It was a gruesome war, Santa added in Papyrus font, but the forces of Good eventually emerged victorious

Time to call a professional

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The large supply of nine-volt batteries suddenly made sense

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I traffic deep time in a great storm, guilty of ignorance and omission

The log jam is tall and wide and choosing wrong means we don’t make it home

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The fish is a suspended phantom, its magenta skeleton an exquisite, vibrant exhibit of what lies beneath

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A wildland fighter witnesses an old burn's second act

Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

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This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

A writer roams her sleepscape in search of the extraordinary subconscious

In search of a big picture at the end of the singular world

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

He looked vaguely familiar— there was a sort of outline around his ­features that I almost recognized, a translucent and shifting visage, as of someone I once knew. He looked vaguely familiar— there was a sort of outline around his ­features that I al

It was at about this moment that I hit him in the face, which is something I’ve never done before. I don’t know what perfect form the punch took in my mind, but by the time the impulse had pushed its way through me, my hand had bent inward like an old person’s claw, or a doll’s hand—curved around but without a bottle to clutch.

With the approach of her tenth summer, Julia considers the holidays that lie before her: will there be too many things for her to do? Trying to look ahead from school time, with its time-tables and schedules, makes it hard to remember, or to imagine, what summertime will be before summer arrives and the school year ends. In the summer when I was Julia’s age I heard Elvis Presley for the first time, down by the river on the jukebox in the fish-and-chip joint where teenagers went to hold hands and drink ice cream sodas and eat salted french fries drenched in vinegar.

One day a Swiss couple stopped in at the carpet shop, just as they had each year for the last ten years. Every spring they loaded up a cargo van with nets and jars and drove from their home in Switzerland to east Turkey, where they collected ­butterflies together. The man, Walter, had caught snakes in Africa and South America all his life and sold them to universities and private collectors, but that day he was turning seventy-five and, he said, it is not so wise at my age to play with snakes.

Reporting on the Michael Jackson trial from a Best Value Inn in Santa Maria, California.

It’s dark when I get off the bus by the corner store. Not the best area of town. The only other person in sight is lying on the sidewalk.

Did that really happen?  J. Jill Robinson initiates a midnight stand-off between the police and two drunk brothers in an RV Park in White Rock, B.C.

And a sort of current ran through you when you saw it, a visceral, uncontrollable response. A physical resistance to the silence

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Language built on sounds of delight, coloured in the gardens of Beirut

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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Violence could not reach them only when they were distant as the moon, not of this world

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

It took me a million miles to get here and half the time I was doing it in high heels.

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"Leading Men” is taken from a work-in-progress, Cinéma-Verité and the Collected Works of Ronald Reagan: A History of Propaganda in Motion Pictures.

Going unnoticed must be the root sorrow for the broken.

Doing time is not a blank, suspended existence.

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Derek Matthews has to be the ugliest boy in the class but I like him. I’ve liked every boy except Barry Pumphrey now. Barry Pumphrey likes me.

These stories and conversations took place in a Media and Communications Studies class at a Canadian college. Students come to the college from many countries, in the hope of enrolling eventually in a North American university.

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

Remembering her father's last days in a hospital in Wyoming, Connie Kuhns struggles with questions of mortality, memory and how to fulfill her father's dying wish.

A new anthology of reviews, interviews and commentary on Joni Mitchell's music reveals the star-making machinery.

Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

It is racism, not race, that is a risk factor for dying of COVID-19.

World War I, Canada’s “war of independence,” marked a turning point for a young colony wanting to prove itself as a self-reliant nation, but at what cost.

Tim Winton’s elegiac collection of seventeen linked short stories, The Turning (HarperCollins), explores the frailty and foibles of human existence, the power and pain of memory and the mighty wildness of western Australia. Characters reappear in lar

The dysfunctional family is a familiar theme in literature these days, and Sarah Sheard's new novel The Swing Era (Knopf) is an exception only in that it is so good. It's the story of a young woman who returns home from abroad following her mad mothe

Thad McIlroy on Jan Morris's "Smile Test" throughout Canadian cities.

