When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.
Roy Woodbridge tries hard to connect everything in his somewhat despairingly named book, The Next World War: Tribes, Cities, Nations and Ecological Decline (University of Toronto), in which he calls for a “war on ecological decline”—a war on the forc
The New Northwest by Bill Waiser (Fifth House), is subtitled The Photographs of the Frank Crean Expeditions 1908-1909, but provides us with very little information about these two fascinating subjects. The New Northwest can be seen as another wacky v
Everyday Stalinism—certainly a tide to conjure with—by Sheila Fitz-Patrick (Oxford) is subtitled Ordinary Life in Extraordinary Times: Soviet Russia in the 1930s, and is proof that under certain circumstances the everyday is never normal. This is a h
In 1945 Molly Lamb Bobak became Canada's first female war artist, but it took her three years of army life to win that appointment. During those years she kept a unique diary in the form of a handwritten newsletter, as she traveled back and forth acr