The Borderland Foundation documents borderland culture from its headquarters in the Jewish ghost town of Sejny, Poland.

In early March 2003, when I arrived in Taiwan to teach English, I took to the streets of Taoyuan County to take some photographs. I was looking for anything—signs, market scenes, strange faces, cityscapes, bus stations, barber shops—but all I could see was dogs. These dogs were not pets, though they may once have been. They were strays—dogs that lived on their own.

Mr. C.F. Keiss, awealthy American visitor from Bucyrus, Ohio, met death with “tragic suddenness”under the wheels of the new City auto ambulance at the corner of Pender andGranville Streets yesterday afternoon.

When the celebrated English poet Rupert Brooke came to Canada on the train from New York in 1913, he had been warned that he would find “a country without a soul.” The gloomy streets of Montreal, overshadowed by churches and banks and heavy telephone wires, reminded him of the equally gloomy streets of Glasgow and Birmingham.

We did what we weren’t supposed to do. We paid a local man to take us horseback riding. He was walking up and down the beach, waving papers and shouting, “Horses!” We signalled for him to come over, and we negotiated a price.

When we hitchhiked back to Castle­gar it was dark and the lights on the car dashboards flickered and their glass reflected the faces of the men who’d picked us up and who, I imagined, knew everything there was to know about electricity.

Allen Ginsberg is speaking into a tape recorder hanging from the rear-view mirror of my mother’s Volvo, composing a poem with the attitude of one accustomed to the gratitude of posterity.

The next performer, Coco, a six-year-old Belgian shepherd, stood on his back legs and hopped alongside a woman wearing white go-go boots who jiggled her hips in time to “ymca.” Coco weaved between her legs, rolled across her feet, lay on his back and kicked his legs in the air. The woman’s brow was furrowed and sweat ran down her face. Coco bounded in front of her, then backed through her legs and sneezed twice. The judges looked at each other and one of them wrote somethingdown.

When I am dying, it would be comforting tobe told that I had been the human equivalent of a good dog. Loving,compassionate, faithful, understanding, dignified, but also goofy, curious,fun, protective, a friend. Let’s leave out obedience.

When taking hallucinogenics, more is better, within limits.

Narrative text, written and spoken, refines a doctor’s ability to hear a patients’ stories.

A collection of Jerome Stueart's Greyhound sketches, including one Vitruvian bus driver.

Two women on motorcycles: one in the dead zone of Chernobyl, and the other in the cactus country of Kamloops.

Not long ago on a sticky Saturday night at a comedy club in Madison, Wisconsin, the funeral director with whom I was having a drink told me how long it takes for the formaldehyde to replace the blood in a dead person’s arteries. He drank a light beer

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Stephen Osborne reflects on the Vancouver Poetry Conference, the Occupy movement, and a brunch with NaNoWriMo novelists.

The secret is in the velvet.

A shuttle driver at LAX shares his idea for a Valentine’s Day gift.

Just decide what happens and worry about the rest later.

After the fall of the Berlin Wall, Hakescher Markt became one of hippest neigh

Stephen Osborne recollects his encounter last summer with Robert Service outside a cafe in Vancouver. Service, who wrote the poem "The Cremation of Sam McGee," died in 1958.

Only when I settle down in the back seat of the cab do I notice that on the dashboard there are several stickers with the letter U, the sign of Ustashe. During the Second World War, Ustashe was the ruling party in the Independent State of Croatia.

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A young Canadian man visits family in Pakistan to settle a generational feud.

Plumb the depths of the Aquafit subculture with our embedded nonagenarian.

“Never write a line you don’t mean,” said Carver. “And don’t ever imag

Notes from the Governor General’s Literary Awards.

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Hal Niedzviecki com­mem­o­rates his Jewish grand­fa­ther—a heavy drinker, a bad driver and a Polish refugee.

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

We don’t know why the budgie did it. He must have been unhappy. It can’t have been easy for him—pecking the bell, hanging about on the pole.

Femme girls get free Slurpees, but boyish ladies get free cavity searches at the border.

D.M. Fraser on the myth of cultural identity.

The Bolshevists are coming! The Bolshevists are coming! Daniel Francis recounts Canada's close call with a revolution.

Mastery of the self

Patty Osborne reviews a collection of journal entries, correspondence and other writings produced by Mary Meigs during the last years of her life.

Our film is a semi-documentary. We are ourselves, up to a point; beyond this point is the "semi," a region with boundaries that become more or less imprecise, according to our view of them. In one sense, it is semi from beginning to end, for we would

I answered the ad: SWM likes to dance. Called him up (said his name was Jay), suggested we meet at the local cafe Tuesday night, something different, a performance poet performing. Free coffee and cookies, the place rocking with middle-aged angst.

Dinner with James Reaney—poet, playwright, professor—who is mistaken by a pair of Irish ladies for “that decadent writer Mordecai Richler.”

