In search of a big picture at the end of the singular world

A writer roams her sleepscape in search of the extraordinary subconscious

The log jam is tall and wide and choosing wrong means we don’t make it home

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The fish is a suspended phantom, its magenta skeleton an exquisite, vibrant exhibit of what lies beneath

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A wildland fighter witnesses an old burn's second act

Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

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This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

If marriage was a television show, it might look something like this.

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Destroying books for the greater good.

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

A first-hand account of Greenpeace's first expedition to stop U.S. underwater nuclear testing on September 15, 1971.

Review of "The Boy and the Heron" directed by Hayao Miyazaki.

Review of "Conversations with Khahtsahlano, 1932–1954" reissued by Massy Books and Talonbooks.

Review of "Hangman: The True Story of Canada’s First Executioner" by Julie Burtinshaw.

Review of "Queers Like Me" by Michael V. Smith.

Review of "Pinball: The Man Who Saved the Game" written and directed by Austin Bragg and Meredith Bragg.

Review of "Rearrangements" by Natan Last, published in The New Yorker December 2023.

Review of "Cabin Fever" by Anik See.

Review of "Matrescence: On the Metamorphosis of Pregnancy, Childbirth and Motherhood" by Lucy Jones.

Review of "Edible and Medicinal Flora of the West Coast: British Columbia and the Pacific Northwest" by Collin Varner.

Review of "Big Mall: Shopping for Meaning" by Kate Black.

Review of "The Adversary" by Michael Crummey.

Review of "Galore" by Michael Crummey.

Review of "Jo Cook and Perro Verlag Books by Artists: The Unreadable Sacred," organized by the Simon Fraser University Art Gallery.

Review of "Gertrude and Alice" produced by United Players of Vancouver.

Review of "Censorettes" by Elizabeth Bales Frank.

Review of "Memories: From Moscow to the Black Sea" by Teffi (trans. Robert Chandler).

Review of "Our Flag Means Death" created by David Jenkins on HBO Max.

Review of No Fun (the band) and reissued music by Atomic Werewolf Records.

Review of "Godzilla Minus One" directed by Takashi Yamazaki.

Review of "Canzone di Guerra: New Battle Songs" by Daša Drndić, trans. by Celia Hawkesworth.

Review of "The Midnight Bargain" by C.L. Polk

Review of "The Invention of the Other" directed by Bruno Jorge (2022).

Review of "A Primer for Forgetting: Getting Past the Past" by Lewis Hyde.

Review of "Orwell: The New Life" by D.J. Taylor.

The Penthouse, the notorious Vancouver night club, shares a history with several of the city's missing women cases.

Stephen Henighan exposes the errors, omissions and problems with the Conservative party's study guide for Canadian citizenship.

Alberto Manguel examines a modern-day book burning and asks: how is this still happening?

A reflection on the complex and often inexplicable process of bibliographic categorizations.

Do shared languages form the natural boundaries of any nation in the world?

Reflections on how a bar in Parc Extension, QC, influenced an eponymous poem about "unprogress, inertia, the failure to learn from mistakes."

Alberto Manguel remembers a golden era in Canadian writing, comments on our current cultural climate and proposes a brighter future.

Parables, cautionary tales, morality plays, allegories—the notion that we can study literary works as texts of ethics is as old as literature.

"And what is the use of a book," thought Alice, "without pictures or conversation?" —Lewis Carroll, Alice’s Adventures in Wonderland

I remembered past ordeals: a U.S. official who squeezed out my toothpaste tube on the train from Montreal to Philadelphia, another who hauled me off a bus for a lengthy interrogation.

Bohemia is a good place to grow as a writer, but is it a good place to live one’s whole life?

A misogynist, a racist and an academic walk into a bar...

He is one of the strangest crea

For an English-speaking Canadian who has been exposed to French from an early age, Paris is the most disorienting city in Europe. It is grandiose, but it is mundane.

For most artists, the learning of the craft never ceases, and no resulting work is fully achieved

No one knows quite how to account for the well-established shops in Vancouver, Toronto and other cities that deal exclusively in fountain pens and fine fountain-pen accessories.

According to the numbers, Canada will never produce another Atwood or Findley.

Some years ago, Susan Crean amusingly suggested that nations might be defined or understood through their emblematic children’s books and according to whether the protagonist was male or female.

A bibliophile's worst nightmare: being stuck on a plane with a terrible book. A book mistaken for a work of serious history.

Reconsidering the faintly embarrassing Pierre Berton.

Alberto Manguel compares his life in the French countryside to that of Cain, whom God despised for being a settled crop farmer, and whom he punished by forcing him to wander.

Stephen Henighan argues that audiences used to have different opinions on the news; now they cannot even agree on the terms of debate.

When Frank Warren began collecting the secret thoughts of strangers at PostSecret.com, he inadvertently created a new genre.

Military coups, civil wars, and NAFTA are the cause of trilingual labels in Canadian big box stores.