It was a gruesome war, Santa added in Papyrus font, but the forces of Good eventually emerged victorious

Time to call a professional

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The large supply of nine-volt batteries suddenly made sense

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I traffic deep time in a great storm, guilty of ignorance and omission

The log jam is tall and wide and choosing wrong means we don’t make it home

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The fish is a suspended phantom, its magenta skeleton an exquisite, vibrant exhibit of what lies beneath

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A wildland fighter witnesses an old burn's second act

Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

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This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

A writer roams her sleepscape in search of the extraordinary subconscious

In search of a big picture at the end of the singular world

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

He looked vaguely familiar— there was a sort of outline around his ­features that I almost recognized, a translucent and shifting visage, as of someone I once knew. He looked vaguely familiar— there was a sort of outline around his ­features that I al

It was at about this moment that I hit him in the face, which is something I’ve never done before. I don’t know what perfect form the punch took in my mind, but by the time the impulse had pushed its way through me, my hand had bent inward like an old person’s claw, or a doll’s hand—curved around but without a bottle to clutch.

With the approach of her tenth summer, Julia considers the holidays that lie before her: will there be too many things for her to do? Trying to look ahead from school time, with its time-tables and schedules, makes it hard to remember, or to imagine, what summertime will be before summer arrives and the school year ends. In the summer when I was Julia’s age I heard Elvis Presley for the first time, down by the river on the jukebox in the fish-and-chip joint where teenagers went to hold hands and drink ice cream sodas and eat salted french fries drenched in vinegar.

One day a Swiss couple stopped in at the carpet shop, just as they had each year for the last ten years. Every spring they loaded up a cargo van with nets and jars and drove from their home in Switzerland to east Turkey, where they collected ­butterflies together. The man, Walter, had caught snakes in Africa and South America all his life and sold them to universities and private collectors, but that day he was turning seventy-five and, he said, it is not so wise at my age to play with snakes.

Reporting on the Michael Jackson trial from a Best Value Inn in Santa Maria, California.

It’s dark when I get off the bus by the corner store. Not the best area of town. The only other person in sight is lying on the sidewalk.

Did that really happen?  J. Jill Robinson initiates a midnight stand-off between the police and two drunk brothers in an RV Park in White Rock, B.C.

And a sort of current ran through you when you saw it, a visceral, uncontrollable response. A physical resistance to the silence

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Language built on sounds of delight, coloured in the gardens of Beirut

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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Violence could not reach them only when they were distant as the moon, not of this world

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

It took me a million miles to get here and half the time I was doing it in high heels.

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"Leading Men” is taken from a work-in-progress, Cinéma-Verité and the Collected Works of Ronald Reagan: A History of Propaganda in Motion Pictures.

Going unnoticed must be the root sorrow for the broken.

Doing time is not a blank, suspended existence.

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Derek Matthews has to be the ugliest boy in the class but I like him. I’ve liked every boy except Barry Pumphrey now. Barry Pumphrey likes me.

These stories and conversations took place in a Media and Communications Studies class at a Canadian college. Students come to the college from many countries, in the hope of enrolling eventually in a North American university.

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

Remembering her father's last days in a hospital in Wyoming, Connie Kuhns struggles with questions of mortality, memory and how to fulfill her father's dying wish.

A new anthology of reviews, interviews and commentary on Joni Mitchell's music reveals the star-making machinery.

Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

It is racism, not race, that is a risk factor for dying of COVID-19.

World War I, Canada’s “war of independence,” marked a turning point for a young colony wanting to prove itself as a self-reliant nation, but at what cost.

In “Ambros Adelwarth,” the third story in The Emigrants (New Directions), W. G. Sebald quotes long excerpts from the titular character’s purported diary, and this character’s diction and cadences duplicate Sebald’s so exactly that one feels uneasy w

The main characters of The Dreamlife of Bridges by Robert Strandquist (Anvil Press), also suffer through mental collapse and find themselves outside society on the west coast. Both Leo and June bottom out in the ways of their respective sexes: for Le

Patty Osborne reviews The English Stories by Cynthia Flood (Biblioasis).

Patty Osborne reviews The Demons of Aquilonia, a novel by Lina Medaglia.

Michael Hayward reviews Graham Robb's The Discovery of France, a scholarly but entertaining history of France’s emergence in the modern era.

The death and life of Diana, Princess of Wales, provides Tina Brown, the well-known Diana tribute artist and lookalike—her Di-likeness fills the back cover of The Diana Chronicles (Doubleday), which makes it uncomfortable to read this book on public

Carra Noelle Simpson reviews The Deserters Tale by Joshua Key, an "honest, accessible, first-hand experience of the war in Iraq that is missing in mainstream media."

In The Diary of a Teenage Girl by Phoebe Gloeckner (Frog Ltd/North Atlantic Books), Minnie Goetze shares her story of growing up in anything-goes 1970s San Francisco, using words, drawings and comics. It’s the year Minnie becomes sexually curious and

The Dam Busters (Anchor Bay dvd), Michael Anderson’s 1955 movie version of the attacks, is still considered a classic war movie, and despite special effects that look tame when compared to modern cgi sequences, the pacing of the film and the power of

Several journeys go on in the three parts of The Dark Room by Rachel Seiffert (Knopf). First we meet Helmut, a young man who doesn’t go far from Berlin but spends many hours on the platform of his local train station watching his city empty of people

You'll need more than one cross-town bus ride to polish off The Decline and Fall of the Roman Empire by Edward Gibbon (as abridged for Dell). But this book remains pre-eminently a great read, and it's rife with graceful periods and rolling paragraphs

Michael Hayward reviews The Curious Case of Benjamin Button, directed by David Fincher (Criterion).

