I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.
The new line of books about film and filmmaking from Wallflower Press in London (available from Columbia University Press here) is a real achievement. A Critical Guide to Contemporary North American Directors, with a whopping 535 beautifully designed
When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.
In Ian McKay's book about Nova Scotia, The Quest of the Folk: Antimodernism and Cultural Selection in Twentieth-Century Nova Scotia (McGill-Queen's), post-modern theory collides head-on with Canadian social history, leaving sacred cows splattered all
The Pleasure of the Crown: Anthropology, Law and First Nations by Dara Culhane (Talonbooks) is the book for anyone who wants to understand the Delga-muukw decision—how it happened, what it means and why the Supreme Court ruling last December has frea