung outside his hotel room, Darwish swore never again to hang the sign or lock his door. “When death comes,” he said, “I want to be disturbed.”

Phrase books are tools of cultural globalization—but they are also among its casualties.

A French writer whose name I hadn’t heard before, Pierre Bayard, has written a book called Comment parler des livres que l’on n’a pas lus? published by Éditions de Minuit in a collection aptly titled Paradoxe. A number of critics in France have writt

Six days before the Passover festival in Bethany, the sisters Martha and Mary gave a dinner in honour of Jesus who (the gospels tell us) had raised their brother from the dead. Martha worked in the kitchen while Mary sat herself down at the feet of their guest, to listen to his words. Overwhelmed by the many tasks to be done, Martha asked her sister to come and help her. “Martha, Martha,” said Jesus. “You fret and fuss about many things, but only one thing is necessary. The part Mary has chosen is the best, and it will not be taken from her.”

I’ve now read Comment parler des livres que l’on n’a pas lus? and I’m happy to say that I was right.

Dear George Szanto, I write in answer to your letter describing your difficulties in finding a publisher for your new novel.

Several years ago Ian McKay, a Queen’s University history professor, published a book called The Quest of the Folk: Antimodernism and Cultural Selection in Twentieth-Century Nova Scotia (McGill-Queen’s University Press) in which he argued that the image many of us have of Nova Scotia as a tartan-wearing, bagpipe-squealing mini-Scotland is pretty much a fabrication.