It was a gruesome war, Santa added in Papyrus font, but the forces of Good eventually emerged victorious

Time to call a professional

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The large supply of nine-volt batteries suddenly made sense

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I traffic deep time in a great storm, guilty of ignorance and omission

The log jam is tall and wide and choosing wrong means we don’t make it home

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The fish is a suspended phantom, its magenta skeleton an exquisite, vibrant exhibit of what lies beneath

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A wildland fighter witnesses an old burn's second act

Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

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This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

A writer roams her sleepscape in search of the extraordinary subconscious

In search of a big picture at the end of the singular world

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

He looked vaguely familiar— there was a sort of outline around his ­features that I almost recognized, a translucent and shifting visage, as of someone I once knew. He looked vaguely familiar— there was a sort of outline around his ­features that I al

It was at about this moment that I hit him in the face, which is something I’ve never done before. I don’t know what perfect form the punch took in my mind, but by the time the impulse had pushed its way through me, my hand had bent inward like an old person’s claw, or a doll’s hand—curved around but without a bottle to clutch.

With the approach of her tenth summer, Julia considers the holidays that lie before her: will there be too many things for her to do? Trying to look ahead from school time, with its time-tables and schedules, makes it hard to remember, or to imagine, what summertime will be before summer arrives and the school year ends. In the summer when I was Julia’s age I heard Elvis Presley for the first time, down by the river on the jukebox in the fish-and-chip joint where teenagers went to hold hands and drink ice cream sodas and eat salted french fries drenched in vinegar.

One day a Swiss couple stopped in at the carpet shop, just as they had each year for the last ten years. Every spring they loaded up a cargo van with nets and jars and drove from their home in Switzerland to east Turkey, where they collected ­butterflies together. The man, Walter, had caught snakes in Africa and South America all his life and sold them to universities and private collectors, but that day he was turning seventy-five and, he said, it is not so wise at my age to play with snakes.

Reporting on the Michael Jackson trial from a Best Value Inn in Santa Maria, California.

It’s dark when I get off the bus by the corner store. Not the best area of town. The only other person in sight is lying on the sidewalk.

Hal Niedzviecki com­mem­o­rates his Jewish grand­fa­ther—a heavy drinker, a bad driver and a Polish refugee.

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

We don’t know why the budgie did it. He must have been unhappy. It can’t have been easy for him—pecking the bell, hanging about on the pole.

Femme girls get free Slurpees, but boyish ladies get free cavity searches at the border.

D.M. Fraser on the myth of cultural identity.

The Bolshevists are coming! The Bolshevists are coming! Daniel Francis recounts Canada's close call with a revolution.

Mastery of the self

Patty Osborne reviews a collection of journal entries, correspondence and other writings produced by Mary Meigs during the last years of her life.

Our film is a semi-documentary. We are ourselves, up to a point; beyond this point is the "semi," a region with boundaries that become more or less imprecise, according to our view of them. In one sense, it is semi from beginning to end, for we would

I answered the ad: SWM likes to dance. Called him up (said his name was Jay), suggested we meet at the local cafe Tuesday night, something different, a performance poet performing. Free coffee and cookies, the place rocking with middle-aged angst.

Dinner with James Reaney—poet, playwright, professor—who is mistaken by a pair of Irish ladies for “that decadent writer Mordecai Richler.”

Sarah Leavitt is more than just a clever cartoonist; she also paints pictures with her colourful prose.

The poet John Glassco lived in disguise, masquerading as a member of the gentry while writing pornography and reinventing his past.

Once while living in Burma (now Myanmar), Goran Simic and his brother, whose father was the Serbian ambassador, were stopped by rebels on their way to the international school in Yangon. They were hauled out of their diplomatic Mercedes limousine and forced at gunpoint to witness the beheading, at the side of the road, of a uniformed Myanmar government official.

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

A flower child looks back, to the time between Motown and acid rock.

A first-hand account of Greenpeace's first expedition to stop U.S. underwater nuclear testing on September 15, 1971.

It started with a note I found tucked into an anthology of poems edited by Selden Rodman, a book I opened rarely, though there was a time when I was young I had read it so closely and so many times I had most of the poems memorized. The note lay in the spine of the book against a poem of Arthur Rimbaud's titled, I think, "The Twelve-Year-Old Poet." On it are four names printed out in my sure and youthful twenty-one-year-old hand: Baghdad, Koweit, Sakakah, Jaffa.

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

During my thirty years living on the waterfront of British Columbia, I have always had some sort of container in which to sit on the water. My first boat was a ten-foot dinghy that my late husband John Daly, a commercial salmon troller, equipped with a small electric motor to surprise me. He had the bizarre idea that I, a sometime canoeist from Ohio, could manoeuvre a boat on my own around our capacious Pacific coast harbour. The electric engine would be ideal for me, he thought. No rope to pull to start it up! No gasoline tank on board!

And then I remembered an important event. It happened at a funeral in St. Paul’s chapel for a twenty-four-year-old prostitute who had overdosed in her Gastown hotel room. The small chapel was half full, and very quiet. There were a couple of fresh flower arrangements in front of the cheap, closed coffin. Most of the congregation were other prostitutes dressed in their working clothes, and a few pimps. One woman apologized to Brother Tim for having nothing black to wear, except for lingerie and a leather miniskirt.

Stephen Henighan compares the chaotic sprawl of "Third World" societies to the degradation of Canada's political, social and physical landscape.

