The Strongest Man in the World liked to set his folding lawn chair out on the asphalt next to his gold Cadillac and stretch out in the sun with dark glasses on his nose and a two-litre carton of milk in one hand.

During the hiatus, a man in a black suit appeared in the Geist Gallery in Toronto and identified himself as a builder of ornithopters, or perhaps he said he was a promoter of ornithopters (this was during the hiatus, when nothing was clear; in any event his field was ornithoptery). I couldn’t remember what an ornithopter was but I could see one in my mind: the question was, what did an ornithopter do? The ornithopter man was accompanied by a well-dressed woman who never stopped smiling.

Allen Ginsberg is speaking into a tape recorder hanging from the rear-view mirror of my mother’s Volvo, composing a poem with the attitude of one accustomed to the gratitude of posterity.

Not long ago I was having dinner at a small cottage beside a lake in central British Columbia hundreds of kilometres north of Vancouver. Among the guests seated around the table was Elio, a neighbour from down the shore. As we talked he mentioned tha

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The first time I met Andy Warhol he was wearing a black sweater and pants; the second time he was wearing white tie and tails (it was at Lincoln Center). The third time I met him, at Arthur, the disco opened in the sixties by Sibyl Burton, he was wearing a jersey made of silver mail.

In early March 2003, when I arrived in Taiwan to teach English, I took to the streets of Taoyuan County to take some photographs. I was looking for anything—signs, market scenes, strange faces, cityscapes, bus stations, barber shops—but all I could see was dogs. These dogs were not pets, though they may once have been. They were strays—dogs that lived on their own.

Who today remembers the man who carried Einstein’s head in a box through the streets of Vancouver? We remember clearly the box (dark wood, varnished, the door on brass hinges: what about the latch?) with Einstein’s head in it, a plaster model (was it plastic, perhaps? modelling clay? plasticine?)

Twenty-five years ago in Vancouver, an underground publishing house threw a party in a mansion in a wealthy neighbourhood of curving streets with no sidewalks, to celebrate a new book.

She would see him sometimes around Yaletown, her former counsellor, heading glassy-eyed toward a bar or creeping up the back steps of the massage parlour.

The time had come for our marathon trek through Europe. I was ten, and hated it already.

A greying, sunburnt American mis­sionary stopped us in the fruit market and invited us for a drink.

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Toward the end of her life I drew close to Althea, the cat who had been with Mary and me for five or maybe six years, ever since her real owner, Mary’s daughter Karen, had to find a home for her when a landlord invoked the no-pets rule, and Mary and I were living mere blocks away, completely petless and, some might say, carefree.

With the approach of her tenth summer, Julia considers the holidays that lie before her: will there be too many things for her to do? Trying to look ahead from school time, with its time-tables and schedules, makes it hard to remember, or to imagine, what summertime will be before summer arrives and the school year ends. In the summer when I was Julia’s age I heard Elvis Presley for the first time, down by the river on the jukebox in the fish-and-chip joint where teenagers went to hold hands and drink ice cream sodas and eat salted french fries drenched in vinegar.

I am down in the cabin and Ross, who is eighty feet up in the fire tower, sees smoke. He tries to report it but his radio isn’t working and nobody can understand him. They phone him back on the cell: does he need the water bombers? He says no, it’s just a spot fire. In that moment a huge gust of wind blasts through the cabin, blows a towel off a rack, slaps it against the valve of the water cooler and turns on the water.

My mother stands at the top of the stairs, thin as a skeleton and reeking of booze. “Are you drunk?” I ask. “No,” she says. “Have you had anything to drink today?” “No,” she says. Lies, all lies. There are always more.

Violence could not reach them only when they were distant as the moon, not of this world

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Mastery of the self

Months ago someone walked off with our review copy of that Noam Chomsky book that was on the bestseller list earlier this year: Chronicles of Dissent: Conversations with Noam Chomsky, 1984-1991 (New Star). Well, it finally came back, just in time for

Most ambitious debut project: Chinese Restaurant: On the Islands, by the Canadian director Cheuk Kwan. Intrigued by the worldwide omnipresence of Chinese restaurants, he travelled to a dozen countries to investigate the experiences of the Chinese dia

The eponymous hero of Chuck Dugan is AWOL by Eric Chase Anderson (Chronicle) isn’t from Montreal or Toronto but he is struggling through early adulthood in this illustrated old-fashioned adventure story filled with innocence and charm. Chuck Dugan de

Christine Slater's Certain Dead Soldiers (Key Porter) takes place in Ireland. It starts out being about a young drunk and ends up being about his young wife.

Charles Thibodeau is the hero of Charles the Bold (McClelland & Stewart), a novel by Yves Beauchemin (translated by Wayne Grady) that is truly Dickensian in style. Charles is a good and beautiful boy who endures tragedies and indignities that would d

The cover blurb on Certifiable, a collection of short stories by David McGimpsey (Insomniac), describes it as “funny and twisted stories of American culture.” Topics range from the biological makeup of the McDonald’s character Grimace to fragmented l

Gregory Scofield's new book of poems is Native Canadiana (Polestar) and it's very good. So is Lola Lemire Tostevin's latest collection, Cartouches (Talonbooks), which came out last year and which we've been meaning to mention here ever since, along w

I thought Cat Book by Emily Eve Weinstein (Beau Soleil) would be a collection of too cute stories about people and their cats, but I soon learned not to be fooled by the easy beauty of Weinstein’s cat paintings, which dot the pages, or by the text it

Jacques Rivette’s 1974 film Celine and Julie Go Boating (British Film Institute dvd) is set in a Paris that is half Wonderland, half real, a Paris in which events unfold according to the same dream-like logic that astonished Alice, and that entrances

Barbara Stewart reviews Captain Alex MacLean by Don MacGillivray (UBC Press).

