Allen Ginsberg is speaking into a tape recorder hanging from the rear-view mirror of my mother’s Volvo, composing a poem with the attitude of one accustomed to the gratitude of posterity.

The next performer, Coco, a six-year-old Belgian shepherd, stood on his back legs and hopped alongside a woman wearing white go-go boots who jiggled her hips in time to “ymca.” Coco weaved between her legs, rolled across her feet, lay on his back and kicked his legs in the air. The woman’s brow was furrowed and sweat ran down her face. Coco bounded in front of her, then backed through her legs and sneezed twice. The judges looked at each other and one of them wrote somethingdown.

When I am dying, it would be comforting tobe told that I had been the human equivalent of a good dog. Loving,compassionate, faithful, understanding, dignified, but also goofy, curious,fun, protective, a friend. Let’s leave out obedience.

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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When taking hallucinogenics, more is better, within limits.

Narrative text, written and spoken, refines a doctor’s ability to hear a patients’ stories.

A collection of Jerome Stueart's Greyhound sketches, including one Vitruvian bus driver.

Two women on motorcycles: one in the dead zone of Chernobyl, and the other in the cactus country of Kamloops.

Not long ago on a sticky Saturday night at a comedy club in Madison, Wisconsin, the funeral director with whom I was having a drink told me how long it takes for the formaldehyde to replace the blood in a dead person’s arteries. He drank a light beer

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Stephen Osborne reflects on the Vancouver Poetry Conference, the Occupy movement, and a brunch with NaNoWriMo novelists.

The secret is in the velvet.

A shuttle driver at LAX shares his idea for a Valentine’s Day gift.

Just decide what happens and worry about the rest later.

After the fall of the Berlin Wall, Hakescher Markt became one of hippest neigh

Stephen Osborne recollects his encounter last summer with Robert Service outside a cafe in Vancouver. Service, who wrote the poem "The Cremation of Sam McGee," died in 1958.

Only when I settle down in the back seat of the cab do I notice that on the dashboard there are several stickers with the letter U, the sign of Ustashe. During the Second World War, Ustashe was the ruling party in the Independent State of Croatia.

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A young Canadian man visits family in Pakistan to settle a generational feud.

Plumb the depths of the Aquafit subculture with our embedded nonagenarian.

“Never write a line you don’t mean,” said Carver. “And don’t ever imag

Notes from the Governor General’s Literary Awards.

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I looked in her purse and found nothing but scraps of paper so covered in writing there was hardly any white left on the pages.

Stephen Osborne compares the "major problem" of loitering in 1968 Vancouver to the 2012 Occupy movement.

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In 1989, when Harold and Barbara Morgan opened the Museum of Exotic World in the front rooms of Harold’s commercial painting business in Vancouver, they had been travelling the world every winter for forty-five years and had accumulated many souvenir

In 1946, a young bride writes home about her month-long sea voyage to her new home on Baffin Island.

A Canadian soldier captured at Dieppe in 1942 tells what happened next.

Violence could not reach them only when they were distant as the moon, not of this world

Language built on sounds of delight, coloured in the gardens of Beirut

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

It took me a million miles to get here and half the time I was doing it in high heels.

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"Leading Men” is taken from a work-in-progress, Cinéma-Verité and the Collected Works of Ronald Reagan: A History of Propaganda in Motion Pictures.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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Going unnoticed must be the root sorrow for the broken.

Doing time is not a blank, suspended existence.

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Derek Matthews has to be the ugliest boy in the class but I like him. I’ve liked every boy except Barry Pumphrey now. Barry Pumphrey likes me.

These stories and conversations took place in a Media and Communications Studies class at a Canadian college. Students come to the college from many countries, in the hope of enrolling eventually in a North American university.

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

Remembering her father's last days in a hospital in Wyoming, Connie Kuhns struggles with questions of mortality, memory and how to fulfill her father's dying wish.

A new anthology of reviews, interviews and commentary on Joni Mitchell's music reveals the star-making machinery.

Did that really happen? J. Jill Robinson initiates a midnight stand-off between the police and two drunk brothers in an RV Park in White Rock, B.C.

Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

It is racism, not race, that is a risk factor for dying of COVID-19.

World War I, Canada’s “war of independence,” marked a turning point for a young colony wanting to prove itself as a self-reliant nation, but at what cost.

After Paul Muldoon and Raymond Williams.

Reviws of "Slave Old Man" by Patrick Chamoiseau

Review of "Something, Not Nothing: A Story of Grief and Love" by Sarah Leavitt.

Review of "House Work" curated by Caitlin Jones and Shiloh Sukkau.

Review of "M Train" by Patti Smith.

Review of "On Community" by Casey Plett.

Review of "The Boy and the Heron" directed by Hayao Miyazaki.

Review of "The Man in the Red Coat" by Julian Barnes.

Review of "Conversations with Khahtsahlano, 1932–1954" reissued by Massy Books and Talonbooks.

Review of "Hangman: The True Story of Canada’s First Executioner" by Julie Burtinshaw.

Review of "Pinball: The Man Who Saved the Game" written and directed by Austin Bragg and Meredith Bragg.

Review of "Queers Like Me" by Michael V. Smith.

Review of "Rearrangements" by Natan Last, published in The New Yorker December 2023.

Review of "Cabin Fever" by Anik See.

Review of "Matrescence: On the Metamorphosis of Pregnancy, Childbirth and Motherhood" by Lucy Jones.

Review of "Edible and Medicinal Flora of the West Coast: British Columbia and the Pacific Northwest" by Collin Varner.

Review of "The Adversary" by Michael Crummey.

Review of "Galore" by Michael Crummey.

Review of "Jo Cook and Perro Verlag Books by Artists: The Unreadable Sacred," organized by the Simon Fraser University Art Gallery.

Review of "Gertrude and Alice" produced by United Players of Vancouver.

Review of "Big Mall: Shopping for Meaning" by Kate Black.

Review of "Censorettes" by Elizabeth Bales Frank.

Review of "Memories: From Moscow to the Black Sea" by Teffi (trans. Robert Chandler).

Review of "Our Flag Means Death" created by David Jenkins on HBO Max.

Review of No Fun (the band) and reissued music by Atomic Werewolf Records.

Mary Schendlinger challenges a review of a biography of Blanche Knopf, the underrecognized co-founder of Alfred A. Knopf Inc.

Alberto Manguel compares his life in the French countryside to that of Cain, whom God despised for being a settled crop farmer, and whom he punished by forcing him to wander.

The canoe as a fetish object, a misreading of Canadian history and a symbol of colonial oppression.

Reflections on John Updike's death.

Reading is a subversive activity and does not believe in the convention of borders.

Progressives are far less likely to be nationalists than ever before.

Do shared languages form the natural boundaries of any nation in the world?

Kaiju are the heroes we deserve.

A look back at World War I as the first great twentieth-century pollution of language.

The novelist can often better define reality than the historian.

"We know that life-altering and possibly cataclysmic change is coming, and we continue to live as we have always done."

The writer who is loved by all, by definition, neglects literature’s prime responsibility: to offend.

Lisa Bird-Wilson on UNDRIP, reconciliation, and the anxiety felt by Indigenous people in Canada.

Reflections on how a bar in Parc Extension, QC, influenced an eponymous poem about "unprogress, inertia, the failure to learn from mistakes."

There are imaginary cities for scientists, vampires, lechers and even bad students—but what about writers?

The books we love become our cartography.

"Canadians have long been convinced that we do not know much, or care much, about our own history, but a new study suggests that this truism is not true."

A package-deal paradise reputation curtails gringo knowledge of Dominican life.

Bohemia is a good place to grow as a writer, but is it a good place to live one’s whole life?

Daniel Francis discusses Canada's failing mental health care system and its long history of mistreatment.

To build a city on land flooded by the tides isn’t just a mistake—it’s utopic.

Anti-communism, retired by most Western governments,receives monumental status in Canada

On the screen, only the image—not the word—can become the world.

Donald Creighton was a bigot and a curmudgeon, a cranky Tory with a chip on his shoulder. He was also the country’s leading historian, who changed the way that Canadians told their own story.