Richard Gwyn tries to get away with two puns in the title of his book Nationalism Without Walls: The Unbearable Lightness of Being Canadian (McClelland & Stewart), trading off on both André Malraux's cultural manifesto of the 1960s Museum Without Wal
At first the blackouts in Kathmandu are limited to six hours a week, so in my area we do without lights on Saturday and Sunday evenings. It’s not difficult—candles at dinner, quite charming at first—but then we jump to fifteen hours a week without power, then to thirty-six hours, all within ten days. The govern
When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.
Sometime in the future, historians will look back amazed at how little attention North American media paid to African issues in this time in history. In Scott Peterson's memoir Me Against my Brother: At War in Somalia, Sudan and Rwanda (Routledge), h