Personal narratives by Indigenous and settler contributors describing significant first contacts that brought new insights.

The Calgary floods left behind a stew of knee-deep mud, and waterlogged piles of couches, fridges, books, toys, artworks, chairs, carpet, drywall...

The organizers of tonight’s talk have branded it as a “raw exchange”—part of a series of uncensored literary gatherings around the city—and so they’ve invited three biting B.C. writers to get down to brass tacks for a group of strangers in the basement of the Vancouver Public Library. By some freak of programming, a punk-metal band is slaying the kids in the room down the hall tonight, which means every time a bookish-looking latecomer wades into our midst, a foul-sounding wave of hellish power chords does, too.

Here they are our people.

What was a lone hen doing in the yard, a few feet from a busy city street?

"At the back of the line a woman with no teeth was trying to hold an eighteen-pack of budget toilet paper with one hand."

For me, the jacket is a piece of menswear history that I can actually put on, and a link to the tragicomic tale of an underachiever with a famous name.

The time had come for our marathon trek through Europe. I was ten, and hated it already.

A man with a chainsaw boarded the number 7 bus at about 7:45 a.m., when I was on my way to work in downtown Ottawa.

Toward the end of her life I drew close to Althea, the cat who had been with Mary and me for five or maybe six years, ever since her real owner, Mary’s daughter Karen, had to find a home for her when a landlord invoked the no-pets rule, and Mary and I were living mere blocks away, completely petless and, some might say, carefree.

The National calls from the cbc in Toronto. They want me to be their “eyes on the ground.” I try not to laugh—I’m a part-time poet who lives in the suburbs. The woman on the phone asks what it’s like to live in a city in a forest. Does she mean here? In Toronto, she explains, that’s how they described it to her. She must be picturing deep woods with houses and corner stores tucked in among the paths, and roads more like wagon trails. When I drive past Winners and Costco I don’t think “forest.” No, I tell her, Prince George is a lot like the outskirts of Guelph. She falls silent and I amend it: Prince George is like Edmonton but planned by drunken loggers. She seems to like that better, so I carry on: it’s like living in a logging camp but with easier access to big box stores. What about the trees, she asks. Oh, they’re fine, I say, just shorter and mostly gone.

Forgotten cutlery, missing mushrooms and lingering doubt: a recipe for bewilderment.

Opa, you know that sometimes people say things, well, indirectly? They don’t say everything that they mean?

On her first communion, a young girl searches for peace of mind in a world of purgatory, UFOs and the Lennon Sisters.

According to legend and prophecy, this child would possess the second sight.

Randy Fred reports on migrant workers, then and now.

Salmon runs, voodoo juice and chewing the fat in Mission.

Salmon runs, voodoo juice and chewing the fat in Mission.

Michel Lambeth's photo of Milton Acorn brings back memories of dancing, love poetry and a revolution.

We were setting fires in a dry gulch in the hills at the edge of town, with crumpled sagebrush and bits of tumbleweed and no paper for kindling, and we had to start our own fire with a single match the way they did in the Cub Scout troop that met Thursday nights in the basement of St. Paul’s Anglican church on Battle Street.

Aboard a stuck SkyTrain, reading Samuel Pepys's account of the Great Fire of London.

Shiny bras and worn-in sweaters—the clothes do make the woman.

If marriage was a television show, it might look something like this.

One day in Vancouver in the late seventies, Pierre Berton and John Diefenbaker appeared at the same time in the book department at Eaton’s department store to sign copies of their new books, which had just been released by rival publishers.

Veronica Gaylie encounters invisible lamps, uncooperative clerks and a cushion with a bear and/or badger on it during a trip to London.

Hal Niedzviecki com­mem­o­rates his Jewish grand­fa­ther—a heavy drinker, a bad driver and a Polish refugee.

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

We don’t know why the budgie did it. He must have been unhappy. It can’t have been easy for him—pecking the bell, hanging about on the pole.

Femme girls get free Slurpees, but boyish ladies get free cavity searches at the border.

D.M. Fraser on the myth of cultural identity.

The Bolshevists are coming! The Bolshevists are coming! Daniel Francis recounts Canada's close call with a revolution.

Mastery of the self

Patty Osborne reviews a collection of journal entries, correspondence and other writings produced by Mary Meigs during the last years of her life.

Our film is a semi-documentary. We are ourselves, up to a point; beyond this point is the "semi," a region with boundaries that become more or less imprecise, according to our view of them. In one sense, it is semi from beginning to end, for we would

I answered the ad: SWM likes to dance. Called him up (said his name was Jay), suggested we meet at the local cafe Tuesday night, something different, a performance poet performing. Free coffee and cookies, the place rocking with middle-aged angst.