The Stone Angel by Margaret Laurence is a classic Canadian novel, and nothing short of a great film would do it justice. Kari Skogland's film is a subtle meditation on Prairie social life and taboos in the mid-twentieth century. It’s also a complex a

J. G. Farrell’s version of a prison is the British Residency in the fictional Krishnapur. There a group of ex-pats take shelter when Indian peasant soldiers turn on their British colonizers and slaughter four hundred of them in a nearby settlement.

The UK literary journal, Flash, features concise forms of microfiction: short-short stories also known as "flashes".

The Shipping News is a novel about Newfoundland written by E. Annie Proulx (Scribners), an off-Islander who states frankly in her disclaimer that "the Newfoundland in this book, although salted with grains of truth, is an island of invention." Nevert

A review of The Sisters Brothers by Patrick deWitt, winner of Governor-General's Literary Award, the Writers' Trust Fiction Prize, shortlisted for the Giller and the Man Booker Prize.

Two days later I took Wayman’s workshop, Catching Fire, which was guaranteed to inspire us to get writing. He told us, among other things, that once we became writers we would no longer read for pure pleasure because we would always be analyzing what

Stan Persky’s The Short Version: An ABC Book (New Star Books) is a “miscellany” that Persky defines as a book “composed in alphabetically arranged entries of indeterminate length that can run from an aphorism to a complete essay or story.” Persky got

Patty: What I liked about Alan Cumyn’s The Sojourn (McClelland and Stewart) is the way he thrusts us into a muddy trench in the middle of World War I, where the narrator is carrying a load of something called iron pig’s tails on his shoulders and his

The Black Cat Collective, a group of young Vancouver writers frustrated (in their own words) by "Vancouver's lethargic literary scene," has taken matters into its own hands with The Skinnier Leg of the Journey, a collection of short stories by Lisa M

After the salt men pass a certain rock they all speak the salt language. Women are not allowed to hear this language, nor are they allowed to look in the direction of the lake where the salt language is spoken....The film is called The Salt Men of Ti

On the same bill with The Harp was The Score, a full-length Canadian movie (directed by Kim Collier and produced by Trish Dolman and Leah Mallen) that was adapted from a play by the Electric Company Theatre. The film considers the ramifications of re

“I walked into the garage, and found a teenage boy in a tank top and shorts." Kathryn Mockler's poems eschew meaningless metaphors for direct language.

I picked up The Romance Reader by Pearl Abraham (Riverhead Books) from the New Arrivals shelf in the local library, probably because the back cover blurb said it was about life in a Hasidic family—from a woman's point of view. I haven't had much expo

This year my brother supplied me with Ted Allbeury's The Seeds of Treason (New English Library), about a loyal British spy who falls in love with a Russian agent's wife and is manipulated into committing an act of treason. It's an intelligent story w

The Search Warrant (Harvill Press) is the English title given to Dora Bruder, Patrick Modiano’s account of his attempt to find out what happened to a fifteen-year-old girl who ran away from school in Paris on a winter night in 1941.

Cormac McCarthy’s new novel The Road (Knopf) presents a vision of unrelenting grimness as two nameless characters, a father and his young son, make their way beneath a sunless sky through a world adrift with ash, trudging across a post-apocalyptic Am

Kristen Cheung reviews The Secret Lives of Litterbugs by M.A.C. Farrant (Key Porter).

Kris Rothstein reviewed the 2008 Vancouver International Film Festival. For more reviews, visit her Geist blog at geist.com/blog/kris.

Rupert Sheldrake, author of Dogs That Know When Their Owners Are Coming Home and The Presence of the Past, continues to have good luck with book titles: his new one is The Sense of Being Stared At (Crown). For those of us who have been haunted from t

The Secret Voyage of Sir Francis Drake 1577-1580, by Samuel Bawlf, completes the story of European adventure in the north of North America in the sixteenth century.

