Thompson’s free-ranging narrative of the New World must be the only one in which the devil is defeated at checkers.

You had to sleep in it and fall in love in it.

The restaurant had white concrete walls and chrome lights dangling from the ceiling that gave the place an operating theatre vibe.

"A rookery of dead ends and curved lanes. Everywhere heaps of debris. Pigs rooting in eyes." Explore Manchester during the Industrial Revolution, in poem.

Personal narratives by Indigenous and settler contributors describing significant first contacts that brought new insights.

The Calgary floods left behind a stew of knee-deep mud, and waterlogged piles of couches, fridges, books, toys, artworks, chairs, carpet, drywall...

The organizers of tonight’s talk have branded it as a “raw exchange”—part of a series of uncensored literary gatherings around the city—and so they’ve invited three biting B.C. writers to get down to brass tacks for a group of strangers in the basement of the Vancouver Public Library. By some freak of programming, a punk-metal band is slaying the kids in the room down the hall tonight, which means every time a bookish-looking latecomer wades into our midst, a foul-sounding wave of hellish power chords does, too.

Here they are our people.

What was a lone hen doing in the yard, a few feet from a busy city street?

"At the back of the line a woman with no teeth was trying to hold an eighteen-pack of budget toilet paper with one hand."

For me, the jacket is a piece of menswear history that I can actually put on, and a link to the tragicomic tale of an underachiever with a famous name.

The time had come for our marathon trek through Europe. I was ten, and hated it already.

A man with a chainsaw boarded the number 7 bus at about 7:45 a.m., when I was on my way to work in downtown Ottawa.

Toward the end of her life I drew close to Althea, the cat who had been with Mary and me for five or maybe six years, ever since her real owner, Mary’s daughter Karen, had to find a home for her when a landlord invoked the no-pets rule, and Mary and I were living mere blocks away, completely petless and, some might say, carefree.

The National calls from the cbc in Toronto. They want me to be their “eyes on the ground.” I try not to laugh—I’m a part-time poet who lives in the suburbs. The woman on the phone asks what it’s like to live in a city in a forest. Does she mean here? In Toronto, she explains, that’s how they described it to her. She must be picturing deep woods with houses and corner stores tucked in among the paths, and roads more like wagon trails. When I drive past Winners and Costco I don’t think “forest.” No, I tell her, Prince George is a lot like the outskirts of Guelph. She falls silent and I amend it: Prince George is like Edmonton but planned by drunken loggers. She seems to like that better, so I carry on: it’s like living in a logging camp but with easier access to big box stores. What about the trees, she asks. Oh, they’re fine, I say, just shorter and mostly gone.

Forgotten cutlery, missing mushrooms and lingering doubt: a recipe for bewilderment.

Opa, you know that sometimes people say things, well, indirectly? They don’t say everything that they mean?

On her first communion, a young girl searches for peace of mind in a world of purgatory, UFOs and the Lennon Sisters.

According to legend and prophecy, this child would possess the second sight.

Randy Fred reports on migrant workers, then and now.

Salmon runs, voodoo juice and chewing the fat in Mission.

Salmon runs, voodoo juice and chewing the fat in Mission.

Michel Lambeth's photo of Milton Acorn brings back memories of dancing, love poetry and a revolution.

We were setting fires in a dry gulch in the hills at the edge of town, with crumpled sagebrush and bits of tumbleweed and no paper for kindling, and we had to start our own fire with a single match the way they did in the Cub Scout troop that met Thursday nights in the basement of St. Paul’s Anglican church on Battle Street.

Aboard a stuck SkyTrain, reading Samuel Pepys's account of the Great Fire of London.

Did you hear that the railway built Canada? That’s probably all you heard

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What is at the heart of this Edith Iglauer profile by Giller nominee Annabel Lyon? Hint: Ice Road Truckers.

Sarah Leavitt is more than just a clever cartoonist; she also paints pictures with her colourful prose.

Did that really happen?  J. Jill Robinson initiates a midnight stand-off between the police and two drunk brothers in an RV Park in White Rock, B.C.

And a sort of current ran through you when you saw it, a visceral, uncontrollable response. A physical resistance to the silence

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Language built on sounds of delight, coloured in the gardens of Beirut

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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Violence could not reach them only when they were distant as the moon, not of this world

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

It took me a million miles to get here and half the time I was doing it in high heels.

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"Leading Men” is taken from a work-in-progress, Cinéma-Verité and the Collected Works of Ronald Reagan: A History of Propaganda in Motion Pictures.

Going unnoticed must be the root sorrow for the broken.

Doing time is not a blank, suspended existence.

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Derek Matthews has to be the ugliest boy in the class but I like him. I’ve liked every boy except Barry Pumphrey now. Barry Pumphrey likes me.

These stories and conversations took place in a Media and Communications Studies class at a Canadian college. Students come to the college from many countries, in the hope of enrolling eventually in a North American university.

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

Remembering her father's last days in a hospital in Wyoming, Connie Kuhns struggles with questions of mortality, memory and how to fulfill her father's dying wish.

A new anthology of reviews, interviews and commentary on Joni Mitchell's music reveals the star-making machinery.

Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind

The new Karl Marx biography by Francis Wheen (4th Estate) fails to illuminate a man who was loved by his family and revered by his followers; instead we are given a hazy sketch of a petulant, perhaps incompetent man of few skills and little disciplin

This fast-paced, quirky, heart warming and hilarious novel captures the fast and loose crossovers of language and culture that make southeast New Brunswick unique.

