I traffic deep time in a great storm, guilty of ignorance and omission

A writer roams her sleepscape in search of the extraordinary subconscious

In search of a big picture at the end of the singular world

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

The log jam is tall and wide and choosing wrong means we don’t make it home

‍

The fish is a suspended phantom, its magenta skeleton an exquisite, vibrant exhibit of what lies beneath

‍

A wildland fighter witnesses an old burn's second act

Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

‍

This invertebrate does not go looking for prey

‍

For the sake of the large romantic gesture

‍

He looked vaguely familiar— there was a sort of outline around his ­features that I almost recognized, a translucent and shifting visage, as of someone I once knew. He looked vaguely familiar— there was a sort of outline around his ­features that I al

Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

It was at about this moment that I hit him in the face, which is something I’ve never done before. I don’t know what perfect form the punch took in my mind, but by the time the impulse had pushed its way through me, my hand had bent inward like an old person’s claw, or a doll’s hand—curved around but without a bottle to clutch.

With the approach of her tenth summer, Julia considers the holidays that lie before her: will there be too many things for her to do? Trying to look ahead from school time, with its time-tables and schedules, makes it hard to remember, or to imagine, what summertime will be before summer arrives and the school year ends. In the summer when I was Julia’s age I heard Elvis Presley for the first time, down by the river on the jukebox in the fish-and-chip joint where teenagers went to hold hands and drink ice cream sodas and eat salted french fries drenched in vinegar.

One day a Swiss couple stopped in at the carpet shop, just as they had each year for the last ten years. Every spring they loaded up a cargo van with nets and jars and drove from their home in Switzerland to east Turkey, where they collected ­butterflies together. The man, Walter, had caught snakes in Africa and South America all his life and sold them to universities and private collectors, but that day he was turning seventy-five and, he said, it is not so wise at my age to play with snakes.

Reporting on the Michael Jackson trial from a Best Value Inn in Santa Maria, California.

It’s dark when I get off the bus by the corner store. Not the best area of town. The only other person in sight is lying on the sidewalk.

The Borderland Foundation documents borderland culture from its headquarters in the Jewish ghost town of Sejny, Poland.

In early March 2003, when I arrived in Taiwan to teach English, I took to the streets of Taoyuan County to take some photographs. I was looking for anything—signs, market scenes, strange faces, cityscapes, bus stations, barber shops—but all I could see was dogs. These dogs were not pets, though they may once have been. They were strays—dogs that lived on their own.

Mr. C.F. Keiss, awealthy American visitor from Bucyrus, Ohio, met death with “tragic suddenness”under the wheels of the new City auto ambulance at the corner of Pender andGranville Streets yesterday afternoon.

When the celebrated English poet Rupert Brooke came to Canada on the train from New York in 1913, he had been warned that he would find “a country without a soul.” The gloomy streets of Montreal, overshadowed by churches and banks and heavy telephone wires, reminded him of the equally gloomy streets of Glasgow and Birmingham.

We did what we weren’t supposed to do. We paid a local man to take us horseback riding. He was walking up and down the beach, waving papers and shouting, “Horses!” We signalled for him to come over, and we negotiated a price.

When we hitchhiked back to Castle­gar it was dark and the lights on the car dashboards flickered and their glass reflected the faces of the men who’d picked us up and who, I imagined, knew everything there was to know about electricity.

Violence could not reach them only when they were distant as the moon, not of this world

Language built on sounds of delight, coloured in the gardens of Beirut

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

It took me a million miles to get here and half the time I was doing it in high heels.

‍

"Leading Men” is taken from a work-in-progress, Cinéma-Verité and the Collected Works of Ronald Reagan: A History of Propaganda in Motion Pictures.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

‍

Going unnoticed must be the root sorrow for the broken.

Doing time is not a blank, suspended existence.

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Derek Matthews has to be the ugliest boy in the class but I like him. I’ve liked every boy except Barry Pumphrey now. Barry Pumphrey likes me.

These stories and conversations took place in a Media and Communications Studies class at a Canadian college. Students come to the college from many countries, in the hope of enrolling eventually in a North American university.

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

Remembering her father's last days in a hospital in Wyoming, Connie Kuhns struggles with questions of mortality, memory and how to fulfill her father's dying wish.

A new anthology of reviews, interviews and commentary on Joni Mitchell's music reveals the star-making machinery.

Did that really happen? J. Jill Robinson initiates a midnight stand-off between the police and two drunk brothers in an RV Park in White Rock, B.C.

Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

It is racism, not race, that is a risk factor for dying of COVID-19.

World War I, Canada’s “war of independence,” marked a turning point for a young colony wanting to prove itself as a self-reliant nation, but at what cost.

After Paul Muldoon and Raymond Williams.

Natural history writers often write as if nature were a nineteenth-century corporation. Species “colonize” territory left bare by glaciers; these “pioneer species” establish “dominance,” only to be “displaced” by “opportunistic newcomers” who “invade

Allison Lawlor reviews an author reading of Bread and Salt by Renee Rodin.

Michael Hayward on a collection of conversations with Brion Gysin—writer and counterculture legend.

Brotherhood of the Wolf, the highest grossing film in the history of French cinema, is a surprise. I thought it was going to be a werewolf movie, which would have been fine, but it is an action-packed tale of political intrigue set during the reign o

Just in: a copy of Broken Pencil; the Guide to Alternative Publications in Canada, Number One. A much needed guide to the weird and wonderful of the periodical press in Canada.

Kelsea O'Connor on two comic-obsessed teens in rural Nova Scotia.

Breath offers insight into the minds of adolescent boys, and is also a great way to feel the thrill and power of big waves without actually surfing them.