Dinner with James Reaney—poet, playwright, professor—who is mistaken by a pair of Irish ladies for “that decadent writer Mordecai Richler.”

Sarah Leavitt is more than just a clever cartoonist; she also paints pictures with her colourful prose.

The poet John Glassco lived in disguise, masquerading as a member of the gentry while writing pornography and reinventing his past.

Once while living in Burma (now Myanmar), Goran Simic and his brother, whose father was the Serbian ambassador, were stopped by rebels on their way to the international school in Yangon. They were hauled out of their diplomatic Mercedes limousine and forced at gunpoint to witness the beheading, at the side of the road, of a uniformed Myanmar government official.

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

A flower child looks back, to the time between Motown and acid rock.

A first-hand account of Greenpeace's first expedition to stop U.S. underwater nuclear testing on September 15, 1971.

It started with a note I found tucked into an anthology of poems edited by Selden Rodman, a book I opened rarely, though there was a time when I was young I had read it so closely and so many times I had most of the poems memorized. The note lay in the spine of the book against a poem of Arthur Rimbaud's titled, I think, "The Twelve-Year-Old Poet." On it are four names printed out in my sure and youthful twenty-one-year-old hand: Baghdad, Koweit, Sakakah, Jaffa.

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

During my thirty years living on the waterfront of British Columbia, I have always had some sort of container in which to sit on the water. My first boat was a ten-foot dinghy that my late husband John Daly, a commercial salmon troller, equipped with a small electric motor to surprise me. He had the bizarre idea that I, a sometime canoeist from Ohio, could manoeuvre a boat on my own around our capacious Pacific coast harbour. The electric engine would be ideal for me, he thought. No rope to pull to start it up! No gasoline tank on board!

And then I remembered an important event. It happened at a funeral in St. Paul’s chapel for a twenty-four-year-old prostitute who had overdosed in her Gastown hotel room. The small chapel was half full, and very quiet. There were a couple of fresh flower arrangements in front of the cheap, closed coffin. Most of the congregation were other prostitutes dressed in their working clothes, and a few pimps. One woman apologized to Brother Tim for having nothing black to wear, except for lingerie and a leather miniskirt.

Stephen Henighan compares the chaotic sprawl of "Third World" societies to the degradation of Canada's political, social and physical landscape.

Last summer, during a visit to Vancouver, my nine-year-old son climbed the pediment of a cast-iron traffic-light standard and put his palm on the glowing hand that warns pedestrians to stay put. My mother pointed out afterwards that my photograph of the event contained its own French caption, in the word visible over his shoulder: main.

Connie Kuhns' major profile of punk, politics and feminism in 1970s Canada: the Moral Lepers, the Dishrags and other revolutionary bands.

Review of "Memories Look at Me" by Tomas Tranströmer

October 21, 2005, marked the 200th anniversary of the great naval battle of Trafalgar, an engagement in which Admiral Nelson and the British fleet ended Napoleon’s dream of invading England by crushing the French and Spanish fleets off the southwest

Michael Hayward reviews Anik See’s Saudade, a collection of essays to plunge you deep into the meanings of travel and place.

Michael Hayward reviews the sweater that Sarah Lund wears in every episode of Season 1 of The Killing, a serial crime drama.

Geoffrey Household’s 1939 novel Rogue Male—an old favourite of mine—follows a British sportsman as he returns from an unnamed central European country (read Germany), having failed in his attempt to assassinate the dictator who is that country’s head

The first time I saw Robinson Crusoe on Mars (Byron Haskin, Criterion DVD) was in the Cedar V Theatre, a Quonset-style, single-screen movie house on Lynn Valley Road in North Vancouver: 25 cents for a science-fiction double bill in 1965.

Road Novels, 1957—1960 is an omnibus volume dressed in the standard Library of America livery: a burgundy cloth binding; a black dust jacket discreetly trimmed in red, white and blue; a bound-in ribbon marker.

The French writer Julien Gracq, who will be ninety-seven this year, is a living link to the era of Louis Aragon and André Breton. Gracq has avoided the kind of recognition that most modern writers crave (he refused the Prix Goncourt in 1951), and his body of work is little known on this continent.

Michael Hayward reviews Some Rain Must Fall, part of the six volume memoir by Karl Ove Knausgaard.

Rainer Maria Rilke and Lou Andreas-Salomé: The Correspondence (Norton) collects all of the extant letters exchanged by Rilke and Andreas-Salomé , a patron and fellow author, and (as the jacket copy describes her) “a key fin de siècle intellectual.”

