Walking along the streets of Paris, watching thousands of tourists using their digital cameras, I remember the way my father held his old Kodak when he took photographs.

"The seven of us sat around a small, wobbly table in the living room and stared at each other between shots of rotgut vodka."

At home Frank and I are mutually sympathetic to the obligation to face one another and speak loudly; or, when we are away, to supply each other with new batteries when we forget them; but we have no defence against the independent wandering behaviour of our hearing aids. They are always someplace else. I probably have spent one percent of my life, close to a whole year, looking for the damned things.

People have asked: What’s it like? How’s it been? Are you scared?

Pansy shoes and power suits on parliament hill.

A question of some concern among my friends when we were growing up in the fifties and sixties was how old you had to be to go to war.

If a house were a good thing, the wolf would have one.

At the end of the Electrolux era, a veteran salesman closes his store to start a new job at Future Shop.

A young Indigenous woman deals with hippy-artist-pothead boyfriends and car troubles.

Han Fusen navigates multiculturalism and kookoo sabzi from inside a Persian grocery store.

Any resemblances to persons living or dead are purely vindictive.

Bud was one of the few who’d seen Stewart’s face as it was.

I’m sorry, but you cannot mail any box with writing on it. I see. Perhaps you have a marker with which I can cross out the writing? No, we have no markers here. Perhaps you have some packing tape we can put over the writing? No, we have no packing tape here. How about some of that special blue-and-yellow postal service tape I see there? No, no señorita, you cannot put special blue-and-yellow postal service tape just anywhere.

The police officer turned us back and told us to for

Does a house that has been home to four generations of one family still hold their electricity?

Tell me again how long the trip is?

On a recent trip to Paris, I met a young woman from Japan. But this is not a story about a sudden love affair, which one might expect in Paris.

Stephen Osborne on dog walking, the absurdity of online writing guides and the THE building.

"I never went looking for them."

A short film featuring "Sewing Cabinet" by Julie Vandervoort, originally published in Geist 74.

She would see him sometimes around Yaletown, her former counsellor, heading glassy-eyed toward a bar or creeping up the back steps of the massage parlour.

A group of university exchange students from France at the next table watch the entire interaction as if they were on a field trip for Lessons in North American Social Behaviour. They discuss the annoying aspects of the life they’re having here. Quebec is more American than they expected, they say. You can’t smoke in restaurants. The Québécois accent is drôle.

Among the people who live outside the Dominion building in downtown Vancouver, across the street from the cenotaph at Victory Square, is a woman who might be in her late forties and who occasionally turns up in a wedding dress. I’ve never seen her speak to anyone. She simply walks up and holds out her empty hand toward you.

The last thing in the world I wanted was to be an exhibit, or worse.

Who today remembers the man who carried Einstein’s head in a box through the streets of Vancouver? We remember clearly the box (dark wood, varnished, the door on brass hinges: what about the latch?) with Einstein’s head in it, a plaster model (was it plastic, perhaps? modelling clay? plasticine?)

Violence could not reach them only when they were distant as the moon, not of this world

Language built on sounds of delight, coloured in the gardens of Beirut

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

It took me a million miles to get here and half the time I was doing it in high heels.

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"Leading Men” is taken from a work-in-progress, Cinéma-Verité and the Collected Works of Ronald Reagan: A History of Propaganda in Motion Pictures.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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Going unnoticed must be the root sorrow for the broken.

Doing time is not a blank, suspended existence.

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Derek Matthews has to be the ugliest boy in the class but I like him. I’ve liked every boy except Barry Pumphrey now. Barry Pumphrey likes me.

These stories and conversations took place in a Media and Communications Studies class at a Canadian college. Students come to the college from many countries, in the hope of enrolling eventually in a North American university.

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

Remembering her father's last days in a hospital in Wyoming, Connie Kuhns struggles with questions of mortality, memory and how to fulfill her father's dying wish.

A new anthology of reviews, interviews and commentary on Joni Mitchell's music reveals the star-making machinery.

Did that really happen? J. Jill Robinson initiates a midnight stand-off between the police and two drunk brothers in an RV Park in White Rock, B.C.

Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

It is racism, not race, that is a risk factor for dying of COVID-19.

World War I, Canada’s “war of independence,” marked a turning point for a young colony wanting to prove itself as a self-reliant nation, but at what cost.

After Paul Muldoon and Raymond Williams.

A memoir of Loyie's youth spent at a Native residential school and his struggle to find a community.

The One Hundred Nights of Hero by Isabel Greenberg (Doubleday Canada) is a beautifully illustrated graphic novel offering feminist adaptations of folk tales wrapped in an epic-feeling love story.

Leah Rae reviews Hagiography, a slim book of saintly verse filled with mystery and well-crafted poems.

Stephen Scobie's Gospel, A Poem had the invigorating effect of making me want to read poetry again: the book is a beautiful object and not at all precious, and the poetry, a visitation of the Gospels, is simply wonderful. You want to read it out loud

Grace Hartman: A Woman for Her Time by Susan Crean (New Star) is a biography, a political history and a page-turner of a story all in one. Hartman (1918-I993) went to work as a secretary for the Township of North York in the 1950s to help support her

Nomadic culture is at the core of Larry Frolick’s Grand Centaur Station: Unruly Living with the New Nomads of Central Asia.

