For the uninitiated, the poetic mysteries of baseball can seem elusive if not downright silly. Diamonds Are Forever: Artists and Writers on Baseball (Chronicle), a print version of the Smithsonian Institution exhibition of the same name, doesn’t set
One of the pleasures of reading for no particular reason is coming across hidden stories, involuntary essays, samples of what someone once called “found literature”—as opposed, I imagine, to the literature that states its official identity on the cover. Leafing through a book on Samuel de Champlain, I came across, of all things, a detective story.
When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.
Some good Canadian with lots of hard currency should give Pico Iyer a ticket to Yellowknife, or Inuvik, or Pangnirtung or Come By Chance—almost anywhere in Canada, come to think of it. Iyer is the author of Falling Off the Map: Some Lonely Places of