Walking along the streets of Paris, watching thousands of tourists using their digital cameras, I remember the way my father held his old Kodak when he took photographs.

An account of the circumstances surrounding seven literary honours bestowed on a writer.

First published in Geist #30 and now in the 20th Anniversary Collector's Edition.

Walking along the streets of Paris, watching thousands of tourists using their digital cameras, I remember the way my father held his old Kodak when he took photographs.

"The seven of us sat around a small, wobbly table in the living room and stared at each other between shots of rotgut vodka."

At home Frank and I are mutually sympathetic to the obligation to face one another and speak loudly; or, when we are away, to supply each other with new batteries when we forget them; but we have no defence against the independent wandering behaviour of our hearing aids. They are always someplace else. I probably have spent one percent of my life, close to a whole year, looking for the damned things.

People have asked: What’s it like? How’s it been? Are you scared?

Pansy shoes and power suits on parliament hill.

A question of some concern among my friends when we were growing up in the fifties and sixties was how old you had to be to go to war.

If a house were a good thing, the wolf would have one.

At the end of the Electrolux era, a veteran salesman closes his store to start a new job at Future Shop.

A young Indigenous woman deals with hippy-artist-pothead boyfriends and car troubles.

Han Fusen navigates multiculturalism and kookoo sabzi from inside a Persian grocery store.

Any resemblances to persons living or dead are purely vindictive.

Bud was one of the few who’d seen Stewart’s face as it was.

I’m sorry, but you cannot mail any box with writing on it. I see. Perhaps you have a marker with which I can cross out the writing? No, we have no markers here. Perhaps you have some packing tape we can put over the writing? No, we have no packing tape here. How about some of that special blue-and-yellow postal service tape I see there? No, no señorita, you cannot put special blue-and-yellow postal service tape just anywhere.

The police officer turned us back and told us to for

Does a house that has been home to four generations of one family still hold their electricity?

Tell me again how long the trip is?

On a recent trip to Paris, I met a young woman from Japan. But this is not a story about a sudden love affair, which one might expect in Paris.

Stephen Osborne on dog walking, the absurdity of online writing guides and the THE building.

"I never went looking for them."

A short film featuring "Sewing Cabinet" by Julie Vandervoort, originally published in Geist 74.

She would see him sometimes around Yaletown, her former counsellor, heading glassy-eyed toward a bar or creeping up the back steps of the massage parlour.

A group of university exchange students from France at the next table watch the entire interaction as if they were on a field trip for Lessons in North American Social Behaviour. They discuss the annoying aspects of the life they’re having here. Quebec is more American than they expected, they say. You can’t smoke in restaurants. The Québécois accent is drôle.

Hal Niedzviecki com­mem­o­rates his Jewish grand­fa­ther—a heavy drinker, a bad driver and a Polish refugee.

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

We don’t know why the budgie did it. He must have been unhappy. It can’t have been easy for him—pecking the bell, hanging about on the pole.

Femme girls get free Slurpees, but boyish ladies get free cavity searches at the border.

D.M. Fraser on the myth of cultural identity.

The Bolshevists are coming! The Bolshevists are coming! Daniel Francis recounts Canada's close call with a revolution.

Mastery of the self

Patty Osborne reviews a collection of journal entries, correspondence and other writings produced by Mary Meigs during the last years of her life.

Our film is a semi-documentary. We are ourselves, up to a point; beyond this point is the "semi," a region with boundaries that become more or less imprecise, according to our view of them. In one sense, it is semi from beginning to end, for we would

I answered the ad: SWM likes to dance. Called him up (said his name was Jay), suggested we meet at the local cafe Tuesday night, something different, a performance poet performing. Free coffee and cookies, the place rocking with middle-aged angst.

Dinner with James Reaney—poet, playwright, professor—who is mistaken by a pair of Irish ladies for “that decadent writer Mordecai Richler.”

Sarah Leavitt is more than just a clever cartoonist; she also paints pictures with her colourful prose.

The poet John Glassco lived in disguise, masquerading as a member of the gentry while writing pornography and reinventing his past.

Once while living in Burma (now Myanmar), Goran Simic and his brother, whose father was the Serbian ambassador, were stopped by rebels on their way to the international school in Yangon. They were hauled out of their diplomatic Mercedes limousine and forced at gunpoint to witness the beheading, at the side of the road, of a uniformed Myanmar government official.