It has been said that Canadian poets are a staid, funereal bunch, but there are a lot of exciting new writers who are reinventing the form, such as those in Breathing Fire (Harbour), an anthology of young poets. Re-entering the fray is a true origina

Joanne Arnott "writes with great effort, feeling her way toward expression and sense without giving her life away as if it were in the "miscellaneous" box at a garage sale." Review by Joelle Hann.

J.M. Coetzee has written a boyhood memoir in the third person, and this is no mean feat; nor is it a postmodern "novel." This could have to do with the fact that Boyhood: a Memoir (Vintage) is set in South Africa, a country where life and history sti

Fans who are missing Inspector Morse, the famous fictional British detective who, unfortunately, has been killed off, should try reading the Inspector Van Veeteren mysteries by Hakan Nesser (translated by Laurie Thompson; Doubleday).

Michael Hayward on an armchair travelogue of the troubled borders in the eastern Balkans.

Nevertheless, Canadian writers do persist in the genres, and one is always gratified to come across a Canadian thriller or a mystery novel like Paul Grescoe's Blood Vessel (Douglas & McIntyre) for the sheer pleasure of watching Canadian places and ti

Michael Hayward reviews Atlantic Books' series of 'Books That Shook the World' and Alberto Manguel's biography of Homer's the Iliad and the Odyssey.

In Boiling Point: How Politicians, Big Oil and Coal, Journalists, and Activists Are Fueling the Climate Crisis—and What We Can Do to Avert Disaster (Basic Books) by Ross Gelbspan, the intricate politics of oil and money that drive the governmental po

Shakespeare and Company bookstore in Paris regularly makes it onto lists like The World’s Coolest Bookstores and The 20 Most Beautiful Bookstores in the World.

Vicki Jensen says Eden Robinson’s novel Blood Sports forces readers to confront exactly what we’d prefer to avoid—the raw world of junkies, crazies and twisted souls.

Blood (Scirocco) is the play by Tom Walmsley based on “Maxine,” a piece for performance that appeared in Geist No. 16.

Betsy Warland's new book is Blood-root: Tracing the Untelling of Motherless (Second Story), an unnecessarily clunky title for such a strong and wonderful book. There are encounters in this book between mother and daughter and daughter and father that

I was up at the cabin, reading Blindness by José Saramago, translated from the Portuguese by Giovanni Pontiero (Harcourt Brace & Co.) when the power went out. It was about four in the afternoon so I could still read by the light from the window, but

It seems ironic that an authoritative history of modern Egyptian art should be written on the west coast of Canada, until one reads Modern Egyptian Art by Liliane Karnouk (American University in Cairo Press) and realizes that Egyptian artists, citize

An etymological definition of the verb dwell prefaces Karen Solie’s second collection of poetry, Modern and Normal (Brick Books). This definition, “to lead astray, deceive; to hinder; to wander; to tarry,” sets the tone for a series of poems in perpe

Susan Juby's teen novel Miss Smithers—the story of an eccentric but charming girl entering a beauty pageant in a small BC town—is reviewed by Kris Rothstein.

An etymological definition of the verb dwell prefaces Karen Solie’s second collection of poetry, Modern and Normal (Brick Books). This definition, “to lead astray, deceive; to hinder; to wander; to tarry,” sets the tone for a series of poems in perpe

Begging the question of what can be defined as “form.”

To teach us how to read Don Quixote, a text so contrary to conventional literary tradition, the prologue itself needed to break from all traditions

"Cross-country skiing offered me the reassurance sought by the immigrant who is excluded from his locality’s history: a viable alternate route to belonging."

When you find yourself laid up in a sterile hospital room, which books do you want to have with you?

Despite hardships and dangerous slums, Nicaragua maintains a sense of hope that draws back to the democratic days of the Sandinistas.

In Hungary, goulash socialism becomes difficult to swallow

It all started with a zesty little book about getting old.

Kafka’s writing allows us intuitions and half-dreams but never total comprehension.

The woman who called herself Tatiana Aarons gave me an address that led to a vacant lot.

Romantic notions that equate Indigenous peoples with nature are not going to cut it.

Libraries are not only essential in educating the soul, but in forming the identity of a society.

Dogged dedication grants a reader vicarious immortality.

Our society is formed on the assumption of a healthy immune system.

Without air travel, family networks might have dissolved long ago.

Daniel Francis on John Franklin, John Rae and the Globe and Mail's enthusiasm for cannibalism.

There’s something not quite right about the grid on which the game is played.

The newspaper wars aren’t what they used to be.

Must artists declare their moral integrity?

In the sun-streaked barroom of the Irma Hotel on the main street of Cody, Wyoming, late one afternoon in June, I made a big mistake. “What’s on tap?” I asked.

European Jewish artisans on horseback in Argentina.

The craft of untruth has been perfected.

Dividing and conquering local populations confines them to manageable administrative units.

A few years after Kafka’s death, Milena, the woman he had loved so dearly, was taken away by the Nazis and sent to a concentration camp. Suddenly life seemed to have become its reverse: not death, which is a conclusion, but a mad and meaningless state of brutal suffering, brought on through no visible fault and serving no visible end. To attempt to survive this nightmare, a friend of Milena devised a method: she would resort to the books she had read, stored in her memory.

Many years ago my father-in-law, who had been a British prisoner of war in Japan, gave me a small pocket anthology, The Knapsack, edited by the undeservedly forgotten Herbert Read. The book (which I have since passed on to my daughter) had been put together for the Ministry of War to be given to its soldiers: its proclaimed intention was "to celebrate the genius of Mars." Surprisingly, however, the general tone of the anthology was above all elegiac.