Last month I had lunch with a good friend who years ago had told me that her parents, who immigrated to Canada after the war, were Holocaust survivors. I asked my friend, whose name is Slava, to tell me again about her parents, who had lived in Vilna, the ancient Lituanian city of Europe known for three centuries as the “Jerusalem of the north.”
When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.
October 21, 2005, marked the 200th anniversary of the great naval battle of Trafalgar, an engagement in which Admiral Nelson and the British fleet ended Napoleon’s dream of invading England by crushing the French and Spanish fleets off the southwest
Henry Miller named Jean Giono as one of the writers he most admired (a list that includes Knut Hamsun, Blaise Cendrars, and Fyodor Dostoevsky). Giono, who lived most of his life in Manosque, the small Provençal town where he was born, begins An Italian Journey by admitting that he is not a traveller.
When I took a west coast vacation in Tofino last summer, I took along Justine Brown's All Possible Worlds: Utopian Experiments in British Columbia (New Star). This slim coffee table book chronicles the history of utopianism in the most western of Can