The large supply of nine-volt batteries suddenly made sense

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I traffic deep time in a great storm, guilty of ignorance and omission

The log jam is tall and wide and choosing wrong means we don’t make it home

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The fish is a suspended phantom, its magenta skeleton an exquisite, vibrant exhibit of what lies beneath

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A wildland fighter witnesses an old burn's second act

Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

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This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

A writer roams her sleepscape in search of the extraordinary subconscious

In search of a big picture at the end of the singular world

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

He looked vaguely familiar— there was a sort of outline around his ­features that I almost recognized, a translucent and shifting visage, as of someone I once knew. He looked vaguely familiar— there was a sort of outline around his ­features that I al

It was at about this moment that I hit him in the face, which is something I’ve never done before. I don’t know what perfect form the punch took in my mind, but by the time the impulse had pushed its way through me, my hand had bent inward like an old person’s claw, or a doll’s hand—curved around but without a bottle to clutch.

With the approach of her tenth summer, Julia considers the holidays that lie before her: will there be too many things for her to do? Trying to look ahead from school time, with its time-tables and schedules, makes it hard to remember, or to imagine, what summertime will be before summer arrives and the school year ends. In the summer when I was Julia’s age I heard Elvis Presley for the first time, down by the river on the jukebox in the fish-and-chip joint where teenagers went to hold hands and drink ice cream sodas and eat salted french fries drenched in vinegar.

One day a Swiss couple stopped in at the carpet shop, just as they had each year for the last ten years. Every spring they loaded up a cargo van with nets and jars and drove from their home in Switzerland to east Turkey, where they collected ­butterflies together. The man, Walter, had caught snakes in Africa and South America all his life and sold them to universities and private collectors, but that day he was turning seventy-five and, he said, it is not so wise at my age to play with snakes.

Reporting on the Michael Jackson trial from a Best Value Inn in Santa Maria, California.

It’s dark when I get off the bus by the corner store. Not the best area of town. The only other person in sight is lying on the sidewalk.

The Borderland Foundation documents borderland culture from its headquarters in the Jewish ghost town of Sejny, Poland.

In early March 2003, when I arrived in Taiwan to teach English, I took to the streets of Taoyuan County to take some photographs. I was looking for anything—signs, market scenes, strange faces, cityscapes, bus stations, barber shops—but all I could see was dogs. These dogs were not pets, though they may once have been. They were strays—dogs that lived on their own.

Language built on sounds of delight, coloured in the gardens of Beirut

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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Violence could not reach them only when they were distant as the moon, not of this world

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

It took me a million miles to get here and half the time I was doing it in high heels.

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"Leading Men” is taken from a work-in-progress, Cinéma-Verité and the Collected Works of Ronald Reagan: A History of Propaganda in Motion Pictures.

Going unnoticed must be the root sorrow for the broken.

Doing time is not a blank, suspended existence.

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Derek Matthews has to be the ugliest boy in the class but I like him. I’ve liked every boy except Barry Pumphrey now. Barry Pumphrey likes me.

These stories and conversations took place in a Media and Communications Studies class at a Canadian college. Students come to the college from many countries, in the hope of enrolling eventually in a North American university.

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

Remembering her father's last days in a hospital in Wyoming, Connie Kuhns struggles with questions of mortality, memory and how to fulfill her father's dying wish.

A new anthology of reviews, interviews and commentary on Joni Mitchell's music reveals the star-making machinery.

Did that really happen? J. Jill Robinson initiates a midnight stand-off between the police and two drunk brothers in an RV Park in White Rock, B.C.

Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

It is racism, not race, that is a risk factor for dying of COVID-19.

World War I, Canada’s “war of independence,” marked a turning point for a young colony wanting to prove itself as a self-reliant nation, but at what cost.

After Paul Muldoon and Raymond Williams.

In The Lynching of Louie Sam, two teenage boys watched as another—an Aboriginal named Louie Sam—was hanged by a group of men who rode on horseback. Reviewed by Patty Osborne.

PhotoGraphic Encounters: The Edges and Edginess of Reading Prose Pictures and Visual Fictions (University of Alberta Press and the Kamloops Art Gallery) contains much promise of “edginess” and “subversion,” once the great virtues of the postmodern ag

Michael Hayward reviews the autobiography of Jim Rimmer, a “high priest” of type design and private-press printing.

Rhonda Waterfall reviews The Pharmacist's Mate by Amy Fusselman, just under 100 pages of minimalist prose called "a brief miracle of a book."

Dylan Gyles reviews Your Fathers, Where Are They? And the Prophets, Do They Live Forever? by Dave Eggers, the story of a disillusioned young man grappling with life, the universe and metaphysical truths.

Michael Hayward reviews Phantom Limb by Theresa Kishkan, a series of essays exploring of the complexity and magic of the natural world.

Are the Québecois the only moviemakers in North America with a sense of humour? Latest evidence to hand would certainly suggest so: three movies in the local video place this season and all winners.