The River Midnight by Lilian Nattel (Knopf) made me miss men a little, because it is a very sexy book. This is surprising, because it is about life in a Jewish village in Poland at the turn of the century, a place where women cut off their hair and w

In 1971 I went to work as a reporter at the Ottawa Journal. The newspaper depended for much of its copy on a roster of freelancers who would get their assignments by phone and drop by the office to deliver their articles. One of these contributors was D’Arcy Marsh.

The Group of Seven “vision” is an inadequate way to describe an urban, multiracial, industrial society like Canada, and pretty much always was.

The theatre is plush, high-ranking and named after the Queen. I don’t know the name of the play but C does. C brings me to the theatre when I go. I undergo a pleas­ant transformation when I go to the theatre. I wear a tie, black shoes and a sports coat. At first it was difficult, “not my style.”

Over dinner, I asked the Québécoise writer Sylvie Desrosiers, the author of successful novels for both adults and younger readers, whether her books had been translated into English. “Non, pas en anglais,” she said.

When the crash came, Canadians paid the price for the colonized mentalities of their investment advisors.

When General James Wolfescampered up the steep path that carried him onto the Plains of Abraham andinto the pages of the history books, what was he thinking?

The epic genre suffers from disregard. To the Iliad, our new century has preferred the Odyssey: the encumbered return of the warrior matters more to us than his laborious swordplay.

Last summer, in anticipation of the opening round of the World Cup of soccer, the largely immigrant population of the narrow side street in Lisbon where I was renting an apartment draped their windows with flags. The green and red of Portugal predominated, but the blue planet on a gold-and-green background of Brazil also hung from some windows.

The top-selling American novel of the nineteenth century was Lew Wallace’s Ben-Hur: A Tale of the Christ. The phrase “the Christ” reminds us that the second word originally meant something along the lines of “the person who has been anointed.” By the twentieth century, the article had been dropped, making “Christ” sound like the family name of Sometime Carpenter Jesus, offspring of Joe and Mary Christ, brother of Jim Christ who keeps cropping up in the New Testament. But a couple of generations after Jesus lost His definite article, His spokesmen on Earth were still “the Reverend” So-and-so or even “the Reverend Doctor” until the editors of Time and their kind followed Samson’s example and warning: metaphor ends in 25 metres—smote them with the jawbone of an ass.

Immediately after the New Year, both my daughters became victims of the First Great Snowfall of 1999.

I remembered past ordeals: a U.S. official who squeezed out my toothpaste tube on the train from Montreal to Philadelphia, another who hauled me off a bus for a lengthy interrogation.

When a poet friend was found dead after two days because of the do not disturb sign he had hung outside his hotel room, Darwish swore never again to hang the sign or lock his door. “When death comes,” he said, “I want to be disturbed.”

Phrase books are tools of cultural globalization—but they are also among its casualties.

A French writer whose name I hadn’t heard before, Pierre Bayard, has written a book called Comment parler des livres que l’on n’a pas lus? published by Éditions de Minuit in a collection aptly titled Paradoxe. A number of critics in France have writt

Six days before the Passover festival in Bethany, the sisters Martha and Mary gave a dinner in honour of Jesus who (the gospels tell us) had raised their brother from the dead. Martha worked in the kitchen while Mary sat herself down at the feet of their guest, to listen to his words. Overwhelmed by the many tasks to be done, Martha asked her sister to come and help her. “Martha, Martha,” said Jesus. “You fret and fuss about many things, but only one thing is necessary. The part Mary has chosen is the best, and it will not be taken from her.”

I’ve now read Comment parler des livres que l’on n’a pas lus? and I’m happy to say that I was right.

Dear George Szanto, I write in answer to your letter describing your difficulties in finding a publisher for your new novel.

Several years ago Ian McKay, a Queen’s University history professor, published a book called The Quest of the Folk: Antimodernism and Cultural Selection in Twentieth-Century Nova Scotia (McGill-Queen’s University Press) in which he argued that the image many of us have of Nova Scotia as a tartan-wearing, bagpipe-squealing mini-Scotland is pretty much a fabrication.