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

A flower child looks back, to the time between Motown and acid rock.

A first-hand account of Greenpeace's first expedition to stop U.S. underwater nuclear testing on September 15, 1971.

It started with a note I found tucked into an anthology of poems edited by Selden Rodman, a book I opened rarely, though there was a time when I was young I had read it so closely and so many times I had most of the poems memorized. The note lay in the spine of the book against a poem of Arthur Rimbaud's titled, I think, "The Twelve-Year-Old Poet." On it are four names printed out in my sure and youthful twenty-one-year-old hand: Baghdad, Koweit, Sakakah, Jaffa.

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

During my thirty years living on the waterfront of British Columbia, I have always had some sort of container in which to sit on the water. My first boat was a ten-foot dinghy that my late husband John Daly, a commercial salmon troller, equipped with a small electric motor to surprise me. He had the bizarre idea that I, a sometime canoeist from Ohio, could manoeuvre a boat on my own around our capacious Pacific coast harbour. The electric engine would be ideal for me, he thought. No rope to pull to start it up! No gasoline tank on board!

And then I remembered an important event. It happened at a funeral in St. Paul’s chapel for a twenty-four-year-old prostitute who had overdosed in her Gastown hotel room. The small chapel was half full, and very quiet. There were a couple of fresh flower arrangements in front of the cheap, closed coffin. Most of the congregation were other prostitutes dressed in their working clothes, and a few pimps. One woman apologized to Brother Tim for having nothing black to wear, except for lingerie and a leather miniskirt.

Stephen Henighan compares the chaotic sprawl of "Third World" societies to the degradation of Canada's political, social and physical landscape.

Last summer, during a visit to Vancouver, my nine-year-old son climbed the pediment of a cast-iron traffic-light standard and put his palm on the glowing hand that warns pedestrians to stay put. My mother pointed out afterwards that my photograph of the event contained its own French caption, in the word visible over his shoulder: main.

Connie Kuhns' major profile of punk, politics and feminism in 1970s Canada: the Moral Lepers, the Dishrags and other revolutionary bands.

The Assassin’s Cloak: An Anthology of the World’s Greatest Diarists, edited by Irene and Alan Taylor (Canongate Books), makes excellent bedtime reading for those who have difficulty limiting themselves to just a few pages a night. For each day of the

The Anatomy of Arcadia by David Solway (Véhicule Press) pretends to be an anti-travel book, written against the grain of the "usual" travel book, but is really an anti-travel-guide-book filled with hard words that seem to be inserted into the text fo

The day began with a comment from a colleague that working with a certain buggy database program made him feel like Sisyphus, and it ended with three pieces of reading. An hour or so after the colleague’s remark, I was trading favourite Onion headlin

If you read one book on the Information Age, make sure it's Bill McKibben's The Age of Missing Information (Penguin/Plume), which is a real page-turner of a long essay about What's Wrong with the Idea of Information. The device is neat: McKibben watc

John Steffler, in The Afterlife of George Cartwright (McClelland & Stewart) goes after the big stuff in a richly imagined account of an eighteenth-century Englishman who sets up in business in Labrador. There is some terrific writing and real imagini

In 1929 Morley Callaghan and his wife Loretta went to Paris, where they hung out in cafés with writers and artists and rubberneckers and lounge lizards, spent a couple of hilarious evenings with James Joyce and his wife Nora Barnacle, and eventually

Kathleen Murdock on the physical and meaningful structure of text.

"Awkwardness comes with loving someone too much or not enough." A review of Other People We Married by Emma Straub.

Halfway through The Amateur, An Independent Life of Letters by Wendy Lesser (Pantheon Books), I stopped reading long enough to tell a few people that this was a great book of essays. Maybe I should have kept my mouth shut because from that point on I

In a recent Vancouver Sun, Don McGillivray had a note on what Americans think Canuck means to Canadians. He quotes the 1992 American Heritage Dictionary, which defines Canuck as: "offensive slang used as a disparaging term for a Canadian, especially

Evan Jenkins collected and expanded material from his column in the Columbia Journalism Review to create That or Which, and Why (Routledge), a clear and succinct guide to English language, grammar and usage.

