Eve Corbel on marriage and what comes after the wedding: the monster mortgage, the dreary housework, the contemptuous in-laws and more.

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Roni Simunovic catalogues types of literary festival attendees: the jaded art student, the CanLit socialite, the overworked publisher and more.

"I glanced at Jack, his tattooed arms, his gloved hands resting on the wheels of his manual chair. If only I could get my arms back. I could live with anything else."

Jeff Shucard reminisces about St. Patrick's Day, 1979: druidic magic, Irish fiddle tunes and the greatest piss-up of all time.

The rasp, the spatula and the corkscrew—Eve Corbel's series of obsessive cooks.

Diana Fitzgerald Bryden attends Between the Pages, the pre-Giller hybrid that’s a kind of sacrificial altar/beauty pageant for six Canadian authors.

Stephen Osborne on dog walking, the absurdity of online writing guides and the THE building.

Stephen Osborne's broken cellphone leads him to Schopenhauer, the Titanic publishing industry and historical Phantom Rides.

Jan Feduck faces Frenchish food, vomit and guys from Ontario when her ferry from the Magdalen Islands is caught in a hurricane.

“Don’t try to make anything happen,” the calm voice said. Dylan Gyles visits a sensory deprivation float tank.

Stephen Osborne attends a gallery opening for Elisapee Ishulutaq, an 89-year-old Inuit artist who has been making prints in Pangnirtung, Nunavut for 40 years.

Stephen Osborne discovers that some of the most startling papers in the city archives are the letters and diaries of the first archivist himself.

A young Canadian man visits family in Pakistan to settle a generational feud.

Does a house that has been home to four generations of one family still hold their electricity?

Opa, you know that sometimes people say things, well, indirectly? They don’t say everything that they mean?

At the Jubilee Cinema, the manager carries an imitation pistol in the John Dillinger style.

A Vancouver rock band made up of musicians, photographers and at one time, a prominent sci-fi writer.

Shared family memories of burnt baked goods.

The Calgary floods left behind a stew of knee-deep mud, and waterlogged piles of couches, fridges, books, toys, artworks, chairs, carpet, drywall...

A new pet kitten becomes part of the family.

Headlines featuring crack-smoking mayors and election fraudsters.

That dreamlike quality causes rational minds to dismiss the moment as “only a coincidence.”

Rick laughed. I walked away. I was irritated at Henry, at Lee for getting stoned and being paranoid and leaving without saying goodbye, at Rick, at everyone.

Two women on motorcycles: one in the dead zone of Chernobyl, and the other in the cactus country of Kamloops.

The first time losing a game of Scrabble and the last time taking a train cross-country.

Violence could not reach them only when they were distant as the moon, not of this world

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Mastery of the self

The Utne Reader served us coffee aficionados a treat this month, by devoting the November/December issue to a study of the enigmatic bean. Of the nine pieces included in the "Coffee Madness" section, Mark Schapiro's "Muddy Waters" is the most enlight

The Understanding by Jane Barker Wright (Porcupine’s Quill) offers one of the most convincing fictionalizations of seventies hippie culture I’ve ever read. The novel is the story of the bohemian Whitechapel clan; artsy Solly and Isobel and their broo

Why don't we hear more about the books of Mary Meigs, who is one of the great prose writers of our time? On her last tour she appeared in Vancouver for a single reading in a bookstore and then she was gone, uninterviewed and unsung. Did this happen i

The Three-Day Novel, which turns nineteen on Labour Day [1996], remains one of Canada's few contributions to the world of literary form. (Milton Acorn's jack-pine sonnet is the only other one I can think of at the moment.) Writing a novel in three da

The Story of Dunbar: Voices of a Vancouver Neighbourhood (Ronsdale Press), edited by Peggy Schofield, feels a bit like a family album.

The Story of My Face by Kathy Page (Weidenfeld & Nicolson) is about pictures that we don’t want to see or are forbidden to see. The face of Natalie, the main character, was badly scarred in a childhood accident; as an adult she returns to the small t

Every aspect of a book—the page dimensions, paper type, font, length of text line, space between text lines, margin sizes and so on—is the result of a designer’s decision. When these decisions are well made, then reading a book’s text is like reading

Fifteen-year-old Tracey Berkowitz is on a bus, naked except for a shower curtain. How did she get there? Which pieces of her life story as a misfit are reality and which are fantasy? Director Bruce McDonald tackles these questions by fracturing the s

The Tender Bar, the first book by J.R. Moehringer (Hyperion), a Pulitzer Prize-winning journalist, could be subtitled “The Secret Hearts of Dysfunctional Men.” In his memoir of growing up “fatherless” in Manhasset, Long Island, Moehringer recounts hi

In The Stowaway, a novel by Robert Hough (Vintage Canada), the stowaway is Romanian, the crew is Filipino, the officers are Taiwanese and the ship is the Maersk Dubai. When the real Maersk Dubai landed at Halifax Harbour in 1996, its officers were ar

