To prove my wolfishness, I shucked my skate shoes and went barefoot on the pine needles

It might be time to find a new cemetery

How do you have a good time in Warsaw? Sing Neil Diamond songs in a karaoke bar.

That is how one shows true love

I want to see what it means, on a deep level, to stay put

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It was a gruesome war, Santa added in Papyrus font, but the forces of Good eventually emerged victorious

Time to call a professional

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The large supply of nine-volt batteries suddenly made sense

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I traffic deep time in a great storm, guilty of ignorance and omission

The log jam is tall and wide and choosing wrong means we don’t make it home

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The fish is a suspended phantom, its magenta skeleton an exquisite, vibrant exhibit of what lies beneath

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A wildland fighter witnesses an old burn's second act

Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

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This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

A writer roams her sleepscape in search of the extraordinary subconscious

In search of a big picture at the end of the singular world

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Did you hear that the railway built Canada? That’s probably all you heard

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What is at the heart of this Edith Iglauer profile by Giller nominee Annabel Lyon? Hint: Ice Road Truckers.

Sarah Leavitt is more than just a clever cartoonist; she also paints pictures with her colourful prose.

Did that really happen?  J. Jill Robinson initiates a midnight stand-off between the police and two drunk brothers in an RV Park in White Rock, B.C.

And a sort of current ran through you when you saw it, a visceral, uncontrollable response. A physical resistance to the silence

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Language built on sounds of delight, coloured in the gardens of Beirut

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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Violence could not reach them only when they were distant as the moon, not of this world

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

It took me a million miles to get here and half the time I was doing it in high heels.

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"Leading Men” is taken from a work-in-progress, Cinéma-Verité and the Collected Works of Ronald Reagan: A History of Propaganda in Motion Pictures.

Going unnoticed must be the root sorrow for the broken.

Doing time is not a blank, suspended existence.

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Derek Matthews has to be the ugliest boy in the class but I like him. I’ve liked every boy except Barry Pumphrey now. Barry Pumphrey likes me.

These stories and conversations took place in a Media and Communications Studies class at a Canadian college. Students come to the college from many countries, in the hope of enrolling eventually in a North American university.

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

Remembering her father's last days in a hospital in Wyoming, Connie Kuhns struggles with questions of mortality, memory and how to fulfill her father's dying wish.

A new anthology of reviews, interviews and commentary on Joni Mitchell's music reveals the star-making machinery.

Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind

Michael Hayward reviews On Hashish, a collection of Walter Benjamin’s writings on hashish.

Stephen Osborne reviews On the Edge: A Journey into the Heart of Canada by Lindalee Tracey.

Michael Hayward on "Autumn" by Karl Ove Knausgaard.

Wendy Wasserstein’s superb writing makes her latest play, Old Money, more compelling to read than most contemporary novels. Old Money concerns a Manhattan mansion and the families that inhabit it at the turn of the twentieth and twenty-first centurie

Child-rearing manuals cropped up with a vengeance in the latter half of the twentieth century after Dr. Benjamin Spock produced Baby and Child Care—the all-time best-selling book in American history, second only to the Bible, despite advice such as “

The Old Farmer's Almanac (Yankee Publishing Inc.) does not believe in chaos theory. "We believe," state its editors in the 1994 edition which arrived in the mail recently, "nothing in the universe occurs haphazardly." Which explains how the Almanac c

Michael Hayward on the perfect setup for a classic “film noir.”

For the folks out there who are indifferent to what’s going on in Iraq and Afghanistan, this book seems to whisper, “Stop eating your grilled Gruyère cheese with Roma tomatoes and red onion on open-face sourdough long enough to read me, if you please

Observatory Mansions by Edward Carey (Crown) sports a beautiful dust jacket that can be read over and over again, and the chapter starts are accompanied by wonderful illustrations by the author. The lives of the denizens of Observatory Mansions are s

Michael Hayward on "How To Do Nothing."