The Corporation: The Pathological Pursuit of Profit and Power and in the film it is based on, turns notions about corporate responsibility and accountability into oxymorons.

Pocket Canon #4, The Complete Life of Harmon du Prés, is a masterpiece of meandering nostalgia. An unnamed narrator reminisces about youthful encounters with Harmon in sometimes baffling vignettes, constructing a mysterious tale that is anything but

Alexander Wilson, in his book The Cult of Nature (Between the Lines), makes the following remark in passing on page 25: By the late nineteenth century, almost half of North Americans lived in cities. It was not until then—the moment that in the Unite

The protagonist of The Cripple and His Talismans by Anosh Irani (Raincoast) is a self-centred, self-absorbed, wealthy-but-have-chosen-to-live-among-the-crippled-and-poor-in-Bombay man.

Receiving books for Christmas raises the question: What possible reason did anyone have to give me this? ... This year it was my uncle's turn: why exactly did he send me a copy of The Criminal Prosecution and Capital Punishment of Animals: The Lost H

The Complete Peanuts: Volume 1, 1950 to 1952 by Charles M. Schulz (Fantagraphics) is the first in a series of deluxe hardback editions in which every single Peanuts comic strip will be reprinted, in order.

In his book of poetry, The Cold Panes of Surfaces (Nightwood), Chris Banks takes the incidental moments of our lives and raises them, with stunningly precise language, to the level of the divine. In lines like these: “Today, field crickets with hum-b

This edge-of-your-seat film follows a Spanish chef on his quest to win the prestigious cooking competition, the Bocuse D’Or. Review by Leah Rae.

Geist readers who take in the Globe and Mail will have seen a sobering feature not long ago reporting the jailing, flogging and even murdering of cartoonists who dare to satirize the governments of various countries, official religions, prominent cit

An unnamed cellist plays Tomaso Albinoni’s Adagio for twenty-two consecutive days in a bomb crater.

Child-rearing manuals cropped up with a vengeance in the latter half of the twentieth century after Dr. Benjamin Spock produced Baby and Child Care—the all-time best-selling book in American history, second only to the Bible, despite advice such as “

Even the healthiest reader can uncover the fatal illness within thanks to The Complete Manual of Things That Might Kill You: A Guide to Self-Diagnosis for Hypochondriacs, reviewed by Michael Hayward.

A city is an atmosphere defined by a history. A great city's streets may reflect its past, but only art makes a city's history, like its distinctive mood, present to the world.

"There are people," Chateaubriand comments, "who, in the midst of the collapse of empires, visit fountains and gardens"

The crowds learned that they could not act effectively in the present without confronting the past, specifically the historical treatment of indigenous people.

"Since the beginning of time (the telling of which is also a story), we have known that words are dangerous creatures."

Lacking in drama and embarrassingly undemocratic, Canada’s origins owe a lot to old-fashioned politics and not much to European battles or transcontinental railways.

Lonely Planet readers no longer travel in Bolivia or Thailand, but within the elastic, infinitely portable boundaries of the Lonely Planet nation.

In the world between here and there, what place does one call home?

Mordecai Richler, in a withering put-down, once dismissed the novelist Hugh Garner as “a good speller.” In the summer of 2003, grinding through 160 Canadian books as a jury member for the Governor General’s Literary Award for Fiction in English, I learned that for many contemporary Canadian writers, Garner’s level of dubious distinction remains out of reach.

In Chicago, where he settled, William Henry Jackson, British settler, transformed himself into Honoré Jaxon, Métis freedom fighter. He identified so closely with the Métis struggle for justice that he became one of them. He had no trouble convincing others that he was a Native and probably had no trouble convincing himself either.

Science and the arts fulfil their functions to help us survive through the imagination.

Slot machines sing their astral music. The tape recorder turns off. “Do you talk to friends about sex?” he asks.

Stephen Henighan argues that efficiency has become a core value that heightens social divisions.

No one knows quite how to account for the well-established shops in Vancouver, Toronto and other cities that deal exclusively in fountain pens and fine fountain-pen accessories.

“Have patience” and “Tomorrow” are two inseparable locutions in the Portuguese tongue.

Stephen Henighan remembers Mavis Gallant, the original nomad of Canadian literature, who wrote some of Canada's finest fiction at Pablo Picasso's café table in Paris.

I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.

How much does a photograph really capture the essence of a person?

When I was in school in Argentina, Europe (our notion of Europe) was a vast and powerful conglomerate of culture and wisdom. From there, from across the Atlantic, came the history to which, magister dixit, we owed our existence; from there came the writers whose literature we read, the musicians whose music we listened to, the filmmakers whose films we watched.

Art museums and geographical exp

We think of the Arctic as pristine and untouched—but nowhere on the planet is as harshly impacted by climate change.

In a world dominated by heroes, difference is not tolerated.

Daniel Francis investigates the practice of visiting asylums and penitentiaries as entertainment in nineteenth-century Canada.

One of the pleasures of reading for no particular reason is coming across hidden stories, involuntary essays, samples of what someone once called “found literature”—as opposed, I imagine, to the literature that states its official identity on the cover. Leafing through a book on Samuel de Champlain, I came across, of all things, a detective story.

I first tried to read J. M. Coetzee in 1994, when I was twenty-three. I failed.