Espadrille, paduka, chopine—Eve Corbel illustrates a guide for readers on some of the fanciest footwear found in literature.

For me, the jacket is a piece of menswear history that I can actually put on, and a link to the tragicomic tale of an underachiever with a famous name.

A collection of Jerome Stueart's Greyhound sketches, including one Vitruvian bus driver.

How did the 99 B-Line bus route come to be the locus of the most heartless transit rides in Greater Vancouver?

The driver said, “Are you fit to travel, sir?” and the crack smoker said, “Are any of us fit to travel?"

Stephen Osborne discusses the past, present and future of literary magazines in Canada.

Possum-style or straight up dirty.

Michal Kozlowski reports on the state of publishing: s'mores, Titantic metaphors, Celtic jigs, steak canapés and mechanical bull riding.

Stephen Osborne says goodbye to Stephen Harper.

David Albahari visits Canadian cities and remembers a slogan from the former Yugoslavia: Get to know your country in order to love her.

“Thank Christ,” says Dieter when I finally wake up. “I thought you were dead.”

Wally, the orange tabby: Fell out of travel trailer going over Pavillion Mountain, may be living happily at farm on top of mountain.

"The seven of us sat around a small, wobbly table in the living room and stared at each other between shots of rotgut vodka."

My friend, who writes poems and stories, tells me in the café that he finds it more and more difficult to deal with the writer inside him.

During World War II my grandmother ran contraband, hunted pigeons.

"The tour guide said: every hour you spend down in the mine adds three minutes to your life." Michal Kozlowski reports from 300 feet below ground.

Stephen Osborne plunges into the pedestrian flow and encounters panhandlers, magicians and a cyclist praying to a monument of Edward VII.

Lindsay Diehl encounters choppy waves, a beautiful man in a hot tub and a pendant shaped like a curved tongue on a trip to Hawaii.

The zine scene—comics, wrestling, skateboarding and music.

"The soiled side of the shirt is the great baggage of dreams"—Stephen Osborne dreams of Hemingway, Harper and profiteroles.

On her first communion, a young girl searches for peace of mind in a world of purgatory, UFOs and the Lennon Sisters.

"Could I forget: the look that tells me you want me"—Vincent Pagé creates Google autocomplete poetry.

Veronica Gaylie encounters invisible lamps, uncooperative clerks and a cushion with a bear and/or badger on it during a trip to London.

If a house were a good thing, the wolf would have one.

…in the Maple Leaf Lounge at the John G. Diefenbaker Airport in Saskatoon, Saskatchewan.

Language built on sounds of delight, coloured in the gardens of Beirut

Violence could not reach them only when they were distant as the moon, not of this world

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Anson Ching on desecration ratcheted to new levels.

Jill Mandrake on Mississippi Live & the Dirty Dirty, a Southern rock band in East Vancouver.

Shyla Seller on the brilliance of the Vancouver poet Gladys Maria Hindmarch.

Patty Osborne on teenage love, internet clicks and stolen babies.

Michael Hayward on Félix Fénéon and the exhibits unseen during COVID-19.

Kathleen Murdock on race, resilience, rage and joy.

Thad McIlroy urges us to run from big tech before the death knell tolls.

As a Nisga’a writer, I’m often deeply invested in not only how other poets are tackling issues through poetry but also how Indigenous writers are navigating that same terrain. Reading poetry is necessary. Reading Indigenous writing is essential.

Jennesia Pedri reviews A Brief History of Seven Killings by Marlon James.

Anson Ching on the strength of the narrator.

Jonathan Heggen on staying on the periphery until the proverbial dust settles.

Jill Mandrake on lyrics that make her shout out loud.

Michael Hayward on plastic art and slow sonnets.

Kelsea O’Connor on 48 printmakers and their unconventional studios.

Jill Mandrake on living life on the edge—from Etobicoke to Iqaluit.

Anson Ching on the opening and closing of catastrophes.

Kelsea O'Connor on the bible, the Golden Girls and Captain Kirk's Lesbianism.

Patty Osborne on licking fish, erotic hallucinations and the mystery of the missing anthropologist.

Shyla Seller on Marion Stokes and her collection of 71,716 videotapes.

Michael Hayward on an armchair travelogue of the troubled borders in the eastern Balkans.

Roni Simunovic on the joker playing card through the ages.

Shyla Seller on "The Forbidden Reel"—a documentary on the legacy and preservation of Afghan Films.

Michael Hayward on "The Baudelaire Fractal" by Lisa Robertson.

Kate Helmore on the stark contrast between skinny jeans and ankle-length skirts in the Netflix series "Unorthodox".

Phrase books are tools of cultural globalization—but they are also among its casualties.

When building a nation, cultural riches can be lost.

Coming to harbour in a new world.

Science and the arts fulfil their functions to help us survive through the imagination.

Dividing and conquering local populations confines them to manageable administrative units.

In a world dominated by heroes, difference is not tolerated.

“Have patience” and “Tomorrow” are two inseparable locutions in the Portuguese tongue.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

Lisa Bird-Wilson on UNDRIP, reconciliation, and the anxiety felt by Indigenous people in Canada.

What we do when we absorb words from a screen—and we haven’t yet evolved a verb for it—is not reading.

Libraries are not only essential in educating the soul, but in forming the identity of a society.

Our society is formed on the assumption of a healthy immune system.

The woman who called herself Tatiana Aarons gave me an address that led to a vacant lot.

Dogged dedication grants a reader vicarious immortality.

What we can—and can’t—learn from the plague

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

The newspaper wars aren’t what they used to be.

A package-deal paradise reputation curtails gringo knowledge of Dominican life.

Faith seems to shiver when confronted by art.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

Must artists declare their moral integrity?

Without air travel, family networks might have dissolved long ago.

There’s something not quite right about the grid on which the game is played.