I traffic deep time in a great storm, guilty of ignorance and omission

A writer roams her sleepscape in search of the extraordinary subconscious

In search of a big picture at the end of the singular world

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

The log jam is tall and wide and choosing wrong means we don’t make it home

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The fish is a suspended phantom, its magenta skeleton an exquisite, vibrant exhibit of what lies beneath

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A wildland fighter witnesses an old burn's second act

Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

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This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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He looked vaguely familiar— there was a sort of outline around his ­features that I almost recognized, a translucent and shifting visage, as of someone I once knew. He looked vaguely familiar— there was a sort of outline around his ­features that I al

Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

It was at about this moment that I hit him in the face, which is something I’ve never done before. I don’t know what perfect form the punch took in my mind, but by the time the impulse had pushed its way through me, my hand had bent inward like an old person’s claw, or a doll’s hand—curved around but without a bottle to clutch.

With the approach of her tenth summer, Julia considers the holidays that lie before her: will there be too many things for her to do? Trying to look ahead from school time, with its time-tables and schedules, makes it hard to remember, or to imagine, what summertime will be before summer arrives and the school year ends. In the summer when I was Julia’s age I heard Elvis Presley for the first time, down by the river on the jukebox in the fish-and-chip joint where teenagers went to hold hands and drink ice cream sodas and eat salted french fries drenched in vinegar.

One day a Swiss couple stopped in at the carpet shop, just as they had each year for the last ten years. Every spring they loaded up a cargo van with nets and jars and drove from their home in Switzerland to east Turkey, where they collected ­butterflies together. The man, Walter, had caught snakes in Africa and South America all his life and sold them to universities and private collectors, but that day he was turning seventy-five and, he said, it is not so wise at my age to play with snakes.

Reporting on the Michael Jackson trial from a Best Value Inn in Santa Maria, California.

It’s dark when I get off the bus by the corner store. Not the best area of town. The only other person in sight is lying on the sidewalk.

The Borderland Foundation documents borderland culture from its headquarters in the Jewish ghost town of Sejny, Poland.

In early March 2003, when I arrived in Taiwan to teach English, I took to the streets of Taoyuan County to take some photographs. I was looking for anything—signs, market scenes, strange faces, cityscapes, bus stations, barber shops—but all I could see was dogs. These dogs were not pets, though they may once have been. They were strays—dogs that lived on their own.

Mr. C.F. Keiss, awealthy American visitor from Bucyrus, Ohio, met death with “tragic suddenness”under the wheels of the new City auto ambulance at the corner of Pender andGranville Streets yesterday afternoon.

When the celebrated English poet Rupert Brooke came to Canada on the train from New York in 1913, he had been warned that he would find “a country without a soul.” The gloomy streets of Montreal, overshadowed by churches and banks and heavy telephone wires, reminded him of the equally gloomy streets of Glasgow and Birmingham.

We did what we weren’t supposed to do. We paid a local man to take us horseback riding. He was walking up and down the beach, waving papers and shouting, “Horses!” We signalled for him to come over, and we negotiated a price.

When we hitchhiked back to Castle­gar it was dark and the lights on the car dashboards flickered and their glass reflected the faces of the men who’d picked us up and who, I imagined, knew everything there was to know about electricity.

Violence could not reach them only when they were distant as the moon, not of this world

Language built on sounds of delight, coloured in the gardens of Beirut

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

It took me a million miles to get here and half the time I was doing it in high heels.

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"Leading Men” is taken from a work-in-progress, Cinéma-Verité and the Collected Works of Ronald Reagan: A History of Propaganda in Motion Pictures.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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Going unnoticed must be the root sorrow for the broken.

Doing time is not a blank, suspended existence.

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Derek Matthews has to be the ugliest boy in the class but I like him. I’ve liked every boy except Barry Pumphrey now. Barry Pumphrey likes me.

