Last month I had lunch with a good friend who years ago had told me that her parents, who immigrated to Canada after the war, were Holocaust survivors. I asked my friend, whose name is Slava, to tell me again about her parents, who had lived in Vilna, the ancient Lituanian city of Europe known for three centuries as the “Jerusalem of the north.”

He said he just wanted towels. There was no reason to be afraid.

Crack addicts, art critics and pregnant waitresses populate David Mitchell's uncanny vision of Vancouver.

Respected journalist, Geist contributor and maker of olive sandwiches.

Compassionate, good truck driver, likes kids, likes ice cream—the makings of a no-fail ice cream dude.

Four days after Sandy, Shucard's parents are in good humour, very brave and very glad to see him—and unsure if he's taking them to Bolivia, Azerbaijan or Canada.

Jan Feduck faces Frenchish food, vomit and guys from Ontario when her ferry from the Magdalen Islands is caught in a hurricane.

A few years ago, someone left a pocket-sized photo album on my desk with an unsigned note stuck on the cover that said I “might know what to do with it.” Inside, glued one to a page, are twenty-four photographs of Essondale, the mental hospital in N

Christine Novosel reports from Glasgow on art school, apiary management, Brexit and being a junkyard dog.

Lindsay Diehl encounters choppy waves, a beautiful man in a hot tub and a pendant shaped like a curved tongue on a trip to Hawaii.

Thad McIlroy spends the night in hospital to get a hernia—possibly on his left side, possibly on his right—repaired.

Thad McIlroy undergoes a hernia operation—and with Neil Diamond and the right kind of drugs, it might only take ten minutes.

"I glanced at Jack, his tattooed arms, his gloved hands resting on the wheels of his manual chair. If only I could get my arms back. I could live with anything else."

"My father began his shopping spree in the fashion department. He ordered jackets, sweaters, shirts, trousers and shoes. In his new wardrobe he looks like a mummy that has been dressed up for a big night of trick-or-treating."

"Campbell River, best fishing in the world. They do every­thing for you. All you have to do is bring yourself and decide what you're going to drink."

The Museum of Communism is easy to find thanks to the museum’s adver­tis­ing slo­gan: We’re above McDonald’s.

Stephen Osborne is entranced by a pair of eccentric, high profile students while on a university tour in 1964.

The facts (and fictions) surrounding the tale of Quebec's most famous murderess, La Corriveau.

This year for Halloween, we creep back into the archives and Stephen Osborne digs deep into his family's history at the Salem witch trials.

Espadrille, paduka, chopine—Eve Corbel illustrates a guide for readers on some of the fanciest footwear found in literature.

A COVID test in the city of a hundred steeples.

A poetic tribute to men's rear-ends.

The driver said, “Are you fit to travel, sir?” and the crack smoker said, “Are any of us fit to travel?"

Diana Fitzgerald Bryden attends Between the Pages, the pre-Giller hybrid that’s a kind of sacrificial altar/beauty pageant for six Canadian authors.

"'Goin’ to university' was a cover or alibi, rather than a statement of fact, providing the indolent and the imaginative with richer lives than simply having a job."

Hal Niedzviecki com­mem­o­rates his Jewish grand­fa­ther—a heavy drinker, a bad driver and a Polish refugee.

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

We don’t know why the budgie did it. He must have been unhappy. It can’t have been easy for him—pecking the bell, hanging about on the pole.

Femme girls get free Slurpees, but boyish ladies get free cavity searches at the border.

D.M. Fraser on the myth of cultural identity.

The Bolshevists are coming! The Bolshevists are coming! Daniel Francis recounts Canada's close call with a revolution.

Mastery of the self

Patty Osborne reviews a collection of journal entries, correspondence and other writings produced by Mary Meigs during the last years of her life.

Our film is a semi-documentary. We are ourselves, up to a point; beyond this point is the "semi," a region with boundaries that become more or less imprecise, according to our view of them. In one sense, it is semi from beginning to end, for we would

I answered the ad: SWM likes to dance. Called him up (said his name was Jay), suggested we meet at the local cafe Tuesday night, something different, a performance poet performing. Free coffee and cookies, the place rocking with middle-aged angst.