For many years, the poet, linguist and typographer Robert Bringhurst has immersed himself in studying the Aboriginal cultures and languages of the Pacific northwest coast, studies that culminated in his acclaimed Masterworks of the Classical Haida My

My local library has introduced a program called Speed Reads. In the interests of increasing the circulation of the most popular books, a patron may borrow a best-seller for just a week, and very steep fines are imposed for late returns. Under these

Tim Winton’s elegiac collection of seventeen linked short stories, The Turning (HarperCollins), explores the frailty and foibles of human existence, the power and pain of memory and the mighty wildness of western Australia. Characters reappear in lar

The dysfunctional family is a familiar theme in literature these days, and Sarah Sheard's new novel The Swing Era (Knopf) is an exception only in that it is so good. It's the story of a young woman who returns home from abroad following her mad mothe

The Stone Angel by Margaret Laurence is a classic Canadian novel, and nothing short of a great film would do it justice. Kari Skogland's film is a subtle meditation on Prairie social life and taboos in the mid-twentieth century. It’s also a complex a

J. G. Farrell’s version of a prison is the British Residency in the fictional Krishnapur. There a group of ex-pats take shelter when Indian peasant soldiers turn on their British colonizers and slaughter four hundred of them in a nearby settlement.

The Shipping News is a novel about Newfoundland written by E. Annie Proulx (Scribners), an off-Islander who states frankly in her disclaimer that "the Newfoundland in this book, although salted with grains of truth, is an island of invention." Nevert

Two days later I took Wayman’s workshop, Catching Fire, which was guaranteed to inspire us to get writing. He told us, among other things, that once we became writers we would no longer read for pure pleasure because we would always be analyzing what

Stan Persky’s The Short Version: An ABC Book (New Star Books) is a “miscellany” that Persky defines as a book “composed in alphabetically arranged entries of indeterminate length that can run from an aphorism to a complete essay or story.” Persky got

Patty: What I liked about Alan Cumyn’s The Sojourn (McClelland and Stewart) is the way he thrusts us into a muddy trench in the middle of World War I, where the narrator is carrying a load of something called iron pig’s tails on his shoulders and his

The Black Cat Collective, a group of young Vancouver writers frustrated (in their own words) by "Vancouver's lethargic literary scene," has taken matters into its own hands with The Skinnier Leg of the Journey, a collection of short stories by Lisa M

After the salt men pass a certain rock they all speak the salt language. Women are not allowed to hear this language, nor are they allowed to look in the direction of the lake where the salt language is spoken....The film is called The Salt Men of Ti

On the same bill with The Harp was The Score, a full-length Canadian movie (directed by Kim Collier and produced by Trish Dolman and Leah Mallen) that was adapted from a play by the Electric Company Theatre. The film considers the ramifications of re

I picked up The Romance Reader by Pearl Abraham (Riverhead Books) from the New Arrivals shelf in the local library, probably because the back cover blurb said it was about life in a Hasidic family—from a woman's point of view. I haven't had much expo

Alberto Manguel's column from Geist 93 about how the most important Turkish novelist of modern times took over fifty years to reach English-speaking audiences.

"Canadians have long been convinced that we do not know much, or care much, about our own history, but a new study suggests that this truism is not true."

A look back at World War I as the first great twentieth-century pollution of language.

An appreciation of Dante's "Commedia."

The canoe as a fetish object, a misreading of Canadian history and a symbol of colonial oppression.

Despite hardships and dangerous slums, Nicaragua maintains a sense of hope that draws back to the democratic days of the Sandinistas.

Ruskin's readers have the power to know that there is indeed room for Alice at the Mad Hatter's table.

In order to discharge ourselves of certain problems, why not simply erase from our maps the sites of such nuisance?

What does it mean to "be" yourself? The face reflected in the mirror is unrecognizable.

In the farmer’s market, a quintessentially Canadian setting, much of Canada is not visible.

In this essay, Daniel Francis discusses how Gerda Munsinger—a woman with ties to the criminal underworld—shaped Canadian politics in the 1960s.

Reflections on John Updike's death.

Atanarjuat: The Fast Runner is a film about community and the north.

Slot machines sing their astral music. The tape recorder turns off. “Do you talk to friends about sex?” he asks.

The Geist map has a venerable ancestor that goes back four centuries and halfway around the world.

There may be more to reality TV than meets the eye.

I'm always looking for the moment in which a character must stop to eat because, for me, the very mention of food humanizes a story.

During the 1980s the literary critic Edward Said organized occasional research seminars at Columbia University in New York.

The books we love become our cartography.

One thing Canadians have learned from our armed incursion into Afghanistan is that we do not have a vocabulary for discussing war or warlike events.

The atrocities were carried out in the name of some version of “civilization” that the Queen represented.

There are imaginary cities for scientists, vampires, lechers and even bad students—but what about writers?

Is it the icons of Canadian pop culture—hockey fights, Tim Hortons coffee, Don Cherry’s haberdashery, Rick Mercer’s rants—that reveal the deepest truths about us?

After fol