These stories and conversations took place in a Media and Communications Studies class at a Canadian college. Students come to the college from many countries, in the hope of enrolling eventually in a North American university.

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

Remembering her father's last days in a hospital in Wyoming, Connie Kuhns struggles with questions of mortality, memory and how to fulfill her father's dying wish.

A new anthology of reviews, interviews and commentary on Joni Mitchell's music reveals the star-making machinery.

Did that really happen? J. Jill Robinson initiates a midnight stand-off between the police and two drunk brothers in an RV Park in White Rock, B.C.

Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

It is racism, not race, that is a risk factor for dying of COVID-19.

World War I, Canada’s “war of independence,” marked a turning point for a young colony wanting to prove itself as a self-reliant nation, but at what cost.

After Paul Muldoon and Raymond Williams.

The first time I saw Robinson Crusoe on Mars (Byron Haskin, Criterion dvd) was in the Cedar V Theatre, a Quonset-style, single-screen movie house on Lynn Valley Road in North Vancouver: 25 cents for a science-fiction double bill in 1965.

Road Novels, 1957—1960 is an omnibus volume dressed in the standard Library of America livery: a burgundy cloth binding; a black dust jacket discreetly trimmed in red, white and blue; a bound-in ribbon marker.

Solnit’s book River of Shadows (Viking Penguin) is a brilliant account of Muybridge’s life and the “Age of the Technological Wild West”: Muybridge was a great inventor and tinkerer, one of the most original of the landscape photographers (his panoram

Readers of Dennis Lee's Riffs (Brick) might find themselves disappointed with this book, which declares itself to be fiction when they would perhaps prefer it to be fact. As fiction, these poems don't read well: they are clever, well-crafted, technic

My daughter fulfilled my request for a new cookbook. Since seeing the movie Big Night I have wanted to be able to make risotto. Now, with the help of Risotto (Macmillan) by Judith Barrett and Norma Wasserman, I can.

Eventually Lucille Johnstone told her story to Paul E. Levy, who made it into a book, River Queen: The Amazing Story of Tugboat Titan Lucille Johnstone (Harbour), an absorbing read even for people who think they’re not interested in reading about bus

Review of "Rise Up: Songs of the Women's Movement" Co-Produced by Jim Brown, Heather A. Smith, and Donna Korones.

Aritha van Herk’s Restlessness (Red Deer College Press), though, ought to go missing from hostel shelves. It is a meditative novel which begins on a dramatic and Gothic note with a woman in a Calgary hotel room waiting for her “chosen assassin.”

I got a copy of Restricted Entry, by Janine Fuller and Stuart Blackley (Press Gang) as part of the ticket price for a benefit for Little Sister's Bookstore & Art Emporium. For those two of you who don't already know, Little Sister's has taken the gov

The most comprehensive DVD (and the most fun) to hit my machine lately is the special edition release of Quentin Tarantino’s Reservoir Dogs. There are so many reasons to have this DVD in your library I hardly know where to start.

From my parents’ bed that night, Lévesque looked like a man—maybe the first man in CBC history—who had lost two countries at the same time.

Fact and fiction are intermingled in this "novel" about growing up Mennonite in the Fraser Valley.

Republic Pictures was an independent genre film studio active in the 1940s and ’50s, specializing in westerns and action-adventure serials—the movies kids went to see on Saturday afternoons. But while the movies the studio released were B films on fi

Shyla Seller on "The Forbidden Reel"—a documentary on the legacy and preservation of Afghan Films.

Review of "Ring" by André Alexis.

Jill Mandrake on False Memories and Other Likely Tales by Ernest Hekkanen.

Norbert Ruebsaat learns that true happiness requires “an ability to live with ambiguity and tolerate a certain degree of physical humour” in Brian Fawcett's memoir, Human Happiness.

Young James Laxer prayed for a normal life. He grew up in a committed Communist household, an experience he describes in Red Diaper Baby: A Boyhood in the Age of McCarthyism (Douglas & McIntyre).