Last summer, during a visit to Vancouver, my nine-year-old son climbed the pediment of a cast-iron traffic-light standard and put his palm on the glowing hand that warns pedestrians to stay put. My mother pointed out afterwards that my photograph of the event contained its own French caption, in the word visible over his shoulder: main.

Connie Kuhns' major profile of punk, politics and feminism in 1970s Canada: the Moral Lepers, the Dishrags and other revolutionary bands.

Lily Gontard reviews The Luminaries and The Douglas Notebooks, two award-winning novels you might not have heard of.

Kathleen Murdock on race, resilience, rage and joy.

An established experimental poet—the kind that comes with a beard and a fear of proper capitalization—was heard recently to denounce video art as “arty farty stuff.” As a writer and sometime video artist myself, I like to think of the two disciplines

"My espresso machine was in the repair shop and I had begun to despair of ever seeing it again."

The story of Esther Brandeau, the first Jew to set foot in New France, could have been a dull historical re-creation, but Esther, by Sharon E. McKay (Penguin), is an action-packed story about a feisty, unusual and believable heroine.

In Coetzee’s most recent book, Elizabeth Costello, the main character—“she, Elizabeth Costello”—wonders if she is “a light spirit,” and I like this idea. Elizabeth Costello is not called a novel either, although on the dust jacket Coetzee is describe

When Julia Kwan’s grandmother died, her parents said the grandmother had been reincarnated as a goldfish. The report from Sunday school was quite different: Grandma had gone to hell. Eve and the Fire Horse is Kwan’s story of a young Chinese-Canadian

The frontispiece of Eunoia by Christian Bök (Coach House) is a drawing of a cone, a line, a sphere and a paraboloid, all nestled inside a cylinder. This complicated arrangement of lines and points illustrates perfectly how my mind worked while I was

Robert Everett-Green reviews David B.'s graphic memoir Epileptic, a recount of the long search by David B.’s parents for a cure for his older brother’s seizures.

Kate Helmore on the stark contrast between skinny jeans and ankle-length skirts in the Netflix series "Unorthodox".

A fast-paced seafaring adventure from my father’s bookshelf, in which a wealthy Londoner on a religious mission to Tasmania falls in with a crew of Manxmen smuggling tobacco, liquor and French porn.

Norbert Ruebsaat reviews George Bowering's Errata (1988).

"When your narrator has Alzheimer’s Disease, neither you nor she can be sure of the facts, which is what makes this such an intriguing story."

The Mike Wallace interview is reprinted in its entirety in Empty Phantoms (Thunder’s Mouth Press), an exhaustive collection of “nearly all known printed, recorded, and filmed interviews” with Kerouac: by Ben Hecht on his Chicago radio show in 1958, b

Michael Hayward reviews Edward Lear in Albania, an account of the author's travels through the Balkans beginning in 1848.

Craft Distilling: Making Liquor Legally at Home by Victoria Redhed Miller is a no-nonsense how-to book, and a rational plea to lift laws that prevent small-batch not-for-profit distilling.

Eve Corbel reviews The Sea Lady by Margaret Drabble, a novel that takes place on land but is all about the sea.

Michael Hayward on plastic art and slow sonnets.

Gimli back my eighty minutes!

Patty Osborne reviews Eating Apples, an addictive collection of personal essays that gives glimpses into the lives of women.

Review of "Lost Feast: Culinary Extinction and the Future of Food" by Lenore Newman.

AnnMarie MacKinnon reviews Einsteinium (Es), an element discovered by a non-Einstein Albert.

Michael Hayward reviews Eat, Memory: Great Writers at the Table (Norton).

I found more history—this time to do with food—in Eve Johnson’s Eating My Words (Whitecap), a collection of essays originally written for the Vancouver Sun. Not all of them are historical, but my favourite ones are, including the history of real food

Ruskin's readers have the power to know that there is indeed room for Alice at the Mad Hatter's table.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

An appreciation of Dante's "Commedia."

There is no way to step back from the orgy of kisses without offending.

Rob Kovitz compiles the pressing questions of the day—"How are they gonna beat ISIS?" And, "On Twitter, who cares?"

For an English-speaking Canadian who has been exposed to French from an early age, Paris is the most disorienting city in Europe. It is grandiose, but it is mundane.

Faith seems to shiver when confronted by art.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

One thing Canadians have learned from our armed incursion into Afghanistan is that we do not have a vocabulary for discussing war or warlike events.

The atrocities were carried out in the name of some version of “civilization” that the Queen represented.

"Resistance to wars is as much a Canadian tradition as fighting them." Daniel Francis discusses alternative histories, anti-draft demonstrations and the divisive nature of war.

Alberto Manguel's column from Geist 93 about how the most important Turkish novelist of modern times took over fifty years to reach English-speaking audiences.

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

A reflection on the complex and often inexplicable process of bibliographic categorizations.

What does it mean to "be" yourself? The face reflected in the mirror is unrecognizable.

Parables, cautionary tales, morality plays, allegories—the notion that we can study literary works as texts of ethics is as old as literature.

Stephen Henighan discusses the crude first steps to finding a new way to talk about racial reality.

The Penthouse, the notorious Vancouver night club, shares a history with several of the city's missing women cases.

A bibliophile's worst nightmare: being stuck on a plane with a terrible book. A book mistaken for a work of serious history.

Unravelling the mysteries of Alejo Carpentier

A misogynist, a racist and an academic walk into a bar...

"In the public eye, universities have never recovered from the antics of Donald Sutherland as Professor Jennings in the 1978 film Animal House."

Alberto Manguel examines a modern-day book burning and asks: how is this still happening?