Daniel Francis reviews the Pulitzer Prize-winning novel Killer Angels by Michael Shaara, a minute-by-minute reimagining of the Battle of Gettysburg.

Thematic convergence was far from my mind when Frank Davey's nearly-instant book, Karla's Web: A Cultural Investigation of the Mahaffy-French Murders (Viking), appeared in the office. For one thing, it came in a wrapper announcing it to be a copy of

The final volume of Karl Ove Knausgaard’s My Struggle allows us to compare Karl Ove’s literary edifice with others of similar ilk—and bulk.

Mairowitz and Crumb’s Kafka, meanwhile, opens with a horrifying drawing of one of Franz K’s many grisly fantasies of his own death—a pork butcher’s cleaver hacking off neat slices from his head.

Justa by Bridget Moran is another great book—this time I'm typesetting it, and I almost never read books that I typeset But I found myself reading sections while waiting for other sections to print, and I could tell it was going to be a good one. Jus

Many of the poems in Sharon McCartney’s second book, Karenin Sings the Blues, have won national competitions and been published in literary magazines, and so set the standard and tone for the rest of this fine collection. The book is presented in thr

My dog-eared copy of Juxtsuppose, a zine "conceived and coordinated by Billy Rueben and Brad Y" (available at Box 30007 Parkgate, N. Vancouver V7H 2Y8) represents the best two bucks I've spent all year.

On February 22, 2007, the folk singer-songwriter Josh Ritter stepped on stage at the Vancouver East Cultural Centre, played three songs and said little more than “I’m excited to be here.” Uh-oh, I thought. After a few songs he absorbed the warm glow

Eve Corbel reviews Lumberjanes, a "smart, cute-in-a-good-way" comic series that follows the supernatural hijinks of five girls at an extraordinary summer camp.

Michal Kozlowski reviews Joseph Howe and the Battle for Freedom of Speech by John Ralston Saul.

Review of "Shadow of Doubt: The Trials of Dennis Oland, Revised and Expanded Edition" by Bobbi-Jean MacKinnon.

Mandelbrot reviews Jeff Wall: The Complete Edition (Phaidon).

Jennesia Pedri reviews A Brief History of Seven Killings by Marlon James.

The two actors shared the portrayal of Jesus as well as playing the other characters, including Mary Magdalene, John the Baptist, Elvis and the three wise men—with a versatility and energy that contributed to a unique and very funny show.

In Jeannie and the Gentle Giants by Luanne Armstrong (Ronsdale), Jeannie is a young city girl who ends up in a foster home in the countryside near Kelowna, B.C., and the gentle giants are two enormous work horses named Sally and Sebastien who help Je

In the note accompanying Geist's copy of jacks: a gothic gospel (Livres DC Books), the book's author Anne Stone recommends it for review, or for "hanging out on a coffee table as an orange object." And, although it is a lovely orange object, jacks is

Peggy Thompson on Amber Dawn's Sodom Road Exit.

Forever is a Dutch film made by the experienced documentarian Heddy Honigmann. Its subject is Père-Lachaise cemetery in Paris but its scope includes life and death, history and memory, art and beauty.

In Geist No. 1, I reviewed a handful of Canadian publishers’ catalogues.

Orhan Pamuk’s Istanbul: Memories and the City, translated by Maureen Freely (Knopf), presents Istanbul as a palimpsest in which can be read the fading traces of empires Christian and Muslim, of childhood, and of a European gaze that once contemplated

For Myles Hildyard, a British aristocrat, the Second World War was an adventure like no other. He joined a local military unit in the late 1930s and saw action throughout the entire war, stationed in the Middle East, North Africa, Crete and western E

Forbidden Lie$ tells the story of Norma Khouri, who shot to fame when her book, Forbidden Love, became a bestseller. The book claimed to tell the story of Khouri’s best friend, who was murdered by her own family because she dated a man of a different

The crowds learned that they could not act effectively in the present without confronting the past, specifically the historical treatment of indigenous people.

Stephen Henighan argues that efficiency has become a core value that heightens social divisions.

Ruskin's readers have the power to know that there is indeed room for Alice at the Mad Hatter's table.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

An appreciation of Dante's "Commedia."

There is no way to step back from the orgy of kisses without offending.

Rob Kovitz compiles the pressing questions of the day—"How are they gonna beat ISIS?" And, "On Twitter, who cares?"

For an English-speaking Canadian who has been exposed to French from an early age, Paris is the most disorienting city in Europe. It is grandiose, but it is mundane.

Faith seems to shiver when confronted by art.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

One thing Canadians have learned from our armed incursion into Afghanistan is that we do not have a vocabulary for discussing war or warlike events.

The atrocities were carried out in the name of some version of “civilization” that the Queen represented.

"Resistance to wars is as much a Canadian tradition as fighting them." Daniel Francis discusses alternative histories, anti-draft demonstrations and the divisive nature of war.

Alberto Manguel's column from Geist 93 about how the most important Turkish novelist of modern times took over fifty years to reach English-speaking audiences.

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

A reflection on the complex and often inexplicable process of bibliographic categorizations.

What does it mean to "be" yourself? The face reflected in the mirror is unrecognizable.

Parables, cautionary tales, morality plays, allegories—the notion that we can study literary works as texts of ethics is as old as literature.

Stephen Henighan discusses the crude first steps to finding a new way to talk about racial reality.

The Penthouse, the notorious Vancouver night club, shares a history with several of the city's missing women cases.

A bibliophile's worst nightmare: being stuck on a plane with a terrible book. A book mistaken for a work of serious history.

Unravelling the mysteries of Alejo Carpentier

A misogynist, a racist and an academic walk into a bar...