Michael Hayward on László Krasznahorkai's The Manhattan Project.

The French writer Julien Gracq, who will be ninety-seven this year, is a living link to the era of Louis Aragon and André Breton. Gracq has avoided the kind of recognition that most modern writers crave (he refused the Prix Goncourt in 1951), and his

A Gibsons, B.C. reader wrote in response to my review of Press Gang Publishers' catalogue (Geist 1), including that it was "not stapled, so recycle worry-free." She advises that recycling-wise, staples are much more acceptable than glue and are pulle

We get a lot of mail at the Geist offices, much of it from people who "read the mag from cover to cover!!" But some Geist readers pay closer attention than others. One such sharp-eyed fan wrote recently to ask: "Just what is a 'techno-otipimist' (Num

Michael Hayward reviews Some Rain Must Fall, part of the six volume memoir by Karl Ove Knausgaard.

Mandelbrot schleps a pen around for a week to feel it out.

A city is an atmosphere defined by a history. A great city's streets may reflect its past, but only art makes a city's history, like its distinctive mood, present to the world.

"There are people," Chateaubriand comments, "who, in the midst of the collapse of empires, visit fountains and gardens"

The crowds learned that they could not act effectively in the present without confronting the past, specifically the historical treatment of indigenous people.

"Since the beginning of time (the telling of which is also a story), we have known that words are dangerous creatures."

Lacking in drama and embarrassingly undemocratic, Canada’s origins owe a lot to old-fashioned politics and not much to European battles or transcontinental railways.

Lonely Planet readers no longer travel in Bolivia or Thailand, but within the elastic, infinitely portable boundaries of the Lonely Planet nation.

In the world between here and there, what place does one call home?

Mordecai Richler, in a withering put-down, once dismissed the novelist Hugh Garner as “a good speller.” In the summer of 2003, grinding through 160 Canadian books as a jury member for the Governor General’s Literary Award for Fiction in English, I learned that for many contemporary Canadian writers, Garner’s level of dubious distinction remains out of reach.

In Chicago, where he settled, William Henry Jackson, British settler, transformed himself into Honoré Jaxon, Métis freedom fighter. He identified so closely with the Métis struggle for justice that he became one of them. He had no trouble convincing others that he was a Native and probably had no trouble convincing himself either.

Science and the arts fulfil their functions to help us survive through the imagination.

Slot machines sing their astral music. The tape recorder turns off. “Do you talk to friends about sex?” he asks.

Stephen Henighan argues that efficiency has become a core value that heightens social divisions.

No one knows quite how to account for the well-established shops in Vancouver, Toronto and other cities that deal exclusively in fountain pens and fine fountain-pen accessories.

“Have patience” and “Tomorrow” are two inseparable locutions in the Portuguese tongue.

Stephen Henighan remembers Mavis Gallant, the original nomad of Canadian literature, who wrote some of Canada's finest fiction at Pablo Picasso's café table in Paris.

I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.

How much does a photograph really capture the essence of a person?

When I was in school in Argentina, Europe (our notion of Europe) was a vast and powerful conglomerate of culture and wisdom. From there, from across the Atlantic, came the history to which, magister dixit, we owed our existence; from there came the writers whose literature we read, the musicians whose music we listened to, the filmmakers whose films we watched.

Art museums and geographical exp

We think of the Arctic as pristine and untouched—but nowhere on the planet is as harshly impacted by climate change.

In a world dominated by heroes, difference is not tolerated.

Daniel Francis investigates the practice of visiting asylums and penitentiaries as entertainment in nineteenth-century Canada.

One of the pleasures of reading for no particular reason is coming across hidden stories, involuntary essays, samples of what someone once called “found literature”—as opposed, I imagine, to the literature that states its official identity on the cover. Leafing through a book on Samuel de Champlain, I came across, of all things, a detective story.

I first tried to read J. M. Coetzee in 1994, when I was twenty-three. I failed.