Sarah Leavitt is more than just a clever cartoonist; she also paints pictures with her colourful prose.

The poet John Glassco lived in disguise, masquerading as a member of the gentry while writing pornography and reinventing his past.

Once while living in Burma (now Myanmar), Goran Simic and his brother, whose father was the Serbian ambassador, were stopped by rebels on their way to the international school in Yangon. They were hauled out of their diplomatic Mercedes limousine and forced at gunpoint to witness the beheading, at the side of the road, of a uniformed Myanmar government official.

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

A flower child looks back, to the time between Motown and acid rock.

A first-hand account of Greenpeace's first expedition to stop U.S. underwater nuclear testing on September 15, 1971.

It started with a note I found tucked into an anthology of poems edited by Selden Rodman, a book I opened rarely, though there was a time when I was young I had read it so closely and so many times I had most of the poems memorized. The note lay in the spine of the book against a poem of Arthur Rimbaud's titled, I think, "The Twelve-Year-Old Poet." On it are four names printed out in my sure and youthful twenty-one-year-old hand: Baghdad, Koweit, Sakakah, Jaffa.

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

During my thirty years living on the waterfront of British Columbia, I have always had some sort of container in which to sit on the water. My first boat was a ten-foot dinghy that my late husband John Daly, a commercial salmon troller, equipped with a small electric motor to surprise me. He had the bizarre idea that I, a sometime canoeist from Ohio, could manoeuvre a boat on my own around our capacious Pacific coast harbour. The electric engine would be ideal for me, he thought. No rope to pull to start it up! No gasoline tank on board!

And then I remembered an important event. It happened at a funeral in St. Paul’s chapel for a twenty-four-year-old prostitute who had overdosed in her Gastown hotel room. The small chapel was half full, and very quiet. There were a couple of fresh flower arrangements in front of the cheap, closed coffin. Most of the congregation were other prostitutes dressed in their working clothes, and a few pimps. One woman apologized to Brother Tim for having nothing black to wear, except for lingerie and a leather miniskirt.

Stephen Henighan compares the chaotic sprawl of "Third World" societies to the degradation of Canada's political, social and physical landscape.

Last summer, during a visit to Vancouver, my nine-year-old son climbed the pediment of a cast-iron traffic-light standard and put his palm on the glowing hand that warns pedestrians to stay put. My mother pointed out afterwards that my photograph of the event contained its own French caption, in the word visible over his shoulder: main.

Connie Kuhns' major profile of punk, politics and feminism in 1970s Canada: the Moral Lepers, the Dishrags and other revolutionary bands.

Review of "Memories Look at Me" by Tomas Tranströmer

October 21, 2005, marked the 200th anniversary of the great naval battle of Trafalgar, an engagement in which Admiral Nelson and the British fleet ended Napoleon’s dream of invading England by crushing the French and Spanish fleets off the southwest

Michael Hayward reviews Anik See’s Saudade, a collection of essays to plunge you deep into the meanings of travel and place.

Michael Hayward reviews the sweater that Sarah Lund wears in every episode of Season 1 of The Killing, a serial crime drama.

Geoffrey Household’s 1939 novel Rogue Male—an old favourite of mine—follows a British sportsman as he returns from an unnamed central European country (read Germany), having failed in his attempt to assassinate the dictator who is that country’s head

The first time I saw Robinson Crusoe on Mars (Byron Haskin, Criterion DVD) was in the Cedar V Theatre, a Quonset-style, single-screen movie house on Lynn Valley Road in North Vancouver: 25 cents for a science-fiction double bill in 1965.

Road Novels, 1957—1960 is an omnibus volume dressed in the standard Library of America livery: a burgundy cloth binding; a black dust jacket discreetly trimmed in red, white and blue; a bound-in ribbon marker.

The French writer Julien Gracq, who will be ninety-seven this year, is a living link to the era of Louis Aragon and André Breton. Gracq has avoided the kind of recognition that most modern writers crave (he refused the Prix Goncourt in 1951), and his body of work is little known on this continent.

Michael Hayward reviews Some Rain Must Fall, part of the six volume memoir by Karl Ove Knausgaard.

Rainer Maria Rilke and Lou Andreas-Salomé: The Correspondence (Norton) collects all of the extant letters exchanged by Rilke and Andreas-Salomé , a patron and fellow author, and (as the jacket copy describes her) “a key fin de siècle intellectual.”

In Beyond the Horizon (Doubleday), Colin Angus lays claim to “the first human-powered circumnavigation of the planet” and spends 374 pages documenting and defending this claim (there’s also a DVD).

Michael Hayward reviews My Struggle Book 1: A Death in the Family by Karl Ove Knausgård.

Michael Hayward reviews The Stray Bullet: William S. Burroughs in Mexico and Peter Orlovsky: A Life in Words, works for "only the most dedicated fans of Beat literature."