Leonard Cohen pays a visit to the neighborhood in song.

One of the April New Yorkers contains a wonderful piece by Robert McCrum on Graham Greene's library, an archive to be coveted not for its size (a mere 3000 volumes) or its variety (from Planet of the Apes to Sanctum Jesu Christi Evangelium, a gift fr

People who travel in India and return always sound amazed in retrospect at what they survived. In Golden Goa (ECW Press), Grant Buday makes the trip three times, cranky at what he has to endure on buses and trains—one of which is wrecked—but impresse

Re-entering the fray is a true original, Sheri-D Wilson, "action poet extraordinaire," whose work lurks on a jazzy playground of sex, glamour and intrigue—the frenzied visions of a James Bond girl. Her latest poetry collection cheekily entitled Girl'

Roni Simunovic reviews Ashley Little's BC Book Prize-winning novel, Anatomy of a Girl Gang, which follows the story of five teenage girls growing up in Vancouver's Downtown Eastside.

Michael Hayward on "The Glorious Mountains of Vancouver’s North Shore: A Peakbagger’s Guide."

The great Canadian road movie is finally on DVD. If you missed Goin’ Down the Road when it came out in 1970 and then disappeared, apparently forever, you can see it now for the first time, having heard about it all your life from friends who are more

Newly collected stories and memoirs from the great Mavis Gallant.

Is it true that Gilbert Sorrentino has written a brilliant novel called Gold Fools (Green Integer), a story of grizzly prospectors and leathery cowpokes, entirely in questions?

What is there to say about Glenn Gould that hasn’t already been said? Anyone who is interested in the subject is already familiar with the many mythologies surrounding this gangly, pill-popping agoraphobe who wore winter coats year-round and played t

Michael Hayward on "The Baker's Wife" by Marcel Pagnol.

Fuzzy Heads are Better (106 Press) is a small, thick zine with a lovely woodblock print on the cover. Patti Young Kim subscribes to the punk DIY ethic of zine making, including found photos, recipes, receipts.

Girl Culture (Chronicle/Raincoast) is a coffee table book that is both attractive and disturbing. Lauren Greenfield’s photographs document how American girls relate to fashion, culture and their bodies as they grow up in the most superficial society

Ghost Hotel is the new mystery by Jackie Manthorne (gynergy books), first of what will be a series, and it features "Harriet Hubbley: down-to-earth dyke from Montreal." This story is a great window into the lesbian lifestyle, but not a really satisfy

Recently I was thinking about the difference between Brecht's poetics and Rilke's. Brecht seems to be entirely ironic.... This conundrum came back to me when I read George Stanley's Gentle Northern Summer (New Star), which is a beautiful and powerful

Eve Corbel reviews two short biographic documentaries: Seth's Dominion and I Thought I Told You to Shut Up.

Sarah Leavitt reviews Fun Home: A Family Tragicomic, Alison Bechdel's first graphic novel full of vibrantly alive, expressive characters and richly satisfying extras.

I enjoyed Killer Angels so much that I pursued my Civil War studies by renting a video of Gettysburg, the made-for-TV movie based on the book. The movie clocks in at somewhere close to four hours, and you have to put up with a lot of famous American

Ruskin's readers have the power to know that there is indeed room for Alice at the Mad Hatter's table.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

An appreciation of Dante's "Commedia."

There is no way to step back from the orgy of kisses without offending.

Rob Kovitz compiles the pressing questions of the day—"How are they gonna beat ISIS?" And, "On Twitter, who cares?"

For an English-speaking Canadian who has been exposed to French from an early age, Paris is the most disorienting city in Europe. It is grandiose, but it is mundane.

Faith seems to shiver when confronted by art.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

One thing Canadians have learned from our armed incursion into Afghanistan is that we do not have a vocabulary for discussing war or warlike events.

The atrocities were carried out in the name of some version of “civilization” that the Queen represented.

"Resistance to wars is as much a Canadian tradition as fighting them." Daniel Francis discusses alternative histories, anti-draft demonstrations and the divisive nature of war.

Alberto Manguel's column from Geist 93 about how the most important Turkish novelist of modern times took over fifty years to reach English-speaking audiences.

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

A reflection on the complex and often inexplicable process of bibliographic categorizations.

What does it mean to "be" yourself? The face reflected in the mirror is unrecognizable.

Parables, cautionary tales, morality plays, allegories—the notion that we can study literary works as texts of ethics is as old as literature.

Stephen Henighan discusses the crude first steps to finding a new way to talk about racial reality.

The Penthouse, the notorious Vancouver night club, shares a history with several of the city's missing women cases.

A bibliophile's worst nightmare: being stuck on a plane with a terrible book. A book mistaken for a work of serious history.

Unravelling the mysteries of Alejo Carpentier

A misogynist, a racist and an academic walk into a bar...

"In the public eye, universities have never recovered from the antics of Donald Sutherland as Professor Jennings in the 1978 film Animal House."

Alberto Manguel examines a modern-day book burning and asks: how is this still happening?