Thad McIlroy reviews Poems That Make Grown Men Cry: 100 Men on the Words That Move Them.

Jesmine Cham talks scaremongering, tinfoil hats and invasive technology in this review of Technocreep by Thomas P. Keenan.

"Sex for Dummies, the 'Fun and Easy Way to Have Great Sex in the ’90s,' sat in the window of my neighbourhood bookstore and I bought it because, as a twenty-three-year-old, I was curious about what sex was like before my time."

For my niece in Ottawa, I chose Tell No One Who You Are by Walter Buchignani (Tundra Books). It is an account of three years in the life of a young Jewish girl in Belgium—three years during which she was hidden from the Nazis by non-Jews.

Carra Noelle Simpson reviews Teacher Man and Half Nelson, two works on life in the inner-city high schools of New York.

In 1988 Jean Mallinson, a West Vancouver poet and essayist, entered hospital for abdominal surgery. She came through the operation without mishap, and afterwards her doctor prescribed gentamicin, an antibiotic intended to stave off infection during r

Frontier stories are known to be great cultural archives but boring reads. Not so with Theatre Newfoundland Labrador’s Tempting Providence, written by Robert Chafe, directed by Jillian Keiley and performed at the Vancouver East Cultural Centre in Jan

The best pen-in-a-shirt-pocket photograph you will ever see is the author photo on the back cover of Joe Fiorito's new book, Tango on the Main (Nuage).

Tatsea and her husband Ikotsali, the main characters in Armin Wiebe’s book Tatsea, are searching for each other in the Canadian subarctic. Tatsea and Ikotsali are members of the Dogrib tribe who are separated when their village is raided by Cree from

Michael Hayward reviews The Old Castle’s Secret by Carl Barks.

When I got home after buying Tarnished Icons by Stuart Kaminsky (Ballantine) for our family's favourite viola teacher, I realized that I had the same tide in my pile of unread library books. So for a few days I had the luxury of never having to go up

Tales of Innocence and Experience (Bloomsbury) is Eva Figes’s lyrical exploration of the bond between grandmother and granddaughter. In it she takes on the monumental subject of the loss and pain that accompany the acquisition of knowledge.

Yes, fiction can be quite enjoyable, but let’s admit it: nothing can match the experience of curling up with a long, detailed report on how Canadian magazines are selling on newsstands, such as Taking Back the Rack: Amid New Challenges, Canadian Maga

Ruskin's readers have the power to know that there is indeed room for Alice at the Mad Hatter's table.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

An appreciation of Dante's "Commedia."

There is no way to step back from the orgy of kisses without offending.

Rob Kovitz compiles the pressing questions of the day—"How are they gonna beat ISIS?" And, "On Twitter, who cares?"

For an English-speaking Canadian who has been exposed to French from an early age, Paris is the most disorienting city in Europe. It is grandiose, but it is mundane.

Faith seems to shiver when confronted by art.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

One thing Canadians have learned from our armed incursion into Afghanistan is that we do not have a vocabulary for discussing war or warlike events.

The atrocities were carried out in the name of some version of “civilization” that the Queen represented.

"Resistance to wars is as much a Canadian tradition as fighting them." Daniel Francis discusses alternative histories, anti-draft demonstrations and the divisive nature of war.

Alberto Manguel's column from Geist 93 about how the most important Turkish novelist of modern times took over fifty years to reach English-speaking audiences.

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

A reflection on the complex and often inexplicable process of bibliographic categorizations.

What does it mean to "be" yourself? The face reflected in the mirror is unrecognizable.

Parables, cautionary tales, morality plays, allegories—the notion that we can study literary works as texts of ethics is as old as literature.

Stephen Henighan discusses the crude first steps to finding a new way to talk about racial reality.

The Penthouse, the notorious Vancouver night club, shares a history with several of the city's missing women cases.

A bibliophile's worst nightmare: being stuck on a plane with a terrible book. A book mistaken for a work of serious history.

Unravelling the mysteries of Alejo Carpentier

A misogynist, a racist and an academic walk into a bar...

"In the public eye, universities have never recovered from the antics of Donald Sutherland as Professor Jennings in the 1978 film Animal House."

Alberto Manguel examines a modern-day book burning and asks: how is this still happening?