Michael Hayward reviews Beat Generation by Jack Kerouac, a three-act play he wrote but never produced.

Michael Hayward reviews Basho: The Complete Haiku, written by Matsuo Basho and translated by Jane Reichhold (Kodansha).

In an author photograph on the back cover of Back on the Fire (Shoemaker & Hoard) Gary Snyder is shown looking west into the distance (seen from the perspective of a Canadian reader looking south to the Sierra Nevada foothills, Snyder’s home for more

Michael Hayward reviews the honest, outrageous and at times unflattering biographies of Lucian Freud and Rockwell Kent.

Those who were close to the late John Berger have spoken of his generosity, praising Berger’s collaborative nature and his ability to establish and sustain creative friendships throughout a long and productive life.

Michael Hayward reviews An Omelette and a Glass of Wine by Elizabeth David (Grub Street).

A collaboration between two of America’s most important literary figures, written before anyone had heard the names Burroughs or Kerouac, And the Hippos Were Boiled in Their Tanks is the most recent treasure mined from the Beat archives.

Henry Miller named Jean Giono as one of the writers he most admired (a list that includes Knut Hamsun, Blaise Cendrars, and Fyodor Dostoevsky). Giono, who lived most of his life in Manosque, the small Provençal town where he was born, begins An Italian Journey by admitting that he is not a traveller.

Michael Hayward reviews Stefan Zweig's The World of Yesterday, a "a window into the vanished world of the Austro-Hungarian Empire."

Michael Hayward reviews Across the Territories by Kenneth White, a book of White's worldwide travels.

Deborah Baker uncovers archival letters, shedding new light on the expat Beats in India.

After fol

One of the indispensable figures of contemporary journalism is the cutting-edge cultural commentator. The columnist who offers sardonic insights into trends, fashions, television shows and publishing personalities has become an institution.

I'm always looking for the moment in which a character must stop to eat because, for me, the very mention of food humanizes a story.

When building a nation, cultural riches can be lost.

Cyril Connolly’s writings have been republished, as The Selected Works (Picador, 2002). I remember reading his work in my late adolescence and wondering how someone could write like that, in fragments and half-formed ideas, allowing his thoughts (and the reader’s) to go in a thousand directions at the same time, and yet lend his texts an overwhelming feeling of cohesiveness.

In Bangkok as in major centres all over Asia, there is life everywhere, on every street, in every shop and at all hours.

From the trench coat to the Hummer, what does the militarization of style say about us?

The idea of Europe is incarnated nowhere as much as in St. Petersburg—Stephen Henighan on Europe's greatest city.

Some years ago, Susan Crean amusingly suggested that nations might be defined or understood through their emblematic children’s books and according to whether the protagonist was male or female.

Cakchiquel, the third most widely spoken of Guatemala’s twenty Mayan languages, is understood by more than 400,000 people. It is blessed with a larger population base than most Native American languages but is cursed by its location.

Stephen Henighan exposes the errors, omissions and problems with the Conservative party's study guide for Canadian citizenship.

Since the Wall came down, East German socialists in Prenzlauer Berg are free to sip coffee and talk about art.

Bologna, Italy, known as both “the Fat” and “the Red,” is a city to a make a bookish vacationer salivate. Less overrun by package tours than Rome, Florence or Venice, Bologna combines superb food with the wonderful bookstores that seem to be the inevitable companion of left-wing politics.

Richard Stursberg’s memoir of his years in CBC programming raises the question: How did someone with no sympathy for public broadcasting get the job in the first place?

It is not only the children of British mothers who have lost one of their nationalities; Great Britain, too, has lost a part of itself

There are two big trees in my garden under which, when friends are visiting, we sit and talk, sometimes during the day, but usually at night. Especially at night, when talk seems less inhibited, wider-ranging, strangely more stimulating.

For reasons I can't make out, organizers of congresses and literary get-togethers throughout the world appear to have been inspired by a common theme: America. In Germany, in Spain, in France, in Holland, writers are being asked to talk about this faraway place that is either an overwhelming country or an underdeveloped continent.

Military coups, civil wars, and NAFTA are the cause of trilingual labels in Canadian big box stores.

The Giller Prize is the most conspicuous example of corporate suffocation of the public institutions that built our literary culture. True, the Giller hasn’t done as much damage as the throttling of the book market by the Chapters-Indigo chain.

He is one of the strangest crea

During the 1950s the RCMP used a machine to identify federal employees who were homosexuals. The name of this bogus device? The "fruit machine," of course.

For most artists, the learning of the craft never ceases, and no resulting work is fully achieved

What we can—and can’t—learn from the plague

"And what is the use of a book," thought Alice, "without pictures or conversation?" —Lewis Carroll, Alice’s Adventures in Wonderland