I traffic deep time in a great storm, guilty of ignorance and omission

A writer roams her sleepscape in search of the extraordinary subconscious

In search of a big picture at the end of the singular world

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

The log jam is tall and wide and choosing wrong means we don’t make it home

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The fish is a suspended phantom, its magenta skeleton an exquisite, vibrant exhibit of what lies beneath

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A wildland fighter witnesses an old burn's second act

Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

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This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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He looked vaguely familiar— there was a sort of outline around his ­features that I almost recognized, a translucent and shifting visage, as of someone I once knew. He looked vaguely familiar— there was a sort of outline around his ­features that I al

Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

It was at about this moment that I hit him in the face, which is something I’ve never done before. I don’t know what perfect form the punch took in my mind, but by the time the impulse had pushed its way through me, my hand had bent inward like an old person’s claw, or a doll’s hand—curved around but without a bottle to clutch.

With the approach of her tenth summer, Julia considers the holidays that lie before her: will there be too many things for her to do? Trying to look ahead from school time, with its time-tables and schedules, makes it hard to remember, or to imagine, what summertime will be before summer arrives and the school year ends. In the summer when I was Julia’s age I heard Elvis Presley for the first time, down by the river on the jukebox in the fish-and-chip joint where teenagers went to hold hands and drink ice cream sodas and eat salted french fries drenched in vinegar.

One day a Swiss couple stopped in at the carpet shop, just as they had each year for the last ten years. Every spring they loaded up a cargo van with nets and jars and drove from their home in Switzerland to east Turkey, where they collected ­butterflies together. The man, Walter, had caught snakes in Africa and South America all his life and sold them to universities and private collectors, but that day he was turning seventy-five and, he said, it is not so wise at my age to play with snakes.

Reporting on the Michael Jackson trial from a Best Value Inn in Santa Maria, California.

It’s dark when I get off the bus by the corner store. Not the best area of town. The only other person in sight is lying on the sidewalk.

The Borderland Foundation documents borderland culture from its headquarters in the Jewish ghost town of Sejny, Poland.

In early March 2003, when I arrived in Taiwan to teach English, I took to the streets of Taoyuan County to take some photographs. I was looking for anything—signs, market scenes, strange faces, cityscapes, bus stations, barber shops—but all I could see was dogs. These dogs were not pets, though they may once have been. They were strays—dogs that lived on their own.

Mr. C.F. Keiss, awealthy American visitor from Bucyrus, Ohio, met death with “tragic suddenness”under the wheels of the new City auto ambulance at the corner of Pender andGranville Streets yesterday afternoon.

When the celebrated English poet Rupert Brooke came to Canada on the train from New York in 1913, he had been warned that he would find “a country without a soul.” The gloomy streets of Montreal, overshadowed by churches and banks and heavy telephone wires, reminded him of the equally gloomy streets of Glasgow and Birmingham.

We did what we weren’t supposed to do. We paid a local man to take us horseback riding. He was walking up and down the beach, waving papers and shouting, “Horses!” We signalled for him to come over, and we negotiated a price.

When we hitchhiked back to Castle­gar it was dark and the lights on the car dashboards flickered and their glass reflected the faces of the men who’d picked us up and who, I imagined, knew everything there was to know about electricity.

Violence could not reach them only when they were distant as the moon, not of this world

Language built on sounds of delight, coloured in the gardens of Beirut

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

It took me a million miles to get here and half the time I was doing it in high heels.

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"Leading Men” is taken from a work-in-progress, Cinéma-Verité and the Collected Works of Ronald Reagan: A History of Propaganda in Motion Pictures.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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Going unnoticed must be the root sorrow for the broken.

Doing time is not a blank, suspended existence.

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Derek Matthews has to be the ugliest boy in the class but I like him. I’ve liked every boy except Barry Pumphrey now. Barry Pumphrey likes me.

These stories and conversations took place in a Media and Communications Studies class at a Canadian college. Students come to the college from many countries, in the hope of enrolling eventually in a North American university.

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

Remembering her father's last days in a hospital in Wyoming, Connie Kuhns struggles with questions of mortality, memory and how to fulfill her father's dying wish.

A new anthology of reviews, interviews and commentary on Joni Mitchell's music reveals the star-making machinery.

Did that really happen? J. Jill Robinson initiates a midnight stand-off between the police and two drunk brothers in an RV Park in White Rock, B.C.

Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

It is racism, not race, that is a risk factor for dying of COVID-19.

World War I, Canada’s “war of independence,” marked a turning point for a young colony wanting to prove itself as a self-reliant nation, but at what cost.

After Paul Muldoon and Raymond Williams.

Prurience or Voyeurism? One of the other anyway (more thematic convergence): this time it was How Insensitive, Russell Smith’s first novel (Porcupine’s Quill) the cover of which is emblazoned with black and white photographs of three young women in v

Patrick Lane's first book of fiction is finally out. How Do You Spell Beautiful (Fifth House) is, not surprisingly (if you know Lane's poetry), not for the faint of heart.

I went to see Hotel Porter, a musical revue showcasing the songs of Cole Porter, with my father, who could actually afford the tickets. The characters' lives played like a Hollywood movie—all passion and crisis—and the renditions of "You're the Top,"

Robert MacLean's new murder mystery, Home from the Party (Ronsdale) has a lot going for it: exotic location (Aegean island), a Greek cop who went to the University of Toronto to study under Andreas Papandreou (who lived in Canada until the Colonels w

In Hotel Sarajevo (Turtle Point Press), Jack Kersh has succeeded in translating his story into the thoughts and feelings of Alma, a fourteen-year-old girl who is caught in the hell of Sarajevo under siege. Alma is part of a group of war orphans who l

Kris Rothstein reviews Holding Still for as Long as Possible by Zoe Whittall (Anansi).

Even at age eighty-one, John Berger has lost none of his fire, which smoulders and flares in the seventeen “Dispatches on Survival and Resistance” in Hold Everything Dear (Pantheon). Berger has an innate empathy for the disadvantaged and the disenfra

Mary Schendlinger sees The Babushkas of Chernobyl, Inaate/se and A Good American at the DOXA Festival.

Aside from a grade school crush on Richard Brodeur, I have never been able to work up much enthusiasm for hockey, but when two hockey plays were running concurrently in Vancouver last winter I seized the chance to prove myself Canadian without having

In High Tide: The Truth About Our Climate Crisis (Picador), Mark Lynas, a British journalist, describes his travels around the world in search of disaster stories.

Roni Simunovic reviews When Everything Feels Like the Movies, the award-winning YA novel that inspired heated controversy and a homophobic petition.

The title character in Binnie Kirshenbaum's Hester Among the Ruins is on the trail of a different kind of treasure. She is the rare historian who does not teach but makes a living from her popular books about medieval life.

When I heard on the radio last month that Thomas Raddall had died, I was shocked and embarrassed instead of saddened because ever since discovering his books ten years ago I had thought of him as a real old-timer who must already have died. I came up

Patty Osborne reviews Last Dance in Shediac by Anny Scoones.

Two recent books nicely illustrate, for me, the disturbing state of contemporary publishing. The first book, Hemingway: The Toronto Years (Doubleday) by William Burrill, a Toronto journalist, is a handsome example of the book-making art.

Feeling crabby, I picked up Tom Wayman’s High Speed Through Shoaling Water (Harbour). Wayman, bless his poetic heart, uses clear images and familiar structure.

Jill Mandrake reviews Local Customs by Audrey Thomas, a ghost story and murder mystery set in West Africa.

The Historical Atlas of Canada by Derek Hayes (Douglas & McIntyre) contains reproductions of more than three hundred antique maps, which comprise a true history of the occupation of a continent. This is a beautiful book, almost impossible to put down

If you only see one short film this year, see the brilliant and witty Hinterland Who s Who: The Wood Spider, made by Andrew Struthers, a two-minute masterpiece combining old-school National Film Board aesthetic with a very modern tale of culture and

The eight and a half pieces in John Berger’s new book here is where we meet (Bloomsbury) are described by the publisher as “fictions,” but could equally be read as fragments of autobiography. In “Lisboa,” the narrator, a man named John of Berger’s ag

For me, reading a book by Douglas Coupland is a guilty pleasure, like reading James Michener or John Grisham—substantial enough to be worthwhile, yet trashy enough that I turn the cover inward as I walk down the street with it.