The opening pages of Cape Breton Road by D. R. MacDonald (Harcourt) are as good as it gets: a brilliant evocation of person and place. But soon after that, things began to settle down into mere realism, and then I had to put the book aside when I hit

Attention-grabbing fact: ninety-nine percent of “serious” writing about “popular” music is one hundred percent useless. One reason for this is an ingrained belief that the social significance of the entertainment industry is more interesting than any

Curmudgeons of a more bibliophiliac bent should be subscribing to Canadian Notes and Queries, a fascinating magazine of little-known facts of interest that Doug Fetherling took over a few years ago with the intention of broadening its range and its r

There is something unexplained about Germaine Warkentin's Canadian Exploration Literature: An Anthology (Oxford). This book is a collection of lengthy extracts from the written accounts of two dozen well-known explorers, starting with Pierre Radisson

On the same day that a parliamentary committee scolded the governor general for profligate spending by slashing her annual budget by ten percent, a book that purports to give the full story about life at Rideau Hall arrived on my desk. Working on the

Somewhat more put-downable is Canadian Literary Power by Frank Davey (NeWest Press), which took me a week to read. This is a book filled with Serious Thinking, so of course it's slow, and I'm still not sure how much of it I can agree with.

Michael Posner's Canadian Dreams: The Making and Marketing of Independent Films (D&M) is a passionate and at times hair-raising account of what's right and what's wrong with Canadian moviemaking. Posner follows the making and marketing of ten very di

The show, called Canada in the Rough, is sponsored by companies that sell firearms, ammunition, trucks, outdoor gear and crossbows, and it includes a Rough Cooking segment (caribou stew with prunes and dried apricots served over couscous) and a Rough

The boreal forest is the mysterious place most of us are aware of only to the extent that we know we don’t want to get lost in it: the deep unconscious of a nation (Champlain called it the land God gave to Cain).

As the century turns, generational retrospectives are cropping up everywhere—a look back requires only file footage, the cut and paste. Recent books documenting Canadian life in the 1950s include Canada in the Fifties (Viking), selections from the ar

Another oddly-shaped book protruding from the shelf at the library the other day was Canada's Gigantic (Summerhill), a collection of photographs by Henri Robideau, a Gianthropologist photographer who searches out Giant Things in the Canadian landscap

The storyteller's verve in Can You Wave Bye Bye Baby? (McClelland & Stewart), by the Montreal writer Elyse Gasco, speaks volumes in which time and place hardly matter. Gasco writes in the second person in four of the seven short stories; in one of th

When W. G. Sebald died in an automobile accident in December 2001, just four of his books were available in English translation. Those four books had earned him considerable praise (Michael Ondaatje called him “the most interesting and ambitious writ

The storyteller's verve in Can You Wave Bye Bye Baby? (McClelland & Stewart), by the Montreal writer Elyse Gasco, speaks volumes in which time and place hardly matter. Gasco writes in the second person in four of the seven short stories; in one of th

Alberto Manguel's column from Geist 93 about how the most important Turkish novelist of modern times took over fifty years to reach English-speaking audiences.

"Canadians have long been convinced that we do not know much, or care much, about our own history, but a new study suggests that this truism is not true."

A look back at World War I as the first great twentieth-century pollution of language.

An appreciation of Dante's "Commedia."

The canoe as a fetish object, a misreading of Canadian history and a symbol of colonial oppression.

Despite hardships and dangerous slums, Nicaragua maintains a sense of hope that draws back to the democratic days of the Sandinistas.

Ruskin's readers have the power to know that there is indeed room for Alice at the Mad Hatter's table.

In order to discharge ourselves of certain problems, why not simply erase from our maps the sites of such nuisance?

What does it mean to "be" yourself? The face reflected in the mirror is unrecognizable.

In the farmer’s market, a quintessentially Canadian setting, much of Canada is not visible.

In this essay, Daniel Francis discusses how Gerda Munsinger—a woman with ties to the criminal underworld—shaped Canadian politics in the 1960s.

Reflections on John Updike's death.

Atanarjuat: The Fast Runner is a film about community and the north.

Slot machines sing their astral music. The tape recorder turns off. “Do you talk to friends about sex?” he asks.

The Geist map has a venerable ancestor that goes back four centuries and halfway around the world.

There may be more to reality TV than meets the eye.

I'm always looking for the moment in which a character must stop to eat because, for me, the very mention of food humanizes a story.

During the 1980s the literary critic Edward Said organized occasional research seminars at Columbia University in New York.

The books we love become our cartography.

One thing Canadians have learned from our armed incursion into Afghanistan is that we do not have a vocabulary for discussing war or warlike events.

The atrocities were carried out in the name of some version of “civilization” that the Queen represented.

There are imaginary cities for scientists, vampires, lechers and even bad students—but what about writers?

Is it the icons of Canadian pop culture—hockey fights, Tim Hortons coffee, Don Cherry’s haberdashery, Rick Mercer’s rants—that reveal the deepest truths about us?

After fol