This year’s winner of the People’s Choice Award for Most Popular International Film was Persepolis, a mostly black-and-white animated film adapted from the graphic memoir by Marjane Satrapi, who documents her childhood in Iran, first living under the

Kris Rothstein on the current state of employment in Bullshit Jobs and Temp.

Patty Osborne on the mixed review of Crazy Rich Asians.

A review of Julie Otsuka's novel, The Buddha in the Attic, about Japanese picture brides in the 1920s.

Paula Spencer is forty-eight. She hasn’t had a drink for four months and five days. She wants a drink. She doesn’t want a drink. She fights. She wins. But she’s alone. She’s got kids, two grown, two still at home.... The book is Paula Spencer (Knopf)

When I first opened Suzanne Buffam’s book Past Imperfect (Anansi), I thought it might strive in a similar way to Yesterday, at the Hotel Clarendon by Nicole Brossard. In the first poem, “Another Bildungsroman,” the speaker grows up, leaves home, fall

A Pillow Book by Suzanne Buffam contemplates the pillow, an ordinary object, as the buffer between internal and external life.

True or False: Breast cancer always shows up on a mammogram, early detection is your best protection, studies show a low-fat diet is linked to a lower incidence of breast cancer, mortality rates for breast cancer are going down. Answers: False, false

This past December longtime Geist columnist Stephen Henighan did a promotional tour of western Canada for his latest novel, Path of the Jaguar.

In the early 1960s, the Beat poet Gary Snyder was studying Buddhism in Japan with just one published book of poetry (Myths & Texts) to his credit.

Paris Tales, edited and translated by Helen Constantine (Oxford University Press), is another study in the evocation of place: a collection of twenty-two stories by French and other Francophone writers inspired by specific Parisian locales. Many of t

The current film festival season features two movies written by Geist correspondents Tom Walmsley and Peg Thompson. Walmsley's film is called Paris, France. We can't tell you about it first-hand, as it hasn't come to Vancouver yet, but last week a Gl

In Paradise by A. L. Kennedy (Anansi), Hannah is a drunk whose story begins as she is coming out of a blackout.

Lily Gontard reviews Passage (2008), directed by John Walker.

In Paradise Travel, by Jorge Franco, translated by Katherine Silver (Farrar, Straus and Giroux), Marlon Cruz, a naïve young man from Colombia, finds himself alone in New York City when he has a fight with his girlfriend and storms out of their hotel

A paranoid office-worker relieves the alienation she feels in her job by writing experimental lyric prose.

While doing research for a proposed TV series on heinous Victorian criminals, the hero of Paranoia in the Launderette, by Bruce Robinson (Bloomsbury), becomes convinced that there are murderers around every corner, hiding under his bed, poisoning his

Begging the question of what can be defined as “form.”

To teach us how to read Don Quixote, a text so contrary to conventional literary tradition, the prologue itself needed to break from all traditions

"Cross-country skiing offered me the reassurance sought by the immigrant who is excluded from his locality’s history: a viable alternate route to belonging."

When you find yourself laid up in a sterile hospital room, which books do you want to have with you?

Despite hardships and dangerous slums, Nicaragua maintains a sense of hope that draws back to the democratic days of the Sandinistas.

In Hungary, goulash socialism becomes difficult to swallow

It all started with a zesty little book about getting old.

Kafka’s writing allows us intuitions and half-dreams but never total comprehension.

The woman who called herself Tatiana Aarons gave me an address that led to a vacant lot.

Romantic notions that equate Indigenous peoples with nature are not going to cut it.

Libraries are not only essential in educating the soul, but in forming the identity of a society.

Dogged dedication grants a reader vicarious immortality.

Our society is formed on the assumption of a healthy immune system.

Without air travel, family networks might have dissolved long ago.

Daniel Francis on John Franklin, John Rae and the Globe and Mail's enthusiasm for cannibalism.

There’s something not quite right about the grid on which the game is played.

The newspaper wars aren’t what they used to be.

Must artists declare their moral integrity?

In the sun-streaked barroom of the Irma Hotel on the main street of Cody, Wyoming, late one afternoon in June, I made a big mistake. “What’s on tap?” I asked.

European Jewish artisans on horseback in Argentina.

The craft of untruth has been perfected.

Dividing and conquering local populations confines them to manageable administrative units.

A few years after Kafka’s death, Milena, the woman he had loved so dearly, was taken away by the Nazis and sent to a concentration camp. Suddenly life seemed to have become its reverse: not death, which is a conclusion, but a mad and meaningless state of brutal suffering, brought on through no visible fault and serving no visible end. To attempt to survive this nightmare, a friend of Milena devised a method: she would resort to the books she had read, stored in her memory.

Many years ago my father-in-law, who had been a British prisoner of war in Japan, gave me a small pocket anthology, The Knapsack, edited by the undeservedly forgotten Herbert Read. The book (which I have since passed on to my daughter) had been put together for the Ministry of War to be given to its soldiers: its proclaimed intention was "to celebrate the genius of Mars." Surprisingly, however, the general tone of the anthology was above all elegiac.