Dinner with James Reaney—poet, playwright, professor—who is mistaken by a pair of Irish ladies for “that decadent writer Mordecai Richler.”

Sarah Leavitt is more than just a clever cartoonist; she also paints pictures with her colourful prose.

The poet John Glassco lived in disguise, masquerading as a member of the gentry while writing pornography and reinventing his past.

Once while living in Burma (now Myanmar), Goran Simic and his brother, whose father was the Serbian ambassador, were stopped by rebels on their way to the international school in Yangon. They were hauled out of their diplomatic Mercedes limousine and forced at gunpoint to witness the beheading, at the side of the road, of a uniformed Myanmar government official.

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

A flower child looks back, to the time between Motown and acid rock.

A first-hand account of Greenpeace's first expedition to stop U.S. underwater nuclear testing on September 15, 1971.

It started with a note I found tucked into an anthology of poems edited by Selden Rodman, a book I opened rarely, though there was a time when I was young I had read it so closely and so many times I had most of the poems memorized. The note lay in the spine of the book against a poem of Arthur Rimbaud's titled, I think, "The Twelve-Year-Old Poet." On it are four names printed out in my sure and youthful twenty-one-year-old hand: Baghdad, Koweit, Sakakah, Jaffa.

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

During my thirty years living on the waterfront of British Columbia, I have always had some sort of container in which to sit on the water. My first boat was a ten-foot dinghy that my late husband John Daly, a commercial salmon troller, equipped with a small electric motor to surprise me. He had the bizarre idea that I, a sometime canoeist from Ohio, could manoeuvre a boat on my own around our capacious Pacific coast harbour. The electric engine would be ideal for me, he thought. No rope to pull to start it up! No gasoline tank on board!

And then I remembered an important event. It happened at a funeral in St. Paul’s chapel for a twenty-four-year-old prostitute who had overdosed in her Gastown hotel room. The small chapel was half full, and very quiet. There were a couple of fresh flower arrangements in front of the cheap, closed coffin. Most of the congregation were other prostitutes dressed in their working clothes, and a few pimps. One woman apologized to Brother Tim for having nothing black to wear, except for lingerie and a leather miniskirt.

Stephen Henighan compares the chaotic sprawl of "Third World" societies to the degradation of Canada's political, social and physical landscape.

Last summer, during a visit to Vancouver, my nine-year-old son climbed the pediment of a cast-iron traffic-light standard and put his palm on the glowing hand that warns pedestrians to stay put. My mother pointed out afterwards that my photograph of the event contained its own French caption, in the word visible over his shoulder: main.

Connie Kuhns' major profile of punk, politics and feminism in 1970s Canada: the Moral Lepers, the Dishrags and other revolutionary bands.

Review of "Ethos" directed by Berkun Oya.

Anson Ching on desecration ratcheted to new levels.

Review of "Let the World Have You" by Mikko Harvey.

Jill Mandrake a new series called Christmas Ghost Stories (Biblioasis), selected and illustrated by Seth.

Any author who can attract a crowd to listen to explanations of changes in plate tectonics theory over several decades deserves applause, and the best-selling author Simon Winchester did just that, in a conversation with Hal Wake at the 18th Annual V

Jill Mandrake on Mississippi Live & the Dirty Dirty, a Southern rock band in East Vancouver.

In The High Mountains of Portugal (Knopf), Yann Martel returns to magic realism in three interwoven stories about lost love and journeys taken to reclaim the past.

Mary Schendlinger on "How the Girl Guides Won the War" by Janie Hampton.

CBC Radio celebrated National Poetry Day by reading a poem written in 1916 by Bliss Carman, which raises the question: are there no living poets who cut the mustard?

Daniel Francis on Geoff Meggs attempt to solve the murder of strike leader Frank Rogers.