The pictures in Nuvisavik: The Place Where We Weave, edited by Maria Von Finckenstein (McGill-Queens) are of tapestries that tell the story of traditional Inuit life. The tapestries were woven by members of a weaving studio in Pangnirtung, Baffin Isl

Erin Mouré’s book of poems, O Cadoiro (Anansi), is seductive in its physical beauty (kudos to the designer) and in the great romance of the verse, which reminded me of the infamously passionate Letters of a Portuguese Nun, a collection of letters tha

Oblique Litanies by Paul Davies (ECW Press) is a collection of short personal essays—the author calls them "conversations," but "monologues" would be more accurate: they are really half-conversations, the other halves of which are understood to belon

Three generations of the Crosby family live and die, but all you really need to know about Tinkers by Paul Harding is the writer’s exceptional use of language.

Novels in Three Lines is an addictive collection of brief items—“true stories of murder, mayhem, and everyday life”—that were first published anonymously in 1906 in the French newspaper Le Matin; I dare you to eat just one.

"This Accident of Being Lost" by Leanne Betasamosake Simpson (House of Anansi) is a sharp collection of short stories and poetry that resists the colonialism of contemporary Canada.

Michael Hayward reviews Notes on the Cinematographer, a cryptic compendium of notes and quotes from the French filmmaker Robert Bresson.

A peek inside Roger Deakin’s living, breathing farmhouse in the waning years of his life in Notes from Walnut Tree Farm, reviewed by Michael Hayward.

Dylan Gyles reviews They Never Told Me and Other Stories by Austin Clarke.

When a group of people who have been silent begin to speak up, one of the first literary forms to emerge is the memoir. So it is with the twenty-two women whose stories are gathered in Nobodys Mother: Life Without Kids, edited by Lynne Van Luven (Her

Unreliable narrator, post-modernist self-reference and contemporary literary references—Michael Hayward on the nature of the autobiography.

Because I am a fairly new fan of Martin Amis's novels, I picked up slim Night Train (Knopf Canada) with much interest. Amis is well known for novelistic experimentation (his Time's Arrow is written in reverse time), and he doesn't disappoint here.

Blood flows vigorously in Cormac McCarthy’s new novel No Country for Old Men (Knopf), in which a grim and emotionless gunman methodically sets out to trace and recover the spoils of a drug deal gone wrong in the badlands just north of the Mexican bor

In Night of the Prom (Thirteenth Tiger Press), four authors offer original takes on the prom tradition in poetry and prose.

The crowds learned that they could not act effectively in the present without confronting the past, specifically the historical treatment of indigenous people.

Stephen Henighan argues that efficiency has become a core value that heightens social divisions.

Ruskin's readers have the power to know that there is indeed room for Alice at the Mad Hatter's table.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

An appreciation of Dante's "Commedia."

There is no way to step back from the orgy of kisses without offending.

Rob Kovitz compiles the pressing questions of the day—"How are they gonna beat ISIS?" And, "On Twitter, who cares?"

For an English-speaking Canadian who has been exposed to French from an early age, Paris is the most disorienting city in Europe. It is grandiose, but it is mundane.

Faith seems to shiver when confronted by art.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

One thing Canadians have learned from our armed incursion into Afghanistan is that we do not have a vocabulary for discussing war or warlike events.

The atrocities were carried out in the name of some version of “civilization” that the Queen represented.

"Resistance to wars is as much a Canadian tradition as fighting them." Daniel Francis discusses alternative histories, anti-draft demonstrations and the divisive nature of war.

Alberto Manguel's column from Geist 93 about how the most important Turkish novelist of modern times took over fifty years to reach English-speaking audiences.

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

A reflection on the complex and often inexplicable process of bibliographic categorizations.

What does it mean to "be" yourself? The face reflected in the mirror is unrecognizable.

Parables, cautionary tales, morality plays, allegories—the notion that we can study literary works as texts of ethics is as old as literature.

Stephen Henighan discusses the crude first steps to finding a new way to talk about racial reality.

The Penthouse, the notorious Vancouver night club, shares a history with several of the city's missing women cases.

A bibliophile's worst nightmare: being stuck on a plane with a terrible book. A book mistaken for a work of serious history.

Unravelling the mysteries of Alejo Carpentier

A misogynist, a racist and an academic walk into a bar...