Hiding Edith by Kathy Kacer (Second Story) is a novel for children based on the childhood of Edith Schwalb, who fled Austria with her family to escape the Nazis, and was only able to do so because her father had been a popular soccer star. The family

The talk show on the radio was full of praise for Suzanne North's first mystery novel (Healthy, Wealthy and Dead, from NeWest) so I paid a visit to the local mystery bookshop to buy a copy and the clerk was excited about it too. "It's about time Cana

I get nervous when I can't remember what happened to me when I was younger. My parents and my grandparents never seem at a loss when telling their past, and I wonder if I have defective neurons that prevent me from storing information properly. Josef

Daniel Francis asks why a high-speed commuter route runs through Stanley Park, Vancouver's precious urban oasis.

Alberto Manguel reflects on art as a witness to the human desire to be infinite and eternal.

Daniel Francis explores the photographer as Vancouver's most interesting historian.

"A library is never finished, only abandoned." Alberto Manguel on incompletion, voluntary interruption and the pleasure of the day before.

In 2002, when my essay collection When Words Deny the World was published, people started behaving strangely. Ambitious young writers scurried out of sight when I entered a room, as though afraid that irate authors might banish them from Toronto for having spoken to me.

Reconsidering the faintly embarrassing Pierre Berton.

As Canada is one of the world's most urbanized countries, a reader knowing nothing of contemporary Canadian writing might expect to find a surfeit of urban novels in our bookstores. Yet novels explicitly set in Canadian cities form a mere sliver of our novelistic production.

The movie Wordplay, directed by Patrick Creadon (IFC Films, available on DVD), takes us into the arcana of crossword fanatics, who call themselves puzzle heads. Once a year they come from all over the U.S. to sit at long tables in a room at the Marri

The Great White North gets rebranded and gains some military muscle: goodbye peacenik, hello soldier.

In 1982 I had my first argument with an American about Saddam Hussein. As an undergraduate at an American liberal arts college where everyone read the New York Times, I supplemented my reading by browsing the British papers.

Coming to harbour in a new world.

Dr. Portillo, a Mexican physician, lives with her husband and son in a balcony-festooned six-bedroom house in a gated suburb. The adobe walls that enclose the garden, the coloured tiles embedded in the walls and the servants’ garden house are all typical of the home of a prosperous Mexican family. The multi-generational collection of relatives who occupy the spare bedrooms also reflect Mexican tradition. Dr. Portillo receives her patients in an office located in a tower in the northern Mexican city of Tijuana; since many of the patients are American, much of her working day takes place in English. When she goes home at night, she relaxes by speaking to her husband and son in Spanish. Her son, however, often responds in English because Dr. Portillo’s typical Mexican home is located in suburban California.

In this essay, Daniel Francis discusses how Gerda Munsinger—a woman with ties to the criminal underworld—shaped Canadian politics in the 1960s.

During the power cut that paralyzed Ontario in August 2003, the residents of my townhouse condominium complex began talking to each other. It was an event that took me by surprise.

A writer whose work is among the most important contributions to the literature of the Holocaust is forgotten by almost all.

Like most advice given to writers, the injunction to “write what you know” is misleading.

In a letter of 350 words, published in Geist 65, Michael Redhill calls me a racist once and implies that I am a racist on at least four other occasions. Redhill’s repetition of the ultimate insult of the postmodern era offers a fascinating, if depressing, window into how certain Canadian writers betray their responsibility to the society they live in.

“Get it right,” Rob Allen told me. “You have no idea how few novels you will actually write in your life”

Stephen Henighan investigates bus travel as one of Canada's last surviving democratic spaces.

In 1999, when I returned to Canada from London, England, to teach Spanish at the University of Guelph, I was handed an introductory Spanish textbook and told that two-thirds of my teaching load was basic language instruction. The textbook was American.

Auvers-sur-Oise is a town of ghosts. Among the summer tourists and art-loving pilgrims who visit Auvers from all over the world, drift flocks of long-dead artists with folding easels and boxes of paints, who a century ago would disembark every week at the small railway station.

In 2007, when The Penguin Book of Canadian Short Stories was published, Urquhart sent me a copy. As I examined the table of contents, I felt a dull thunk in my chest.

As Canadian leaders look to emulate Asian nations, our government fails to see that the tigers' fatal flaw is the absence of democracy. Or, maybe they do see.

The federal government recently announced it is reviewing the CBC’s mandate. This review is the latest chapter in a long story of questioning the value of the CBC since its inception seventy years ago. Clearly there are politics involved here; the CBC is an easy target for attack by parties of all stripes.