In 1995, New Star Books in Vancouver launched a series of short (about 100 pages), inexpensive books about nonmainstream subjects in the history and culture of British Columbia. The series is called Transmontanus (that’s “across the mountains” for th
Mordecai Richler, in a withering put-down, once dismissed the novelist Hugh Garner as “a good speller.” In the summer of 2003, grinding through 160 Canadian books as a jury member for the Governor General’s Literary Award for Fiction in English, I learned that for many contemporary Canadian writers, Garner’s level of dubious distinction remains out of reach.
When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.
Lewis Hyde’s Trickster Makes This World: Mischief, Myth and Art (North Point Press) is a wonderful book of old stories about Hermes in Greece, Raven and Coyote in North America, Krishna in India and Eshu in West Africa, and new stories about Picasso,
To reach a higher level, one must be both talented and brave, much like Tam Irving, one of Canada’s leading ceramic artists, whose life with clay is examined in Transitions of a Still Life: Ceramic Work by Tam Irving, by Carol E. Mayer (Anvil Press).