I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.
The new line of books about film and filmmaking from Wallflower Press in London (available from Columbia University Press here) is a real achievement. A Critical Guide to Contemporary North American Directors, with a whopping 535 beautifully designed

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

The comics artist and writer Seth dropped in to Sophia Books in Vancouver in early November to promote his new book, Wimbledon Green: The Greatest Comic Book Collector in the World (Drawn & Quarterly), a sumptuous clothbound volume on whose cover the

Lewis Hyde’s Trickster Makes This World: Mischief, Myth and Art (North Point Press) is a wonderful book of old stories about Hermes in Greece, Raven and Coyote in North America, Krishna in India and Eshu in West Africa, and new stories about Picasso,