A single copy of the second number of The Old Fart, "a magazine for and by curmudgeons" appeared in the rack at the local tobacconist's just long enough to be snaffled up by a sharp-eyed Geister. This is not a pretty magazine, but it's a pretty funny

Yishu: Journal of Contemporary Chinese Art is a new quarterly published in Taiwan and Canada by the anonymously named Art and Collection Group Ltd., which turns out to be an ambitious group of editors, writers, curators and artists in several countri

What makes [Palmer] Cox so interesting, at least to Nick Mount in his new study When Canadian Literature Moved to New York (University of Toronto Press), is that he was part of a literary expatriation of Canadian writers to the United States. At the

The Canadian publisher Drawn & Quarterly has launched Walt and Skeezix: 1921 & 1922, the first in a series that collects Frank King’s seminal Gasoline Alley strips. While these books are fitting testaments to King’s incredible illustrative talents,

John Huston's final film, of the James Joyce short story from "Dubliners", was a worthy capstone to his career of nearly fifty years.

Review of "Short Story Advent Calendar" by Hingston & Olsen Publishing.

Review of "The Old Man in the Mirror Isn’t Me" by Ray Robertson.

Yann Martel's novel Self (Knopf), seems aptly titled for a book that depicts a character growing from childhood into adulthood. Martel's first book, The Facts Behind the Helsinki Roccamatios, kept me on my couch for chapter after chapter with tears i

October 21, 2005, marked the 200th anniversary of the great naval battle of Trafalgar, an engagement in which Admiral Nelson and the British fleet ended Napoleon’s dream of invading England by crushing the French and Spanish fleets off the southwest

Eve Corbel reviews Follow the Rabbit-Proof Fence by Doris Pilkington, in which two girls are taken from their family by Western Australia government officials in 1931.

In Leonard Gasparini's Selected Poems (Hounslow Press), the themes range from urban night-life lyricism to wry, formally structured meditations on humanity, travel and the natural world. Gasparini's vision of life is often dark but never obscure.

Seachd: The Inaccessible Pinnacle (Simon Miller), is the first Gaelic-language movie at the Vancouver International Film Festival. Seachd ( “seven”) is the age Aonghas is when he and his siblings are orphaned and sent to their grandparents; seachd is

The Bee Trading Card Series 1 includes twenty-four cards that feature facts about bee anatomy, physiology and classification.

Portland is a great destination for fans of the independent presses. During a recent two-day trip, I selected a few must-have zines and chapbooks from a huge selection.

Ruskin's readers have the power to know that there is indeed room for Alice at the Mad Hatter's table.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

An appreciation of Dante's "Commedia."

There is no way to step back from the orgy of kisses without offending.

Rob Kovitz compiles the pressing questions of the day—"How are they gonna beat ISIS?" And, "On Twitter, who cares?"

For an English-speaking Canadian who has been exposed to French from an early age, Paris is the most disorienting city in Europe. It is grandiose, but it is mundane.

Faith seems to shiver when confronted by art.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

One thing Canadians have learned from our armed incursion into Afghanistan is that we do not have a vocabulary for discussing war or warlike events.

The atrocities were carried out in the name of some version of “civilization” that the Queen represented.

"Resistance to wars is as much a Canadian tradition as fighting them." Daniel Francis discusses alternative histories, anti-draft demonstrations and the divisive nature of war.

Alberto Manguel's column from Geist 93 about how the most important Turkish novelist of modern times took over fifty years to reach English-speaking audiences.

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

A reflection on the complex and often inexplicable process of bibliographic categorizations.

What does it mean to "be" yourself? The face reflected in the mirror is unrecognizable.

Parables, cautionary tales, morality plays, allegories—the notion that we can study literary works as texts of ethics is as old as literature.

Stephen Henighan discusses the crude first steps to finding a new way to talk about racial reality.

The Penthouse, the notorious Vancouver night club, shares a history with several of the city's missing women cases.

A bibliophile's worst nightmare: being stuck on a plane with a terrible book. A book mistaken for a work of serious history.

Unravelling the mysteries of Alejo Carpentier

A misogynist, a racist and an academic walk into a bar...

"In the public eye, universities have never recovered from the antics of Donald Sutherland as Professor Jennings in the 1978 film Animal House."

Alberto Manguel examines a modern-day book burning and asks: how is this still happening?