In Beyond the Horizon (Doubleday), Colin Angus lays claim to “the first human-powered circumnavigation of the planet” and spends 374 pages documenting and defending this claim (there’s also a DVD).

Michael Hayward reviews My Struggle Book 1: A Death in the Family by Karl Ove Knausgård.

Michael Hayward reviews The Stray Bullet: William S. Burroughs in Mexico and Peter Orlovsky: A Life in Words, works for "only the most dedicated fans of Beat literature."

Michael Hayward reviews Beat Generation by Jack Kerouac, a three-act play he wrote but never produced.

Michael Hayward reviews Basho: The Complete Haiku, written by Matsuo Basho and translated by Jane Reichhold (Kodansha).

In an author photograph on the back cover of Back on the Fire (Shoemaker & Hoard) Gary Snyder is shown looking west into the distance (seen from the perspective of a Canadian reader looking south to the Sierra Nevada foothills, Snyder’s home for more

Michael Hayward reviews the honest, outrageous and at times unflattering biographies of Lucian Freud and Rockwell Kent.

Those who were close to the late John Berger have spoken of his generosity, praising Berger’s collaborative nature and his ability to establish and sustain creative friendships throughout a long and productive life.

Michael Hayward reviews An Omelette and a Glass of Wine by Elizabeth David (Grub Street).

A collaboration between two of America’s most important literary figures, written before anyone had heard the names Burroughs or Kerouac, And the Hippos Were Boiled in Their Tanks is the most recent treasure mined from the Beat archives.

Henry Miller named Jean Giono as one of the writers he most admired (a list that includes Knut Hamsun, Blaise Cendrars, and Fyodor Dostoevsky). Giono, who lived most of his life in Manosque, the small Provençal town where he was born, begins An Italian Journey by admitting that he is not a traveller.

Michael Hayward reviews Stefan Zweig's The World of Yesterday, a "a window into the vanished world of the Austro-Hungarian Empire."

Michael Hayward reviews Across the Territories by Kenneth White, a book of White's worldwide travels.

Deborah Baker uncovers archival letters, shedding new light on the expat Beats in India.

Begging the question of what can be defined as “form.”

To teach us how to read Don Quixote, a text so contrary to conventional literary tradition, the prologue itself needed to break from all traditions

"Cross-country skiing offered me the reassurance sought by the immigrant who is excluded from his locality’s history: a viable alternate route to belonging."

When you find yourself laid up in a sterile hospital room, which books do you want to have with you?

Despite hardships and dangerous slums, Nicaragua maintains a sense of hope that draws back to the democratic days of the Sandinistas.

In Hungary, goulash socialism becomes difficult to swallow

It all started with a zesty little book about getting old.

Kafka’s writing allows us intuitions and half-dreams but never total comprehension.

The woman who called herself Tatiana Aarons gave me an address that led to a vacant lot.

Romantic notions that equate Indigenous peoples with nature are not going to cut it.

Libraries are not only essential in educating the soul, but in forming the identity of a society.

Dogged dedication grants a reader vicarious immortality.

Our society is formed on the assumption of a healthy immune system.

Without air travel, family networks might have dissolved long ago.

Daniel Francis on John Franklin, John Rae and the Globe and Mail's enthusiasm for cannibalism.

There’s something not quite right about the grid on which the game is played.

The newspaper wars aren’t what they used to be.

Must artists declare their moral integrity?

In the sun-streaked barroom of the Irma Hotel on the main street of Cody, Wyoming, late one afternoon in June, I made a big mistake. “What’s on tap?” I asked.

European Jewish artisans on horseback in Argentina.

The craft of untruth has been perfected.

Dividing and conquering local populations confines them to manageable administrative units.

A few years after Kafka’s death, Milena, the woman he had loved so dearly, was taken away by the Nazis and sent to a concentration camp. Suddenly life seemed to have become its reverse: not death, which is a conclusion, but a mad and meaningless state of brutal suffering, brought on through no visible fault and serving no visible end. To attempt to survive this nightmare, a friend of Milena devised a method: she would resort to the books she had read, stored in her memory.

Many years ago my father-in-law, who had been a British prisoner of war in Japan, gave me a small pocket anthology, The Knapsack, edited by the undeservedly forgotten Herbert Read. The book (which I have since passed on to my daughter) had been put together for the Ministry of War to be given to its soldiers: its proclaimed intention was "to celebrate the genius of Mars." Surprisingly, however, the general tone of the anthology was above all elegiac.